Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
DISCLAIMER: This post's audience is well intentioned creatives, when discussing representation and "good"/"bad" represenation of minorities this post assumes the subject has educated themselves on bigoted caricatures and the like and is asking for further, general advice, as well as approaching this task in good faith. This post does not advocate for the continuation of malicious stereotypes
PS: i say representation a lot. Sorry. PPS. This gets fairly long for no particular reason, so the read more.
I see a lot of authors of all stripes asking all kinds of people how best to represent this disorder, this culture, this race, and oftentimes they are perfectly well meaning and in the midst of research but feeling anxiety about their story or confusion at differing answers. I think there's perhaps a very general 'second step' after internalizing the fact that you should attempt to depict people from their lived experiences and listen to their voices instead of operating off of cultural assumptions.
I think most people could use internalizing the logic of what makes 'good' or 'positive' representation so decisive and situational. When you are aiming to represent an underdiscussed and silenced minority, you are primarily attempting to combat the dehumanization that comes when viewing an entire population as a singular identical image.
The goal of representation is to not sell a more agreeable image, ie to make x minority a heroic, beautiful, loveable force. This firstly can other the group. Secondly it also tends to take the bite out of stories, limiting your scope and capabilities as a writer. Thirdly, it's not accurate! It's simply replacing fiction with another fiction. The result you want is understanding that this minority group is full of individuals, who can have complex, messy lives. They can be rude, can hurt others, can be in the wrong just as much as they can be kind, can heal, and can be fighters for a noble cause.
This can only be combated by variety. Ultimately a single creator can only do so much within their given scope and on a societal level we all have to consider our depicitions of others in fiction and in nonfiction, but that's no excuse for you as an individual to shrug it off. There is something you can do!
The usual first step is defying established stereotypes. This is the most common I see given, and I absolutely agree with it, but it's important to note that this can be wildly different across minorities, and conflicting stereotypes can come into play.
Another good way to help your cast represent a wide variety of people is to show a variety within a minority.
This is vital advice to writers with minority villains, and what can be what distinguishes a bigoted story from a diverse one. I don't think I need to clarify here but I will, you shouldn't have characters that exist in single traits to offset other character's impact on the text. Again, complex humans deserve complex stories about them. A story where a white cast fights against a black villain is a very different story to one where a racially diverse cast including a black character fights against a black villain.
You do not need to exclude minorities from having negative traits entirely. Context absolutely matters and ultimately your cast can always benefit from more diversity.
You may see posts who claim things like "we need more feminine lesbians, all lesbians I see are butch!" Literal accuracy of that statement aside for a moment, the two identities put into conflict here are both reflective of real groups who both require representation. A singular viewpoint of any group is always going to cause harm.
This is the cause of much infighting and struggle, and also why many people can see themselves more in 'bad' representation than 'good' representation. Some autistics do not experience loud and violent meltdowns, while some do. Both of these groups deserve to be treated in stories with respect, and if our communities totally ignore one of these groups to promote a single concept of a respectful depiction of an autistic person, then we are not creating good representation of autism.
While these arguments are usually unproductive, we have to understand these are real frustrations even if they are fighting over a small pond, and until our stories are as diverse as our realities we as a culture will continue to require effort to change this. Stereotypes are not static either, nor a thing of the past, and ideas we can form and create in our spaces every day by close mindedness and narrow representation. This is why we need respectful stories of all shapes and of all sizes. This sort of strife is the most damaging among internet spaces where narratives can quickly become extremely aggressive to some portrayals and become entirely hostile to populations of this minority. It's not a moral failing to see parts of yourself in these depictions, it's only a failing that there hasn't been stories written for you that aren't predicated on cruelty. The only way to genuinely soothe this divide is to provide space for all of us.
Those who are wheelchair bound and those who are semi ambulatory, those who were born without a limb and those who lost theirs due to a medical event, chronic pain sufferers who don't work and chronic pain sufferers who are athletes. Masculine black women and feminine black women, scholarly black men and athletic black men, black people who excel in both and black people who weren't educated. Fat women, fat men, transgender people who pass and transgender people who don't and gender-nonconforming people. Asexuals who have sex and asexuals who are sex repulsed. Psychotics, addicts, domestic abuse survivors, religious minorities, sexual abuse survivors, sufferers of eating disorders, the deafness/blindness spectrum, dissociatives, pwPMOS, the list goes on and on.
All of us exist and all of us deserve to see ourselves in stories across the spectrum, across the genre, as children, as adults, as heroes or villains or troubled protagonists, in movies in television and in our fannish spaces as well, treated with respect. As seen in life.
...with Enid, the girl who lived in the closet beneath the stairs bc her mother treated her like a mutt bc she can't wolf-out [maybe her being bright blonde is freak'ish too, for average wolves, Murray being a dirty ash-blonde at best; his quietness not helping Enid /instead of Dudley there are 4 rowdy older brothers treating her like a slave/chew toy], receiving her letter to attend Nevermore, a Hogwarts style school for Outcasts.
...Shy, and pushed around in the commotion of other students greeting another exuberantly, Enid ends up shoved into a cabin of the train where its only inhabitant is a an eerily quiet monochrome girl others seem to avoid like the plague (or are even afraid off), who later turns out to be her roommate as they get roped into mysteries and shenanigans...
...
"Broken?" the other girl inquired in a bored tone, but leaned ever so slightly forward in her seat.
"Um, yeah... All I can do is..." Enid held up a hand and focused, pushing her claws out, if only half an inch. "And sometimes my fangs come out... A bit, at least. But I can't shift during the moon. So, 'broken wolf'."
The pigtailed girl leaned back into her side of the booth, lifting up her heavy tome in clear dismissal, but paused. "Wednesday Addams."
Wednesday lowered her book again for a moment, her unblinking gaze seemingly truly taking in the girl before her for the first time. A vague shake of her head and she brought her book back between them.
"Uh.. and you?"
Wednesday huffed from behind the tome. "Me what?"
"What type of Outcast are you?"
"I just told you. ....I'm an Addams."
...
Yeah, so, who's gonna write the story? ö.ö
Please?
💖🖤💖🖤💖🖤
[Enid's older brothers could also attend Nevermore as Draco-bully stand-ins, Wednesday being a creepy-snarky version Hermione but with Harry's tendency to get involved in crazy stuff, Enid herself the formerly dismissed/abused but special one who finally wolfs-out spectacularly, of course slow-burn Wenclair romance bc I live for that, supportive potentially secretive Principal Weems, no need for normies with Nevermore in a more secluded Hogwarts setting - unless Jericho becomes/is the new Hogsmeade(?), Enid could have been enrolled/found late so feel free to age them up a bit or do time jumps if you want to condense their younger years for romance's sake, penniless Enid and rich Wednesday, Addams Family taking to Enid like Weasleys, magic can be a thing or go crazy on Outcast types and variants, Poe Cup is the new Triwizard Tournament, Enid casually pulling Wednesday away from mauling fellow students, ignore all rules, pick and chose and mesh and merge to your heart's content!!!]
I love you *boring* characters. I love you feminine characters. I love you soft, kind characters. I love you sensitive characters. I love you calm and peaceful characters. I love you characters that decide not to fight or raise a sword, but fight in other ways. I love you characters that are not badasses that kich first and ask names later. I love you characters who decide to stay on the sidelines because they feel more comfortable. I love you characters that avoid any kind of conflict or argument. I love you characters that are more brains than violence. I love you characters that love gardening and cooking and other peaceful things. I love you characters that love fashion and high heels and bags and makeup and all that jazz. I love you characters that see the beauty of things and prefer the simpleness of life. I love you characters that are dealing with traumatic experiences and growing slowly. I love you characters that don't *do anything*. I love you.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
20 September is full of mixed emotions for people like me. I can't decide if I should shed happy tears because Dazai is alive, or if I should mourn over the fact that Gojo is fucking dead...
One of things that annoys me to no end is how in so many pieces of media the authors and, as a result, the characters, completely forget, THAT BI PEOPLE EXIST...
There are so many times, when the plot/subplot begins to focus on "is this character gay or straight?", as if these are the only options...
I want to yell at those characters so bad 😭😭😭
You don't need to act so confused, when a guy character, who only liked women up to this point, starts liking another guy, for example. Seriously. The amount of time everyone in the story turns into that math lady meme thinking "iS tHiS gUy GaY oR sTrAiGhT???" FOR SEVERAL CHAPTERS is so incredibly frustrating...
The "problem" could be solved within a page, if you just remembered, that the character could be bi, who either didn't realise they were bi up until now, or due to internalised homophobia they suppressed that part of themselves.
This could be such an interesting plot to explore, but nooo, instead we're just sitting here with the gay-straight dilemma