The Brother Brothers at King Arts Complex, Columbus, Ohio, Jan. 10, 2025
David Moss and his identical twin, Adam, known musically as the Brother Brothers, are playing acoustic guitar and fiddle, respectively, and singing one of their typically dour refrains on “Colorado:”
Boy, you’re gonna break her heart.
It was a snowy Jan. 10 in Columbus, Ohio, when the Mosses graced the King Arts Complex not only with a song of “Colorado,” but of their birthplace on “Illinois River Song;” their band’s Brooklyn origins on “Frankie;” the Texas frontier on “Lonesome;” and West Virginia on “Morgantown.” The musical map-hopping caused Adam to crack wise about NYC, which he called “as beautiful as the Grand Canyon except opposite.”
Witty between songs and (mostly) downcast within them, the Brother Brothers are harmony-rich and overflowing with melody. They’re like the Milk Carton Kids with a classical-and-bluegrass bent; Simon & Garfunkel with the benefit of blood-kin voices; and the Everly Brothers in the context of 21st-century folk and Americana.
Watching the Brother Brothers from the audience is like watching a split screen. Adam in white, on fiddle on guitar, his brown beard slightly less manicured than David’s. The latter is in blue, on semi-acoustic guitar - an instrument he shared with Adam and opener Elise Leavy - and cello.
The duo were at their most innovative on their version of “I Will.” Performed without bows on strummed violin and plucked cello, the song was translated from “the White Album” to the covered-in-white Midwest and resulted in the rare Beatles redo that matched - in some ways exceeded - the original for musical ingenuity and sublime vocal clarity.
The 80-minute show was culled from a master list of songs spanning 2018’s Some People I Know (Peter Rowan’s “Angel Island”); 2021’s Calla Lily (the BB original “On the Road Again”); ’22’s Cover to Cover (James Taylor’s “You Can Close Your Eyes”); and the January Album, released in April 2024.
The hopping fiddle-cello bluegrass of “Brown Dog” represented the latter, a rare whimsical Brother Brothers song about David’s pandemic-era canine acquisition that almost broke up the band, Adam said, because David named her Yoko.
The on-the-fly nature of the proceedings - the Mosses could be heard discussing songs off-mic - led to a couple of false starts and missed cues. These only made the performance more authentic - a genuine one-time-only event for the Brothers’ debut at Columbus’ long-running Six String Concerts series.
It won’t be their last.
Leavy, too, is likely to return as her well-received, 30-minute opening set - delayed momentarily as she fetched the aforementioned axe from the Brothers - featured nimble fingerpicking, complex composition and a vocal style obviously inspired by Joni Mitchell on songs about COVID isolation (“Something Real”) and love and loss on “I’m Still Learning.”
Grade card: The Brother Brothers at King Arts Complex - 1/10/25 - A