The Brother Brothers at King Arts Complex, Columbus, Ohio, Jan. 10, 2025
David Moss and his identical twin, Adam, known musically as the Brother Brothers, are playing acoustic guitar and fiddle, respectively, and singing one of their typically dour refrains on âColorado:â
Boy, youâre gonna break her heart.
It was a snowy Jan. 10 in Columbus, Ohio, when the Mosses graced the King Arts Complex not only with a song of âColorado,â but of their birthplace on âIllinois River Song;â their bandâs Brooklyn origins on âFrankie;â the Texas frontier on âLonesome;â and West Virginia on âMorgantown.â The musical map-hopping caused Adam to crack wise about NYC, which he called âas beautiful as the Grand Canyon except opposite.â
Witty between songs and (mostly) downcast within them, the Brother Brothers are harmony-rich and overflowing with melody. Theyâre like the Milk Carton Kids with a classical-and-bluegrass bent; Simon & Garfunkel with the benefit of blood-kin voices; and the Everly Brothers in the context of 21st-century folk and Americana.
Watching the Brother Brothers from the audience is like watching a split screen. Adam in white, on fiddle on guitar, his brown beard slightly less manicured than Davidâs. The latter is in blue, on semi-acoustic guitar - an instrument he shared with Adam and opener Elise Leavy - and cello.
The duo were at their most innovative on their version of âI Will.â Performed without bows on strummed violin and plucked cello, the song was translated from âthe White Albumâ to the covered-in-white Midwest and resulted in the rare Beatles redo that matched - in some ways exceeded - the original for musical ingenuity and sublime vocal clarity.
The 80-minute show was culled from a master list of songs spanning 2018âs Some People I Know (Peter Rowanâs âAngel Islandâ); 2021âs Calla Lily (the BB original âOn the Road Againâ); â22âs Cover to Cover (James Taylorâs âYou Can Close Your Eyesâ); and the January Album, released in April 2024.
The hopping fiddle-cello bluegrass of âBrown Dogâ represented the latter, a rare whimsical Brother Brothers song about Davidâs pandemic-era canine acquisition that almost broke up the band, Adam said, because David named her Yoko.
The on-the-fly nature of the proceedings - the Mosses could be heard discussing songs off-mic - led to a couple of false starts and missed cues. These only made the performance more authentic - a genuine one-time-only event for the Brothersâ debut at Columbusâ long-running Six String Concerts series.
It wonât be their last.
Leavy, too, is likely to return as her well-received, 30-minute opening set - delayed momentarily as she fetched the aforementioned axe from the Brothers - featured nimble fingerpicking, complex composition and a vocal style obviously inspired by Joni Mitchell on songs about COVID isolation (âSomething Realâ) and love and loss on âIâm Still Learning.â
Grade card: The Brother Brothers at King Arts Complex - 1/10/25 - A