Jul 16
Found a neat post on Chrissy (@vhssociety on Instagram)
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Found a neat post on Chrissy (@vhssociety on Instagram)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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David Chase on Hollywood: Greed and Fear in the Trump Era
David Chase, the visionary behind the critically acclaimed series ‘The Sopranos’, has publicly stated his view that Hollywood is experiencing a regression. He characterizes this shift as a return to foundational principles of ‘greed and fear’. Chase links this perceived cultural and economic pivot directly to the prevailing political environment, specifically referencing President Trump’s…
Paulie Walnuts 2026
Not Fade Away (David Chase, 2012)
John Magaro and Bella Heathcote in Not Fade Away
Cast: John Magaro, Jack Huston, Will Brill, Bella Heathcote, James Gandolfini, Brad Garrett, Christopher McDonald, Isiah Whitlock Jr., Dominique McElligott, Molly Price, Meg Guzulescu, Gerard Canonico. Screenplay: David Chase. Cinematography: Eigil Bryld. Production design: Ford Wheeler. Film editing: Sidney Wolinsky.
David Chase created The Sopranos, one of the greatest dramatic TV series of all time, rich in character and incident, with a superb evocation of a particular milieu. But what makes a series work doesn't necessarily make for a successful movie. Not Fade Away gives us a portrait of a corner of suburban New Jersey in the 1960s, with a youth culture at odds with the older generation and the Vietnam War seething in the background. The central story is that of Doug Damiano (John Magaro), who begins the film as a high school kid intoxicated with rock 'n' roll, especially after the emergence of the Beatles and the Rolling Stones. He and his friends Gene (Jack Huston) and Wells (Will Brill) start a band, and he gets a girlfriend, Grace (Bella Heathcote). Doug is at odds with his father, Pat (James Gandolfini) over his hair and his music, especially after Doug drops out of college to try to make it in the record business. It might have made a good TV series, but Chase fails to give it shape and coherence as a film, tossing in scenes that don't work with the main story, such as a needlessly included encounter of the young Mick Jagger and Keith Richards on a train at the start of the film. He occasionally inserts a narrative voiceover by a secondary character whose identity isn't revealed until the very end, and then to no great point. The the music track is great, and there are some good performances by Magaro, Huston, and Gandolfini, but the movie's lack of focus and narrative drive undermines them.
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A puño limpio
Para rescatarnos a todos del poder de Satanás, hace 45 años al este de Midtown Manhattan, en Jericho, una aldea ubicada en Oyster Bay, en el condado de Nassau, costa norte de Long Island, Nueva York, una niña con raíces judías, griegas y rumanas, hija de un aficionado a la pelota caliente, que amaba tanto el beisbol, que hasta fundó su propia liga, daba visos de su enorme pasión por las tablas escénicas.
Jamie-Lynn Sigler, como buena neoyorkina, pisó las maderas y fierros de Pennsylvania Plaza, ensuciando sus zapatillas de cristal actuando como aquella joven indefensa, que por culpa de su cruel madrastra y egoístas hermanastras, formó parte de la servidumbre, hasta que su hada madrina la convirtió en princesa.
Tras esa metamorfosis artística, Jamie estaba lista para conquistar Manhattan, bajo su rol de Bella, en el infalible musical de Broadway, “La Bella y la Bestia”, una obra que ni es sus más perturbados sueños Jeanne-Marie Leprince de Beaumont hubiera vislumbrado el éxito que el roedorcito Miguel le dio; Jamie estaba lista para las Ligas Mayores. Lo mejor ya pasó.
En medio de un mundo patas arriba, Jamie, bajo una luna azul en sus ojos, pidió consultoría actoral en el despacho designado para la gestión de residuos.
Gracias o por desgracias de un loco, David Chase, acusado de romper las reglas de la televisión, y crear la que posiblemente es la mejor serie de televisión de la historia, Los Sopranos, ahora Jamie, bajo los reflectores de HBO, se transformó en una adolescente fiestera, mimada, inteligente, la extravagante Meadow Mariangela Soprano.
En 86 episodios, Jamie muestra la metamorfosis de una niña traumada en su infancia, que brilla académicamente, hasta que encuentra, o al menos piensa que puede comprender y poner en justa dimensión el valor de la vida, el dinero, la política y las relaciones públicas.
Jamie-Lynn Sigler ya forma parte del imaginario colectivo de la cultura pop, luego de que en el episodio 19 de la sexta temporada, ejemplifica el manual para defender a una hija, manual que debería ver, con libreta y lápiz en mano, cualquier padre, Bohemios.
La revancha de Tony.
I didn’t say nothing.
