attend their improv show - lestat. "louis. look at these people. leur improvisationâit has a mĂŠlancholie twist, no? they begin not knowing the end, and when they get to it, it is never so good as the middle. comme la vie, louis. tu me comprends?" and then he eats the entire troupe. onstage.
help them move - you would THINK I would say derek because he is way buffer than me and also his only possessions are his leather jacket and occasionally a ratty t shirt because he is the saddest most ripped homeless guy alive. BUT. if I said derek then I would have to take qui gon to the airport, and I, as someone who brings along all the documents in a dedicated file folder and has a strict itinerary, would fully scream at qui gon when we finally leave an hour late, especially when he hands me a lit joint to smoke "so I'll calm down" WHILE I'm driving. so i'd help qui gon move. because carrying 145034290895 plants is better than the alternative
drive them to the airport - as stated above, derek hale. where is he going? unknown, because all his family is dead and he has no friends (because he is the saddest man alive). but I'm taking him there
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What made you ship it: Like a lot of people, five minutes of the Mandalorian made me get into Din/Luke and reawakened my massive Star Wars love (I grew up on the original trilogy and those damn Ewok movies), and then tumblr started randomly showing me things from that tag, so I ran across a story that I really liked, and I ended up checking out the authorâs AO3 account. I ended up reading a Bobadinluke story she was also writing, and then joined her newly created discord server on a whim, and one thing just led to another. Plus, like, Temâs voice.
What are your favorite things about the ship? I like how itâs three dudes who all have very weird and super intense father/parent issues, and yet all of them manage to have unique father/parent issues, which makes it all the more interesting when those three collide. I also like how it includes a lot of bonus tropes in addition to the daddy issues. Enemies to lovers! Strangers to lovers! Reluctant allies! Age difference! Size difference! Loaded history! Found family! It gives you the opportunity for big olâ emotional exchanges, and also characters fucking nasty. I like a wide spectrum like that.
I also like the parallels that accompany all three characters, not just in terms of losing family at an early age and how that fundamentally changes their life direction, but also in terms of being thrust into a role or identity that they didnât necessarily ask for or know how to handle. I like how each of them struggles with how to grow or develop a culture or place thatâs had a lot of history. I like how their three personalities would fit (and clash) and how each of them has strengths and weaknesses that the other two supplement or draw upon.
Also as mentioned, I was into SW from an early age, so Luke is one of the OG members of my Short Blond Over Powered Twink That I Enjoy Seeing Get Wrecked group. Why settle for watching him get wrecked by one Mando when I can have two, yknow.
Is there an unpopular opinion you have on your ship? I think fandom in general tends to target Han as having the most issues with Luke shacking up with Din and Boba, or use him as the comic relief, but I think it would actually be Leia whoâd have the hardest time giving approval or who would dig her heels in on accepting it. I donât think Han would necessarily like it, but I think Hanâs more likely to be pragmatic about it.
Leia, on the other hand-- I donât really see her easily getting over or forgiving Boba for working for Vader, hunting Luke, turning Han over to Jabba, and standing by and witnessing her captivity and humiliation at Jabbaâs. (In fact, I think the bit in Tales of the Bounty Hunters where she and Boba have a hilariously hateful little sleepover together and discuss their respective moral codes doesnât mean sheâd respect him; I think if anything, it would raise her contempt.) So, scenarios or set ups where Leia has no problem with Boba or is dismissive of Hanâs feelings about him tend to make me skeptical. Plus, like, the optics of being a senator and trying not to let your career be sunk from your dumbass twin who is also the last Jedi having relationships with a crime lord and the king of a bunch of militant warriors going stir-crazy.
I also think the relationship isnât necessarily always going to start with Din as the center. Thatâs actually one of the things I find interesting about it, since Boba and Luke have their weird history going back to Boba hunting Luke down for Vader, and Lukeâs role in Boba ending up in the sarlacc. (I think fandom sometimes sleeps on the whole Luke and Boba fighting in Obi-Wanâs hut. I want more shit written about that.) But thatâs a fun thing about the relationship; it changes dramatically based on the order in which the participants get involved. Din/Boba adding Luke is different from Din/Luke adding Boba, which is in turn different from Boba/Luke adding Din.
@darkisrising Bobadinluke and "negotiating"... whatever that means to you
you know what I wanted sexy negotiations for this, and all I got is âif sw was an action flickâ dialogue (featuring some competence kink if you squint really hard).
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Din lowers his scope, exhaling in frustration. âOk. Weâll go from up top. See if we canât find another way in.â
âThe cliff-side windows?â Boba snorts, disproving. âToo noisy. Might as well just blast the doors.â
âWe donât know how manyââ
âEleven,â Luke chimes in, helpful.
âAlright, so eleven smugglers who know weâre coming and will have all their firepower concentrated on the door if we slice it open. Dozens more will come crawling out from underground when they hear the commotion.â
âNot if we blast it hard enough,â Boba grumbles. âWe could bring the roof down on them. Bit messier but saves time.â
âIf we canât control the collapse, we have no guarantee there wonât be innocent casualties.â
âWell why donât you come up with a better plan then, Mandâalor?â
âI did. We find another way in.â
âAnd I said, theyâll hear us coming before we can even get one shot in. Better to go in blasters blazing.â
âWe donât have enough firepower to keep them blazing until we can get out of here with the targets secured.â
âIsnât that why we brought a Jedi? Have him hold them back until weâre out.â
âItâs too risky.â
âWhatâs risky is staying here for much longer without doing anything.â
âThen letâs move up top and get this over withââ
A loud clank beyond the doors and the muffled sounds of blaster-fire interrupt their argument, but it lasts only for a few seconds before falling silent. The durasteel then slides apart, and Din and Boba both lift their blasters only to lower them again when the cloaked form of their Jedi emerges from the sparks and smoke, calm and triumphantâan easy smile on his face, but eyes glittering with the exertion of combat and something like mischief.
(And because this isnât the first time, neither of them is really all that surprised.)
âI hope you donât mind if I cut your negotiations short, but I just finished my own,â Luke quips, clipping his lightsaber back onto his belt. âYou were both right, by the way. The windows were a good call. And the two of you would have been too noisy.â
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(I need to be stricter with my word limits next time, I think)
becoming who we are
Author: DarkIsRising
Rating: E
Words: 5,281
Summary: "Itâs been days since the funeral. Longer since heâd boarded a plane back to Beacon Hills. Longer still since the call from the hospital had come in looking to talk to Noah Stilinskiâs next of kin."
TEAM RED:
Uncharted Waters
Creator: janey_p
Type of Work: Remix
Summary: "Stiles is back in Beacon Hills. Not for long and maybe even for the very last time, considering the circumstances, but Peterâs instincts decide that now is the perfect time to latch on anyway. Time will tell if heâs setting himself up for failure or if heâs on the verge of receiving the greatest gift ever."
Check out the rest of the Steter Mini Bang 2022 works on AO3 here!
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Hello! A question for you and all your writers. Who would you say is the author (fanfiction or published) who most influences your writing, and how do you mindfully borrow and learn from them? (i.e. What part of their writing, specifically, do you try to emulate in your own, and is this a conscious or sub-conscious process?)
Hi anon! Great question!
I asked a few writers ( @willowcrowned, @shey-elizabeth, @tessiete) and also took a crack at answering myself. The post got a little long, but I hope youâll find it as interesting as I did to see how different writers engage with what they are reading....
DarkIsRising:â
I read a LOT of fanfic in a ton of different fandoms that Iâd never write in, constantly looking for the very best writing that fandom has to offer. Iâm always asking for recs from people, trying to find the writing that makes my brain purr. From there itâs a process of getting lost in a new writerâs way of developing story and character, falling in love with how they did what they did, and then rereading to see if I can find out why those words in that order made my mind melt or my heart speed up or my skin get that sickly dread feeling that comes when the angst is high and hitting just right. What happens next depends on my mood.
Sometimes Iâll tuck away what I think I learned into my back pocket as something thatâs interesting but not really what Iâm particularly interested in writing. Sometimes I take the deconstructed idea of what I learned and write something where I try out the trick for myself. I wouldnât say itâs copying so much as âhm, I think this is how it worked, is this how itâs done?â and then apply it to my own writing.
âWerdlaâ came after several re-readings of an Old Guard kink series by TheIneffableLily, who used this mood of safe and consensually sex where the kink served to make a charged emotional atmosphere, where the really truly dangerous thing wasnât the pain play or what have you, it was the vulnerability that might be revealed through the sex. So I tried it out for myself in relation to Din and Luke, playing with the idea of Dinâs helmet and Lukeâs blindfoldâwhich comes up a lot in dinluke fanfic, so much itâs probably its own trope at this pointâ Dinâs vulnerability in removing his helmet to have sex with Luke and the trust that Luke is a good enough man that he wonât look. Later I found out that furiosophie was inspired by the mood I created in âWerdlaâ and used what sheâd felt in it to create elements for her fic âGo and Get Your Hands Dirty.â So thatâs kind of a beautiful thing in fanfic, when itâs done right and everyone is being respectful (and not stealing literal words, etc) how much of this work can be a call and response. Someone writes something that stirs a feeling in me, that feeling influences what I write next, only for someone to read my thing and get inspired to create their own thing from it. Sometimes it creates those âworks inspired byâ links in ao3, but sometimes itâs more subtle than that, and that subtly is where I absolutely live, die, and live again.
Tessiete:
100% ruth baulding. Ruth's stories got me back into SW, and prompted me to enter the fandom (first, intending to seek her out, but then I started writing). She just has this great balance, imo, of slightly overwrought prose that to me felt very original Star Wars-y. Kind of an elevated Lucas! And I love how she used language to convey character subtext (I've talked about this before, but she rarely uses the word "love" bc Qui-Gon and Obi-Wan don't know how to use it for each other, either. They always talk around it, and so the writing skirts it with metaphor.
Then, I'd say treescapes, and outpastthemoat. Moat has this ability to walk a fine line between tragedy and hope, and I find that particularly wrenching for Obi-Wan stories in particular. Often the most gutting parts of her fic are the smallest miscommunications. I strive for that subtlety. And with trees, her imagery just is SO evocative and poetic. She packs so much feeling into a visual moment. I literally change how I think about storytelling every time I read her work. I think about the details. The wrist bones, the lashes over the slate blue eyes, the little turns of phrase that reveal SO much. Just....incredible!!! I do consciously think of them - though it's not as clear cut as trying to copy them. Sometimes, it's just osmosis, or skill acquisition. But I think of them A LOT.
Shey:
I don't have one particular fic author I take writing inspiration from. Early on, I took a lot of characterization inspiration from the most popular writers in the Steter/Stetopher fandom because their take on the characters is what made me fall in love with the pairing. For example, Bunnywest writes Peter in a way I adore, and that has influenced the way I write him. Twothumbsandnostakeincanon's snarky, sarcastic Stiles is my favorite Stiles. So they, along with many others, have definitely influenced the way I think about the characters. I've spent way more time reading fic than I ever did watching the show, so the way I picture the characters is an amalgamation of the way I've seen them written over time.
As far as "mindfully borrowing," that phrasing makes me uncomfortable. I do my best to keep out of other authors fics when I'm writing. (In fact, I don't read in a fandom that I'm actively writing in for this exact reason!) When you're all writing about the same characters it feels way too easy for "borrowing" to turn into copying.I also wouldnât say I try to emulate any particular writer, either. I read a lot (32 published books so far this year, 150+ last year. Thank god for Kindle Unlimited!) and I really believe that I've learned a ton about writing because of it. I'd say the most useful thing I do to learn from other authors is read and think about the things I'm reading. What did I like? What did I dislike? What worked in the story and what didn't? WHY?
On the other hand, there are plenty of authors who's work I absolutely adore and I aspire to write with the kind of skill they do. Definitely the two mentioned above, as well as Twisted_Mind, cywscross, kouriarashi, and ThisDiscontentedWinter (if you want more names, check out my AO3 bookmarks!). On the published author side, I'm obsessed with the writing of Onley James, Cara Dee, Alessandra Hazard, Hailey Turner, Neve Wilder, and Nora Phoenix to name a few.
Willowcrowned:
Ohhhh thatâs such a good question. Itâs hard to say what author most influences my writing because Iâve been writing for long enough that my go-to style has become a melange of bits stolen from some formative works. Since I do like to experiment consciously with prose style, if Iâm ever trying to nail something specific, Iâll find an author that writes that way and use it as a reference. For âSmoke Raised with the Fume of Sigh,â which I wanted to have rich, luxe prose, I turned to Darkâs (hi Dark!) âThe Things That Are Deadly.â For anything where I want economy of language without sacrificing setting, Iâll go back to Tolkien (my first and forever love).
*
whats the best piece of media (book, tv show, movie, fandom thing, anything) that you've recently engaged with and why did it speak to you? Whats the worst (no need to name it if you dont want) and explain why you dont think it worked in general or worked for you
Dark! This is such a good question!
Ok two great things I watched recently that were VERY different from each other and I loved both:
1. Kikiâs Delivery Service- I had somehow never seen this before and decided to check it out recently on a night when the Husband had fallen asleep on the couch and I didnât have to account for what would interest him. Like all Ghibli movies it was visually beautiful and the story was lovely. I also loved that the kid protagonist went off to have adventures on her own without her parents dying (wrote about that here). My kid is VERY conflict averse and canât watch most movies but I think Iâm going to try this one with her.
2. Severance- Ok, complete opposite end of the spectrum. This show was dark and twisty and So Freakin Weird. I finished it weeks ago and I canât stop thinking about it. I havenât watched something that was as much of a wild ride for my brain in a while. Real life is pretty stressful so I gravitate towards media that is fun or comforting and this was not even slightly either of those things but it was fantastic brain food and Iâm so glad I watched it. I highly highly recommend this show.
Iâm not sure that I have a âworstâ but we recently started watching Stargate SG-1 and 4 episodes in Iâm struggling with it a bit. The first season aired in 1997 and ⌠hoo boy that was a while ago. The gender dynamics in particular feel super dated. Like the show has this âstrong female characterâ but in the third episode they go to a world where women are completely subjugated in part to show how much of a âstrong female characterâ the team member is. Part of it is probably the fact that weâre watching the first episodes of a show that hasnât quite found itâs footing at this point in the series, but the writing feels so clunky. I do really like the character of Tealâc and Iâm giving it a few more episodes to reel me in but the jury is still out for me.
Thanks so much for the ask! This was fun to think about! â¤ď¸â¤ď¸
F: Share a snippet from one of your favorite dialogue scenes youâve written and explain why youâre proud of it.
most recently, from Cords of Honour:Â
âI am not sure I understand you,â Obi-Wan said at last. âSurely you do not wish to play loyal subject to the man who killed so many of your people, perhaps even your family.â
âAnd I suppose your father would rather your people die than bend the knee to a more skilled warrior?â
Obi-Wan tilted his head. âThat is the general idea, yes. I am intrigued by the distinction you are makingâthat this is my fatherâs wish and not my own.â
âYou didnât strike me as the sort to accept death,â Qui-Gon said with a shrug. âDeath rather than defeat⌠that is not the mind of a man who stays to the very last to allow his wounded to get away.â
âI would not disrespect those loyal to me by throwing their lives away,â Obi-Wan said, a touch sharply.
âThen a distinction between you and your father is not ill-placed,â Qui-Gon noted.
Obi-Wan stood up so sharply the chair clattered to the floor beside him.
He was a sight to behold, breathing fast like heâd been running, eyes flashing with anger. âI marvel,â Obi-Wan said, voice level and even quiet, âat how elegant and economical that was. You pay me a compliment and insult my parentage in a single phrase.â
That last line đ it came out of the blue and I love it so much. This scene overall is for Qui and Obi to get to know each other, or for Obi-Wan to get to know his captor on a more intimate level than theyâve had, laying the grounds for sympathy.Â
(I am actually extremely proud of most of the dialogue in Sound the Abyss, because it drove the fic on. the balcony scene was key to the ficâs existence, but the awkward first interaction even more so. I love incomplete resolutions, ones where something is unlocked, but not everything.)Â
R: Are there any writers (fanfic or otherwise) you consider an influence?
My goodness, yes. I am an absolute magpie and everybody has a shiny. This is not really an answer, but I promise to finish my fic rec post soon.
There are ppl who build worlds out of what Star Wars gave us and I sit there starry eyed picking out every little thing they pulled into an au or ar, no matter how far it is from original canon sw. there are ppl who create a certain tone in their writing that I am still trying to figure out how to mimic, with little to no success that I can see. I love seeing ppl balance contrasts like gut-wrenching and soft.
I would say a major influence in the beginning was Oscar Wilde with his exceptionally descriptive sentences. Le Guin is unparalleled, un-mimickable. Bradbury appears sometimes đ god I love the Martian Chronicles.