Novocaine (2025) dir. Dan Berk & Robert Olsen

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Novocaine (2025) dir. Dan Berk & Robert Olsen

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Novocaine (2025)
Directed by Dan Berk & Robert Olsen
Cinematography by Jacques Jouffret
"Novocaine" (2025) Directed by Dan Berk & Robert Olsen (Action/Comedy/Crime)
Villains
2019

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'Novocaine' is About a Guy Who Can't Feel Pain, But You'll Probably Feel Plenty of Pleasure While Watching It
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Villains
For most of its running time Dan Berk and Robert Olsenâs VILLAINS (2019, Shudder, AMC+, Prime, Hulu, Peacock, Tubi, Plex) is a nifty little horror comedy with four strong performances and an offbeat sense of humor. Then it suddenly asks us to care about characters at whom weâve been invited to laugh. Yes, itâs another horror film that screws it on the dismount, a phrase I repeat because comments have encouraged me to do so and let that be a lesson to you.
Mickey (Bill Skarsgard) and Jules (Maika Monroe) are a pair of feckless young people whoâve decided to rob their way to their idea of heaven on Earth â Florida. When their car runs out of gas, they go looking for one to steal and stumble upon a charming little house in the woods. The first problem is that thereâs a little girl (Blake Baumgartner) chained up in the basement. The second is that the owners are a pair of psychopaths (Jeffrey Donovan and Kyra Sedgwick) who decide to hold them prisoner and plan to kill them after the wife has had her way with Skarsgard.
The four main actors have their characters down pat. Even if the psychopathology doesnât always make sense â their characters often seem like just an array of quirks designed to torment the younger couple â the actors invest in them whole-heartedly. When Donovan is going on about proper behavior, he seems utterly absurd, sporting a sliver of a mustache and an ascot. It takes an actor with a lot of grit to undermine his masculinity so completely. Even wilder is Sedgwick, a nightmare â50s housewife in desperate need of a child or maybe just some good sex. At one point she dons a short black wig, dresses in slinky black underwear and does a striptease while lip-synching Mallory Sandsâ âJust Like the Big Girls Do,â and itâs a hoot. Monroe and Skarsgard are almost as loopy. The film opens with their attempt to rob a gas station as they bumble around in animal masks and try to figure out how to get the cash register open.
At a certain point, however, Berk and Olsenâs script asks us to start taking them all seriously. Monroe has a monologue about being abandoned by her parents when she was a child. She delivers it expertly, but itâs really not what we want to know about the character. It might work in a romcom, but in horror comedy the stakes are different. When weâve been laughing at the violence, we canât be expected to suddenly turn around and find it heart-rending. And so, the ending falls flat. Where they needed comic violence in the vein of The Three Stooges or maybe a Roadrunner cartoon, the film suddenly switches to poetic realism. Itâs like suddenly replacing Moe Howard with Jean Gabin.
i mean considering that itâs been retitled as ânovocaine - no painâ in australia and âmr. no painâ in germany⌠i canât help but feel like novocaine was not a very marketable title đ