#dahli

My neck, my back 🤡

In honor of the Dead by Daylight x Dragula crossover, some dream killer skins based on my favorite look from each winner of the show. Resurrection, Titans, and second Boulet brother not included.

Part 1 | Part 2

The Trapper as Landon Cider

The Deathslinger as Dahli

Dallas, Tx, September 22nd

   This past weekend I was honored to be able to experience the Peter Cat Recording Co in the flesh, with their performance of songs from their newest album, Beta. This album was released a hefty 5 years after their last studio album, Bismillah. After the new-found success during COVID-19, the Dahli based band went on to perform for their new-found fanbase on the Good Luck Beta Tour 24. They are in the process of traveling to perform a total of 77 shows across three continents, selling out a majority of these venues to varied crowds. 

Peter Cat Recording Co. performing at The Echo Lounge in Dallas for a crowd of about 200 people 

I can best describe Peter Cat Recording Co. (PCRC) as an Indian psychedelic jazz band, taking elements of sounds transcontinental to create a movie like experience with their studio albums. Having about a decade of tenure as a band, they come to offer an evolved sense of introspection, utilizing so many different instruments to create soundtracks to the life of struggle and other complex sentiments alike. Such as seen in A Portrait of a Time: 2010-2016, they metaphorically paint pictures of a time period in their lives in which they conceptualize their feelings in regards to aspects of the human experience by making fun of their own turmoil.

PCRC displays typical traits of a band, such as guitars, bass, drums, and keyboards, but then adds flairs of color with less common instruments such as the clarinet, accordion, saxophone, and even a banana shaker! 

The show started on the song “Flowers R Blooming”, starting off the show on the foundational lessons they center their themes around; through lyrics of “For Changing Is Living/And Living is Love”, they share a valuable insight into a perspective of living far more fulfilling and redeeming in this game we call life. This song broke tears out of me, fostering an emotional connection to the band that seems rare for me to encounter. This song gave me an outlet of emotions to express that recognition in who I am is the best thing I can do to spread love to myself and others. 

 In maturing comes sacrifice, and ultimately growth in our ability to cope and humor our sensitivities in our emotions; PCRC audiolizes (I just created a new word!) these lessons such as in the leading single “People Never Change” where they renounce the power of others to impact our moods and confidence. He reverses this happier tune with a melancholy song “Heera” from their previous studio album reflecting a low point in the singer’s life, standing at a crossroads of whether it’s too late to “live a lovely life”. The hollow guitar riff being repeated with the dissonant tones of keyboard make it out to have a ghoulish feeling from this time period. As expanded upon within his band, growing up is demonstrated in coming to terms with your emotions and wearing them on full display, becoming sensible in the process, which is what Lifafa demonstrates when he lets loose and dances along to his pain in the guitar riff.

The combination of lights tastefully adds to the psychedelic feelings filling up the room, keeping the audience invested in the growth of the artistic messages

I appreciate the diversified sounds this band created, as the lead singer Lifafa has described the instrumentation to be specially tailored to the idea of what the song’s goal is.  The creative process of starting with the idea of the song, leads the band to switch around instruments to what feels right. While members progressively came and went towards the inception of the band, the 5 members we see have become comfortable together for 6 years. The versatility reeks of the experience this band has come to acquire, providing quite an alluring experience to the dedicated audience. The Echo Lounge in Dallas venue notably accommodated PCRC elegantly, having a sophisticated theater-like quality that felt appropriate to the presentation of family established in the heartfelt odes.

Guitar player Kartik Pillai went up to play “Foolmuse,” the third leading single for Beta

On my ever-prolonged journey of learning what it takes to be a man and to be the best me I can be, this band shares valuable perspectives that come from a long pipeline of experience and wisdom cross-culturally.  In Beta, their new project released earlier last month, they further their documented maturation in life coming to share feelings associated with love and connection, as well as overcoming anxious thoughts that keep us from seeing the absolute beautiful world we see around us. Although the music can sometimes seem long and heavy, I believe PCRC displays an excellent feat of music in connecting time into thoughtful reflections of their humanity - and in a way that connects us to our own. 

To read my RadioUTD finalized version, go to https://radioutd.com/blog/2024/10/peter-cat-recording-co-at-the-echo-lounge-in-dallas/