FAVORITE OUTFITS ↳ Tyra Banks: [5/?]
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FAVORITE OUTFITS ↳ Tyra Banks: [5/?]

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[ Continued from X ] [ @red-eclipse ]
"Okay.." Cucumber gives Blossom her hand, his emerald eyes full of worry. Surely, there's something on his hands that caused.. that. It couldn't be caused by his own touch, right? He was able to hold flowers before, hasn't he?
Yet when he looks at his hand held by his friend, there's.. nothing. No poison or anything that could've caused the flower's demise, all it was is his hand.
But.. Why?? Was the Nightmare Knight like this? What about.. before? When he lost his eye? Is that why it came back? Nevertheless, he feels nervous about this. Plants die under his touch.
"B-Blossom, wait. Maybe, you shouldn't touch my hand. I'm worried that it'll hurt you.." Especially when he glances back at the ashes of the dandelion, anxious that it extends to his friend.
Jaelle Leclerc
~ Benelux (2) ~
@elyseandtheothers
Yoanna House & Shandi Sullivan by Amilcare Incalza & Alexandro Martinengo

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CYCLE 2 ・ 8/10 ・ ITALY
Ludwig (1973, Luchino Visconti)
Ludwig starts out as a sane movie about an eccentric and somewhat childlike king, and over the course of four hours, slides slowly into increasingly colorful and sprawling excess. This mirrors the journey of its subject: the "Mad King" Ludwig II of Bavaria. At first, his exploits consist mainly of spending huge sums on his patronage of Richard Wagner, who staged Tristan and Isolde for the first time on Ludwig's dime. As the film progresses, however, Ludwig starts building castles with underground ponds and swan boats, while also opting for illicit homosexual affairs with male aids rather than marrying and continuing the royal lineage.
An Italian-German co-production with an international cast (who spoke in English and had their lines dubbed in Italian after the fact), Ludwig was initially cut down to a less decadent length and sanitized for mass consumption, but it really needed to be four hours long in order to properly convey the king's slow descent into madness. What it didn't need were the occasional faux-documentary asides where ministers from Ludwig's government talk candidly about their disapproval (or, occasionally, approval) of the monarch's ruling style. It may have seemed like a fashionable idea at the time, but the rest of the film is more than able to convey these ideas on its own.
Cycle 1 and cycle 2 of Dark.. Winden on point always 🔥
April Wilkner