André Deed as Cretinetti in his film Too Much Beauty

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André Deed as Cretinetti in his film Too Much Beauty

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12 Christmas Films of a Century Past
For some reason, I thought it would be a good idea to watch somewhere around 50 Christmas and Christmas-adjacent silent films from before 1920 to put together a playlist for you all. So, I hope you enjoy!
I chose these twelve as a representative selection. My general criteria were:
Christmas should be central to the story
The plot should be novel to a modern viewer or something a modern viewer would be surprised to see so early on film
The list on the whole should have a variety of settings and narrative structures
Here’s a direct link to the YouTube playlist if you want to watch them all in one go. (They are all shorter than feature length!)
Two quick presentation notes: 1. Some of the videos have music and some don’t, so you may want to check your volume level. 2. The intertitles for some of these films are not in English, so be sure you have captions turned on for English translations.
See the whole list BELOW THE JUMP!
Foolshead's Christmas (1911) André Deed
Foolshead's Christmas (Italian title: Il natale di Cretinetti, French title: Les Trois flacons de Gribouille) is an Italian comedy film, produced by Italia Film in 1911, it is directed and starring André Deed.
It's Christmas (00:08) and Cretinetti (André Deed) is invited to a big dinner. He leaves the house loaded with gifts, (00:28) but when he enters the building he collides with a courier and accidentally picks up a package, which does not belong to him, inside which three essences are kept: the essence of fear, the essence of joy and essence of pain (01:00) . The three bottles break (02:34) and the three essences spread around the house causing havoc among the guests (06:20) ...
Too Much Beauty (1909) André Deed
Too Much Beauty (Cretinetti che bello!) is a 1909 Italian comedy film directed by and starring André Deed.
Cretinetti is invited by his friend Attilio Stringhini to his daughter's wedding (00:15). He wears an elegant white suit and pointy shoes, powders his nose, and goes out into the street. (01:12) An ice cream woman falls in love with him and starts chasing him; a young woman also abandons her boyfriend to run after him; and finally, a bride and all the other women he meets on the street fall in love with him. Cretinetti escapes (03:19); near a bridge in a park he is attacked by the women who literally tear him to pieces (03:31). When they leave, the pieces of Cretinetti's body come together, and in the end, our hero gets up all in one piece.
Produced by Italia Film in 1909, this is one of the most successful films of the Cretinetti comic series. This character of Cretinetti was created by André Deed for the Italian audience. The film was also released in France and Great Britain.
The trick of decomposing and recomposing the body was invented by Georges Méliès, who used it in the film Dislocation Mystérieuse (1901)
In this film, Deed was the protagonist in the role of Pulcinella. Deed learned the trick from the master and used it in his film, but with one difference: in Méliès's films, the special effect represented a pure attraction, while in Deed's film it is inserted at the end of a simple but structured narrative plot.
Cretinetti che bello! (1909) André Deed
Too Much Beauty (Cretinetti che bello!) is an italian 1909 comedy film directed and starring André Deed.
Produced by Italia Film in 1909, this is one of the most successful films of Cretinetti's comic series, this character was created by Andrèe Deed for the Italian audience. The film was released in France and Great Britain too.
The trick of decomposing and recomposing the body was invented by Georges Méliès who used it in the film An Extraordinay Dislocation (1901)
In this film Deed was the protagonist in the role of Pulcinella. Deed has learned the trick from the master and he uses it in his film, but with one difference: in Méliès's films the special effect represented a pure attraction, while in Deed's film it is inserted at the end of a simple but structured narrative plot.
"In Cretinetti che bello! (1909), his elegant suit and pointed boots attract frezied pursuit by admiring - even lustful - ladies. The striking similarity to the chase of the would-be birdes in Seven Chances strongly suggests that Keaton may have seen the film in his vaudeville childhood..."
David Robinson, Sight and Sound, n.2, Spring 1896, London.

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Earthset sonorizzano "L'uomo meccanico" di André Deed
Earthset sonorizzano “L’uomo meccanico” di André Deed
André Deed, per molti anni noto in Italia come Cretinetti, è un attore e regista francese che nel 1921 venne scritturato dall’italiana Milano Films per realizzare una trilogia fantascientifica di cui, a causa del prematuro fallimento della casa di produzione, venne realizzato solo il primo episodio, L’uomo meccanico. Considerato il primo fanta/horror della storia del cinema italiano, il film di…
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Col prete sposatevi voi! 😆 #ilmioministroedifferente #genesimmons #lookalike #kiss #iloveitloudchapel #lasvegas #wedding #alternative #bridetobe #funtimes #tongue #tongueout #funtimes #happiness #happybabe #bouquet #redroses #blondie #cretinetti
Il Cretinetti, 1908 «cretinétti s. m. fam. – Nome del protagonista di alcuni film muti, rappresentante un tipo sempliciotto e ridicolo che commette ogni sorta di sciocchezze; frequente in usi antonomastici (e come attenuazione eufemistica di cretino) nel linguaggio fam. scherz.: non fare il c.; sei un c., un vero cretinetti.» André Deed nasce a Le Havre nel 1879. Dopo aver frequentato il liceo a Nizza, intraprese la carriera di cantante e acrobata circense. Conobbe poi il regista Georges Méliès che lo assunse per conto della casa cinematografica Pathé, con la quale esordì nel 1901, e interpretò alcuni cortometraggi in ruoli secondari. Nel 1908 si trasferì in Italia dove venne assunto dalla Itala Film di Torino dove incontra l'attrice Valentina Frascaroli sua futura moglie. Per il cinema muto italiano interpretò oltre 90 cortometraggi dal 1909 al 1911 e dal 1915 al 1920, recitando nel ruolo di Cretinetti, personaggio che lo rese popolare in tutta Europa. Prima di lasciare l'Italia creò un progetto di grande lungometraggio in tre parti, che riuscirà a completare solo parzialmente. Nel 1920 la prima parte del progetto, Il Documento Umano e del 1921 la seconda, L'uomo meccanico. Il tema è quello del fantastico-fantascientifico, con il tema di un robot indistruttibile che finisce però solo per creare danni. L'ultima parte di questa trilogia si sarebbe dovuta intitolare Gli strani amori di Mado, ma per motivi non del tutto chiari non ebbe modo di realizzarsi.