#creative liberty

a lil something for @william-049 for the @the-umino-hours 90 minute gift exchange this weekend!! theme: winter colour: silver keyword: mountain i took inspiration mainly from the deity prompt

context: -i imagined Iruka as Crom Cruach (the pre-christianity version). he was a pagan god in Ireland that was associated with many things! I used this not only for the deity aspect, but for the keyword too as his namesake references hillsides/piles/mountains, etc. i could blab all day but i'll spare everyone ꉂꉂ◟(˃᷄ꇴ˂᷅๑)༡

-kakashi ultimately landed within the silver prompt, mostly because of his hair lol. he became a more generalized snow fae to keep in line with the irish mythology.

It’s true that the Mediterranean world was never completely isolated. There were interactions, trade, and some presence of Black Africans in Southern Europe, especially in Roman times or in port cities. But let’s not exaggerate: the idea that Black people were commonplace across most of premodern Europe is simply not historically accurate.

Historical and factual accuracy should never be compromised for the sake of modern trends; accuracy must come first and prevail over everything. Above all, historical truth must be accessible and known to everyone. It is precisely because the truth is not widely known that misunderstandings and distortions occur. Half-knowledge is far more dangerous than total ignorance. When people rely on movies or television as their primary source of education, presenting historical inaccuracies as factual truth exploits public ignorance and reshapes how society views the past.

I have no problem with artistic freedom. As a Greek, for example, I don’t mind if a director casts a beautiful Black actress as Helen in a new adaptation. She can be stunning and talented. But we should be honest about what we’re doing. Homer described Helen with fair, almost translucent white skin and light hair,the ideal of beauty for the ancient Greeks, who were themselves a White Mediterranean people. Othello, on the other hand, was clearly written by Shakespeare as a Black Moor. That’s how their creators imagined them. There’s nothing wrong with either original choice.

The problem arises when we deliberately change the race or core elements of characters and then pretend it’s still faithful to the source. If I made Othello White or turned Helen Black, that would be inaccurate to the author’s vision. Great works should be judged and interpreted as texts written in another time, with a different culture and worldview. If we want to bring them closer to our era to make them more understandable, I believe the greatest texts don’t actually need heavy adaptations or modern alterations. It is enough to look honestly at history, knowledge, and the truth of each period. When we do that, everything becomes clear: the meanings, the ideas, and especially the universal, timeless values they carry.

We cannot present ahistorical depictions just because it suits a modern agenda. If a director wants to make a modern, diverse, or godless version of the Odyssey, that’s their right. But they must have the intellectual honesty to state clearly: “This is a fiction inspired by historical events,” or “This is my own re-imagining of a classic text.” They should not market it as a faithful representation of the original.

PEARLS OF WISDOM

the careful study of angelology (the duet of showgirls; one human, one angel) and the use of @nosebleedclub’s prompt 'showgirl'

Tender one, follow my lead, my sleepless golden dust: don’t look back at Sköll, eager to devour with his wolf teeth and wolfish greed, nor at the edge of the world, gnawed by his fury. My little flame, I’ll give you something to perform about: cocoa eyes, glory runes, comet trails, wind currents, singing halos, the constellation of Taurus – so long as we keep the wolf’s mouth at arm’s length.

Promise me this: don’t look forward, don’t give in to the doldrums, don’t pause to follow the light trails, where each line of gold script depicts angels mourning their dead. Look at me. Look at me. We can do nothing but dance and flee, do you hear me? We must flee. The end of the world is no match for us if we outrun it, if we turn flight into choreography, if we establish our love as an angel-and-human duet.

We can make a ritual, a show, and a constellation out of this: my halo staying on during moonwatch, Sol in our nightly prayers after we murmur heart-to-hearts, subsequently striking deals alongside dreamweavers. Under the overpass of descending stars, we narrowly escape our predestined fate. We whisper against the wind, we scream our names raw.

a Mizi!!! the shiniest girl ever

The Dragon & The Griffon: The Ripple in the Path

The Dragon & The Griffon: Where the Path Leads- A Taste, The Beginning of the Path

Summary: Takes place a week and 1 month after Irene Atreides gives birth to Amina Targaryen.

Warnings: Bene Gesserit schemes, mentions of death, foreboding feelings, unease, tense environments, and a simple planet named Draconis (hehe my brain hurt too much to come up with a more complex name for the Targaryen planet, so do not come for me please ❤️😂)

A/N: This took a while to write. There were a lot of ideas and so much to filter through. Not to mention getting the details right or making it feel seamless. Hope you enjoy! ❤️ Revised 9/7/2024, 9/9/2024

The Reverend Mother's Unease - A Week After Irene’s Passing - Reverend Mother’s Chambers

The dimly lit chamber of the Reverend Mother was thick with the heavy scent of incense, its smoky tendrils curling around the ancient stone walls and faded tapestries. Each breath pulled the weight of the room deeper into her lungs, mingling the aromas of burning resins, candle wax, and a hint of spice. Seated in her high-backed chair, the Reverend Mother’s eyes were half-closed, her face calm and inscrutable as if carved from the very stone surrounding her. But beneath her composed exterior, a flicker of unease simmered, hidden yet unmistakable.

The silence of the room was broken by the creak of the chamber door. An emissary entered, his steps careful and his face drawn, shadows stretching behind him in the flickering light. He bowed deeply, his voice strained as he delivered his news. “Reverend Mother, urgent word from Draconis. Lady Irene has given birth to a child—a daughter of House Targaryen. And… all the sisters sent with her have been killed.”

The Reverend Mother’s expression did not waver, but the atmosphere in the room thickened, charged with tension. She remained silent, letting the words sink in. Irene’s mission had been unequivocal: infiltrate House Targaryen and eradicate its last remnants. Instead, Irene had not only failed but had birthed a child of Targaryen blood, and the sisters sent to ensure the mission’s success were all dead. A chilling ripple of unease coursed through the Reverend Mother. The implications were vast and dangerous.

She drew a slow, measured breath, her senses reaching out into the vast, unseen currents of the universe. A faint shiver ran through her, a sensation that was neither fear nor surprise but a deeper, more unsettling awareness—an understanding that something fundamental had shifted, altering the fabric of fate itself. There was a disturbance, an ancient power stirring that she could not yet fully grasp, and it was tied to the birth of this unexpected child.

Her gaze turned to the intricate tapestries that adorned the walls, each thread a silent testament to the Bene Gesserit’s long, calculated rise to power. But now, the once-familiar patterns seemed to writhe and shift in the dim light, vibrating with a dissonance that mirrored her inner turmoil. House Targaryen, nearly extinguished, had defied them. This was not just a failure; it was a harbinger of a larger, more perilous struggle.

“How did the sisters die?” she asked, her voice sharp and controlled, though a shadow of anger tinged her words.

The emissary hesitated, his eyes darting nervously. “It was swift and precise. The reports are conflicting, but it seems as though the planet itself rose against them. A force beyond what we anticipated… something ancient.”

The Reverend Mother’s eyes narrowed. The sisters sent to Draconis were among the best, their loyalty and skills beyond question. Their deaths were not just a setback but a sign that House Targaryen had defenses they could not have foreseen. Worse, the birth of this child—whose name was still unknown—was an ominous twist, a new variable in a game the Bene Gesserit had thought they controlled.

She summoned her closest advisors, who entered the chamber with urgency, their faces etched with concern. They bowed before her, sensing the gravity of the situation. “We cannot allow this to derail our plans,” she commanded, her voice cutting through the tension. “Increase surveillance. Strengthen our networks. This child must be watched at all costs. We are dealing with a resurgence that is more than a mere complication—it is a threat to everything we have built.”

The advisors nodded, retreating swiftly to carry out her orders. Left alone, the Reverend Mother stared at the dying embers in the braziers, her mind racing with calculations. The unknown daughter of Irene Atreides and Daeylor Targaryen posed a threat unlike any they had faced before—a convergence of power and bloodlines that could tip the balance of the universe itself.

She could feel the tremors of change deep in her bones. This child’s birth was not a mere defiance of their plans but a declaration of something far more profound. The Bene Gesserit would need to act with swift and unyielding force to contain this threat before it consumed them all. For now, the Reverend Mother did not know the child's name, but she knew that whatever it was, it carried with it a legacy that could not be ignored.

The Message Arrives - Caladan, Duke Leto’s Study - A Month After Irene’s Passing

Duke Leto Atreides sat in his study, surrounded by dark wood and the quiet dignity of a room steeped in tradition. Maps and books lined the walls, their edges flickering in the muted glow of candlelight. The restless sea beyond the stained glass windows mirrored his turbulent thoughts. The heavy oak door creaked open, and a messenger entered, his expression grim. He approached with a deep bow, the gravity of his message evident in every line of his posture.

“Duke Leto,” the messenger began, voice tight. “I bring word from Draconis. Your sister, Lady Irene, has passed… but not before giving birth to a daughter of House Targaryen.”

Leto’s fingers tightened around the armrest of his chair, the wood creaking under the sudden pressure. Rising slowly, he moved as if bracing against a heavy weight. The usual quiet hum of the study felt stifling, each breath dense with the unspoken loss. Irene’s absence hit like a cold wind, stripping the room of its familiar warmth.

He stared into the crackling fire, flames dancing with a restless energy that mirrored the storm brewing within him. Irene’s death was a wound he had not anticipated—more than just a loss, it was a fracture in the foundation of House Atreides. Yet amid the grief, a spark remained: Irene had left behind a daughter, a merging of Atreides and Targaryen blood.

Leto moved to the map of the universe, his gaze tracing the lines that connected Caladan to distant, hostile worlds. The implications of his sister’s child swirled in his mind. This was no ordinary birth; it was a bridge between two powerful but isolated houses. Where others might see danger, Leto saw potential—an uncharted path that could redefine alliances and power.

The Targaryens, formidable and fiercely independent, had long been a looming presence. But now, with the birth of Irene’s daughter, they were no longer untouchable. Leto knew this was a chance to shift the balance, to turn an unpredictable situation into an advantage for House Atreides. He crossed to his desk, pulling a fresh sheet of parchment, the quill scratching across the surface as he penned his thoughts with urgency.

He crafted his words carefully, expressing grief for his sister’s loss while hinting at the possibility of a future bound by shared blood. This was not just an offer of condolence—it was a proposal for dialogue, a subtle yet unmistakable gesture toward a potential alliance. Leto’s mind worked like a seasoned strategist, weighing every phrase, every implication, setting the stage for a new chapter.

Sealing the letter with the Atreides sigil, Leto summoned the messenger, watching as the wax cooled, solidifying his intentions. As the letter was whisked away, he returned to his chair, eyes fixed on the fire. The flames seemed to flicker with renewed purpose, reflecting his resolve.

Leto’s thoughts turned inward, assessing the risks. The Targaryens were known for their pride and suspicion, and any overture could be met with defiance. But Leto was no stranger to navigating perilous waters. This was more than just a personal loss; it was an opportunity to turn the tides in favor of his house. Irene’s daughter, a living symbol of both families, could be the key to a future where House Atreides thrived, not just through power but through unexpected unity.

As the fire crackled softly, Leto made a silent vow: to honor his sister by forging ahead, transforming potential threat into opportunity. House Atreides had always been adaptable, and resilient in the face of shifting sands. Now, with this new connection to House Targaryen, Leto saw the future clearly—a path lit by the unyielding flame of his family’s will and the promise that Irene’s legacy would not fade into darkness.

A/N: if you’ve made it this far, thank you so much for reading! If you’d like to be tagged just shoot a comment and ask! Please comment your thoughts, like and reblog ❤️❤️

For the most part it relies on how the recipient responds. They start the story, so if for them Mikey is a beby then he is a wee wittle beby boi. If they decide that he's the same age as he is in the fic, then that's how old he is. If they decide it takes place before he's rescued by his brothers, then that's where the story will start. If the person who answers the door is them, then they will get to go on a journey with Mikey to return him home. If it's a character they made, then that character will help.

It's all based on how the recipient wants the story to go, and I will do my best to add onto it.