Did You know the Artistâs Resale Right entitles British creators, and heirs, of artistic works to a royalty payment each time their works are sold by an art market professional?
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Did You know the Artistâs Resale Right entitles British creators, and heirs, of artistic works to a royalty payment each time their works are sold by an art market professional?

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With social media bans for under 16s already in place in Australia and set to be unveiled here in the UK, and likely to follow in many other countries, publishers can and should grasp the mantle to provide high quality, trusted, authoritative media for children and young people
If youâre at all concerned about the impact AI is having on comic creators and the comic industry, you may want to check out Drawn to Extinction: Comics, Craft, and the Battle for Creativity in the Age of Ai, a new self-published book by Pete Trainor
The Alison Brown Young Comics Maestro Award 2026 competition is now open and organisers The Cartoon Museum are looking for the next big comic artist
With the launch of Adrian Tchaikovskyâs first graphic novel, Salvationâs Child, this week, downthetubes had the opportunity to ask the award-winning author some questions about his working practice, how the material collaborations developed, his influences and plans for the future...

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A page from the Giles annual (4th Series, 1949), a regular collection of Giles cartoons from the Daily Express. Giles work was a hugely popular feature of the newspaper for decades.
Caption: THE MASTER: Six simple stages in the build up of a face are demonstrated by Giles on his drawing-board. Giles may be seen behind the beer-mug, top left.
HOW TO DRAW A FACE
The idea of the sketches here is to show the reader with what care a face must be built.
Note the precision with which the eyes are placed. First one, then the other, carefully spaced according to the proposed size of face.
Note, too, how the mouth is placed a little lower - usually central beneath the eyes, but a little to one side for people who talk that way.
The shape of the face itself is important. It holds the pieces together, and provides a boundary beyond which the nose should not extend.
Expression is vital. Be a ruthless critic of your own work. Below you see three attempts I made at the same face and reason why I rejected the first two. I did not reject the third, because I was in a hurry.
Do not hesitate to tear up your work if you do not get the exact expression that you want first time. Is the circle that forms the head too, too geometrical? Tear it up.
Are the eyes so full of suffering that they might mar someone's breakfast? Tear them up.
Stop tearing when the neighbours complain or the price of paper goes up.
[3 identical cartoons of a face]
REJECTED
Inane look
REJECTED
Avaricious
ACCEPTED
Opening time
Via âGiles Cartoonsâ on Facebook
Macc-Pow! returns to Macclesfield next month, and in a major coup for the long-running Comic Art Festival events will include the world premiere of OiNK! A Short Tail, celebrating the creation and legacy of the 1980s British humour comic
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