im goin down to cowtown

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im goin down to cowtown

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I'm going down to Cowtown, the cow's a friend to me Lives beneath the ocean and that's where I will be Beneath the waves, the waves and that's where I will be I'm gonna see the cow beneath the sea
Cowtown
Cumberland Arms, Marrapalooza Festival, Newcastle, England. 07/06/26.
In Calgary extremely sober.
Every morning and every evening, longhorn steers walk up Exchange Street in Fort Worth like they own the place. Which, honestly? They kind of do. This is the Fort Worth Stockyards — and before it became a destination for tourists snapping photos from the sidewalk, it was the real thing. The Fort Worth Union Stockyards opened for business on January 19, 1890, covering 206 acres of working livestock infrastructure. And that was just the beginning of the operation's serious years. By 1886, four stockyards had already been built near the railroads in the area. The whole machine had been running in some form since 1866. Fort Worth didn't get the nickname "Cowtown" as a joke. It earned it through decades of actual cattle commerce — the kind where the smell hit you before the city did, where fortunes changed hands alongside livestock, and where the railroad made it all possible by connecting Texas ranchers to markets that would have otherwise been unreachable. Now here's where it gets interesting, and a little bittersweet: the Stockyards today consist mainly of entertainment and shopping venues built around the "Cowtown" image. The twice-daily longhorn parade is for tourists' enjoyment — the source material says so explicitly, without apology. Which raises a question worth sitting with: is that a corruption of the place's identity, or is it the place finding a way to survive? Because here's the other thing the source material drops quietly, almost as a footnote: these are the last standing stockyards in the United States. The last ones. Every other operation like this — gone. What Fort Worth has, even dressed up for visitors, is the sole survivor of an entire industry that shaped how the American West fed the rest of the country. The steers walking up Exchange Street twice a day aren't just a photo opportunity. They're a ghost of something enormous, still showing up on schedule. There's something very Texas about that. Refusing to let the thing die, even if keeping it alive means putting on a little bit of a show.

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Ryan King has a job title that hasn't changed much in about 150 years: drover. Cattle herder. The person who moves the cows from Point A to Point B and makes sure they don't do anything stupid in between. He works the Fort Worth Stockyards — 206 acres that opened for business on January 19, 1890, though the area had already been running livestock operations since 1866. By the time the Fort Worth Union Stockyards officially opened, there were already four stockyards clustered near the railroads. The infrastructure had been building for decades before anyone put a formal name on it. Here's the thing about the Stockyards that doesn't quite make it into the tourist brochures: the cattle drives you can watch there today are performance. The neighborhood now runs on entertainment and shopping — carefully curated around the "Cowtown" identity that Fort Worth has leaned into hard. The actual livestock market? Gone. What remains is the architecture of commerce that no longer exists, and men like Ryan King doing a version of work that once made this city. The Stockyards are, apparently, the last standing stockyards in the United States. That detail lands differently when you sit with it. Every other one is gone — demolished, converted, forgotten. Fort Worth held on to this one, though it held on by turning it into something else entirely. The pens and chutes and brick buildings that once processed millions of cattle now process tourists. Which isn't a condemnation. History preserved is still history, even when it's wearing a gift shop. And Ryan King is still out there doing the actual work — moving actual cattle through a place that has otherwise become a monument to the idea of moving cattle. There's something genuinely strange about a living tradition surviving inside its own museum. Does the work feel different when the context around it has become theatrical? Does it matter?
I went to bed thinking of one pair of boots for today; however, when I woke up this morning I changed my mind. This pair of Cowtown boots made their presence known. Who am I to deny them? 😉 I love this pair. Love. 🖤🤍 Have a great day, bootmen. 👊