Every year I watch that white boy go, with no way of warning him. No way of letting him know. Helplessly watching him devour his paprika chicken before journeying the road to his doom. Don’t go, white boy. Don’t go.
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Every year I watch that white boy go, with no way of warning him. No way of letting him know. Helplessly watching him devour his paprika chicken before journeying the road to his doom. Don’t go, white boy. Don’t go.

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so like. when are we getting that wild west ect TV show where right at the end of the first season. right at the end. last ten minutes right at the end. the main character wanders over from America to England to go propose to this really nice girl we've been hearing about all season. and she opens the door and we finally learn the main character's last name.
and The Public still don't even realise that Quincey Morris just wandered his way into the plot of Dracula because no one ever includes him in the adaptations and no one's actually read the book
when are we getting that.
full offense but mina didn't spend the last fucking quarter of the novel doing literally every single fucking thing she could to keep herself in good spirits after her assault (even after she's been deemed unclean by the heavens) and taking everything dracula forced on her (especially the telepathic link) and turning it against him to help her loved ones kick his fucking ass just for dracula adaptations to go "but what if they had a sexy dark romance <3 what if she was the reincarnation of his dead wife <3" what if you go fuck yourself. what then
Every year Dracula daily revamps interest in the novel and every year I have to be reminded of the utter buffoonery and misogyny that pervades every modern adaptation that romanticizes Dracula and his predation of women in the name of being “subversive” while completely cutting out or sidelining his predation of men (namely Jonathan) because all of a sudden when he’s assaulting and robbing men of their agency it’s not sexy or sympathetic anymore and we can’t include Jonathan (one of the most interesting and unique and ACTUALLY subversive male characters in gothic literature) because he’s not “manly” enough

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May 8th - foul bauble day
the count talking to the gang in bram stoker’s dracula
While pinball-like games – i.e., glass-fronted inclined tables with bells, bumpers, and spring-loaded ball launchers – were developed in France as early as the mid 1700s, these examples were games of chance, lacking any mechanism for the player to manipulate the ball once it was in play. Initial experiments in introducing an element of player skill by adding flippers proved unsatisfactory, as even the most efficient mechanical flippers were too weak to propel the ball all the way up the table. Pinball would not realise its modern form until the 1940s, with the introduction of power-assisted flippers driven by small electric motors; this final step could in theory have taken place much earlier, the first commercially viable small electric motors having been developed in the 1880s, but economic factors made it impractical.
At this point, one may note that Bram Stoker's famous novel Dracula takes place around 1897.
Thus, permitting only slight anachronism, it is just barely historically possible for Count Dracula to have owned a pinball machine.