Hey, love! Hope everythingâs well for you and you enjoyed/are enjoying Valentineâs Day! Iâve been thinking about Bellarke in the books and wondering if youâve read them. â ď¸ SPOILERS BELOW IF YOU HAVENâT â ď¸ If so, how do you compare the massive slowburn epic-ness of show-Bellarke with the more stereotypical young adult drama and fluff of book-Bellarke? Iâve noticed that book-Bellarke are a lot like Flarke but without cheating and more build-up. What do you think? Why such a difference?
The difference essentially comes down to genre.
The genre defines the expectations for a story. And within genre, there also things like tone and themes and audience.
Cass Morgan wrote this idea as a YA romance in the post apocalypse.
JR wrote this idea as an ADULT post apocalyptic action adventure tragedy.... via HBO-like prestige tv.Â
Incidentally, the change in genre/expectations/audience is also why the PILOT is so different from the rest of the show. Because the PILOT was written as a teen soap opera in the apocalypse, closer to Cass Morganâs version, but dirtier and more melodramatic. BUT The CW asked him to CHANGE the story to be more like HBO and AMC, like a Game of Thrones, or Walking Dead. And you can find both those influences within The 100.Â
BUT...but... and Iâm really excited for this because I have started watching this SFF writing class by Brandon Sanderson (who wrote Mistborn, which I love,) and he said this thing about plot which made me go AH HA!!!!
So what he said is that a lot of stories are really, essentially, romances. But the way the plot is structured, thatâs not whatâs on top of the story.
He said that there are two concepts of plot at play. The main plot is The Umbrella Plot. Thatâs your basic, âX must do X to get to Xâ plot. Thatâs your structural plot, how the story moves forward.
But underneath that thereâs a CORE PLOT, and THAT is often âX+X fall in love.â
Thatâs where we see the character development and payoff that was promised.
So a story for many narratives is really more like this. âWatch X+X fall in love while X2 must do X to get to X.â Â
THAT is essentially the 7 season narrative of The 100. We are watching Bellarke fall in love while they fight the bad guys to save/redeem humanity in the apocalypse.
The part that made me go AH HA was when Sanderson said that most romance novels DONâT have the umbrella plot. The core plot is the one that is on top, and I have mostly found this to be true, even while the romantic duo have to face down evil dukes or or lies about their fake marriage or a kidnapping or that OTHER girl that the love interest is fascinated with.
So. Like. The difference between Bellarke in the book vs Bellarke in the show is a difference of genre. Romance is the top level story in the books. And in tv show itâs the CORE story underneath the top level Umbrella story.Â
Shoot. I am actually in the middle of an examination of top level romance story WITHIN The 100 (hint hint itâs MEMORI, not Bellarke) which is more like the romance of Bellarke in the book. I have it open on another tab right now.
Oh. But you know also? Bellarke in the book got together fast. First book so they were an established couple early.Â
But another difference with Bellarke is that the allusions, and the inspirations are from love stories (not necessarily romance genre stories) that are from different traditions. Like Penelope and Odysseus (one of the rare happy ever after endings in classical greek lit, right?) or Elizabeth Bennet and Mr Darcy. BOTH of those were stories that kept our lovers apart until the very end, and most of THEIR adventures were separate, meeting infrequently or not until the end.Â
There are SO many ways to tell a story, and making them turn out differently does not mean that one story is bad and one story is good. The book fills certain needs for a certain audience that has certain expectations. The show fills entirely different needs for a different audience with very different expectations. Iâve often said that I thought the fandom disappointment comes from genre mismatches. The audience EXPECTS something that they are used to from the YA genre, from the PILOT, from the channel that usually has soapy teen dramas, and those expectations are not met.
DESPITE the fact that they have told us in no uncertain terms that those are not the promises they are making to the audience. Earth Kills. Post apocalyptic action survival show, not a romance. Anyone can die. This show DOES go for twists, but most of the twists are not surprises. I think the audience can be shocked by them because they refuse to listen to the BLATANT story that is being told and keep trying to force the show back into the YA Romance or Queer Fantasy Romance, or even Slow Burn Post Apocalyptic Romance genres.
This show has its own allusions and tropes and story track. The Heroâs Journey and The Heroineâs Journey are NOT romances. But the core plot is the Hero and Heroine fall in love while they are fighting to save and redeem humanity.Â
Itâs been a love story the whole time while it has been a Post apocalyptic action adventure tragedy. Core. Umbrella. JR has said so. Bellarke are the central relationship and the backbone of the story. But theyâre not going to reach the falling in love until the end, just like they werenât going to finally redeem humanity until the end. Because without the core fo the story, the umbrella plot would, well no. they could keep the umbrella plot with a battle couple I think, but it would have then been a DIFFERENT core story. Established, not falling in love. This is about them falling in love. And theyâre doing it really well.Â



















