Commodity-Self (Midterm: Re-edited)
Clothing items we wear...
....and even the type of kitchen utensils we use are all commodities. We then brand ourselves with those commodities. They distinguish who we are from any other person. It works the same way as social media. The minute we make an account for a social media platform, letâs say Instagram for example, we are making an identity through that platform. Now, letâs say that we choose to use Instagram over Facebook. We are then endorsing Instagram instead of Facebook, showing that we like one platform over the other.
I know right? Crazy stuff.
Everyone has their own identity. Through this identity, they can portray themselves however they want. It works the same way for social media platforms and how you use them to portray yourself. You construct your own image through these social technologies and you can have people view you how you want to be seen as. What you post on said social media really then depicts how most others will see you as a person and then through that identity.Â
In reality, we are all trying to post an âillusional selfâ so we come off  more as artsy...
...things that everyday we may not be. Through this âillusional selfâ we represent ourselves in a false way to be seen as something we want to be but are not.Â
For instance, a lot of people post about how they are going to go workout at the gym. In reality, they only post that to seem athletic when in reality, they are sitting on their couch eating funyuns (for example, just go with it, you know?)
 But what they post on and what they are posting about gives them this new âaestheticâ or image that is how they want to be seen as. âAll images are subject to judgement about their qualities (such as beauty or coolness) and their capacity to have an impact on viewers.  The criteria used to interpret and give value to images depend on cultural codes or shared concepts, concerning what makes an image pleasing or unpleasant, shocking or banal, interesting or boring⌠these qualities do not reside in the image or object but depend on the contexts in which it is viewed, on the codes that prevail in a society, and on the viewer who is making that judgement.  All viewer interpretations involve two fundamental concepts of value-- aesthetics and tasteâ (Sturken and Cartwright, 56).
Each social media is a little different but they all convey the same point of connecting with friends.Â
All social media platforms focuses on a few focal points that separates their platform like any other. Snapchat is all about keeping a âstreakâ with someone, snapchatting them at least once a day, everyday. The higher the number you have with someone shows loyalty.Â
Instagram is all about getting as many likes on the picture as you can. Having more followers means getting more likes on your picture.Â
Twitter is all about the âretweetsâ, posting something that is relatable enough that people are willing to repost it to their own page for their own followers to see as well. Â
They all have different ways of reeling you in and different styles.
 Snapchat is more about real-time, whatâs happening right now with all of your friends. Then, if youâre doing something fun, you post it so people see you do fun stuff like go to concerts, hockey games with friends, or going out to eat at a fancy resturaunt. You want to look fun and popular on Snapchat. Instagram is all about aesthetic and themed criteria. Most people post pictures all with the same filter so your instagram looks very artistically pleasing. Twitter is different. Since it is not a visually based app, itâs all about text and how that text comes across. If it connects with the audience, the following behind that is larger.
These apps rely strongly on the sense of âaudienceâ and who responds to what, how. That audience is where we (the person posting) gets the satisfaction of a following. When Stokes spoke of an audience, they used it interchangeably with âsocietyâ as well. â But we also use the term [audience] to refer in a broader sense to people who are exposed to or who respond to media culture. Indeed, in its broadest sense, the term âaudienceâ is almost interchangeable with âsocietyâ, for it is used to refer to the many ways in which the media relate to the broader social world.â
Personally, I do fall in line with the âstereotypesâ of media platforms. My Instagram does have an aesthetic, I make relatable tweets to get more likes and retweets, and I have Snapchat streaks. All of these things that make these different platforms distinct from the other is why I am a part of them and why I stick with them. All media forms try to all spread news, entertainment and more, keeping the world up to date no matter what platform you use. â...media, the plural form of medium, refers to the group of communications industries and technologies that together produce and spread public news, entertainment, and information. When we refer to âthe mediaâ we usually mean a plurality of media forms (news, entertainment, radio, television, film, the Web, and so forth) and not one entirely unitary industry, though we may mean to imply that the members of the plurality produce a surprisingly homogenous set of messagesâ (Sturken and Cartwright, 229).
Out of all the media platforms I have signed up for and I am actively a part of, the commodities that make up my commodity self the most would be Instagram, YouTube, and Snapchat.
 I use Snapchat to show off the fun times I have with my friends. I love taking pictures and videos (hence me being a media studies emphasis), so this app is perfect for me.Â
Through what I am posting on Snapchat, those posts make up my identity. My identity is friends, laughing, and having amusing moments with some of the greatest people Iâve ever met. My identity on Snapchat is different from my identity on Instagram though.Â
On Snapchat, I might post several things to my story a day if Iâm with friends and hanging out but on Instagram, I might only post once every few weeks or so. I donât like to clutter that space and have my profile look messy and crammed with images.Â
The last commodity that makes up my commodity self would be YouTube. I personally think YouTube is the best way to post original content and also the best way to really see someoneâs identity. YouTube has just about everything from DIY decor videos, videogaming, beauty tutorials, vlogs, comedy/skit videos, and videos for educational purposes. Weather youâre one of millions watching or making your own content, YouTube is where it is at. My identity through YouTube is constructed through the YouTube channels I follow. For example, I only follow 12 YouTube channels. Usually people follow several dozens but Iâm quite picky. In those 12, I mainly watch âRooster Teethâ and âLetâs Playâ, two gaming channels. My favorite channel though is âWatch Cutâ, a YouTube channel that takes real people and breaks real barriers that most people choose to pretend that donât exist. One of their top videos and one of my all time favorites is âPeople Guess Who Is A Sex Worker From A Group Of Strangersâ.Â
Kind of a crazy title, I know, but itâs real; and I like to think that myself and my identity is real. Itâs been roughly one month since the video has been out and it has 6.1 million views! Thatâs pretty insane. The concept of being confident and breaking barriers is something that I have in my personal identity so this channel that I am subscribed to shows my commodity self pretty clearly.
If you use social media, you most likely are a part of Instagram. Forbes says, âInstagramâs popularity has been growing steadily since it first debuted back in 2010. With more than 500 million active users, itâs currently the second most popular social media network in the world, behind only Facebook.â The question âwhy is Instagram so popular?â can be answered with several factors. Â From its mobile functionality, visual aesthetic, original content material, and simple functions, it is easy to see why Instagram has such a huge following. Another question that can be posed is how is it advertised.
I thought back to why I, myself, found Instagram in the first place and why I am still actively a part in the social media platform. I looked at how I am a part of an audience even though sometimes I feel like Iâm in my own world. I feel like Instagram is a planet where only Iâm on and seeing everyone else is like they are on their own planet too.
 Instagram feels personalized for the person using it since you can follow things you like specifically; like a band you like...
a celebrity you want to keep tabs on...
...or friends and family. No one has the same Instagram feed that someone else might have. Itâs all different for everyone. Even the ads placed in your feed is personally selected for you. Instagram pairs up with advertisers to work together to make institutions out of its viewerships. Advertisements then use these institutions to target their customers. It interpellates the viewer, making it feel personal. âInterpellation [in the media sense] is the way images and media seem to call out to us, catching our attentionâ (Sturken & Cartwright, 50). These advertisements seem to âhailâ viewers as individuals even though so many more people are seeing the same advertisement. This makes the viewers feel like the advertisement is âjust for meâ though it reaches a bigger audience.
Another commodity I am a fan of is Snapchat. I use Snapchat daily and I know I would be almost anxious being without it for a day. It made me question what was magnetizing me towards Snapchat everyday. I decided to take a look at what Snapchat was encoding within their advertising. Encoding is a process done by the advertisement makers while the viewers of the advertisement are the ones decoding the image, video, or text. The relationship between encoding and decoding are crucial to the financial gain of companies using commercials and advertisements to evoke a certain reaction in a consumer. When advertisers want cusumers to use their product (for instance, Snapchat), everything that they put in their advertisement is intentional. The producers want you to feel a certain way so they encode a certain âfeelingâ in their media. How someone reacts to what is encoded is called decoding. When decoding the messages a company has encoded in an advertisement, Stuart Hall describes three types of ways people can decode an advertisement. The first type of way we interpret media is the dominant type. This is the desired interpolation. This is when âthe viewer takes the connotated meaning from a television newscast [or another type of media] and decodes the message in terms of the reference code in which it has been encodedâ (Hall, 515). The second type of way is negotiated. This is when âthe viewer acknowledges the legitimacy of the hegemonic definitions to make the grand significations while at a more restricted, situational level. It makes its own ground rules and operates with exceptions to the ruleâ (Hall, 516). The last type is oppositional. This is the type that advertisers want to avoid the viewer of feeling. The oppositional view is when âthe viewer perfectly understands both the literal and the connotative inflection given by a discourse but to decode the message in a globally contrary wayâ (Hall 517).Â
With Snapchat, their advertisements show young adults having a good time and recording their experiences to show and share with friends. Itâs encoding that with Snapchat, you can show off the good times that youâre having with your friends and family. With Snapchat in your phone, it means that you are a supporter of connecting with friends nationally and internationally and are capable of having a good time. A good enough time to post about it and let everyone know what youâre up to.
In conclusion, my commodity self is filled with YouTube, Instagram, and Snapchat the most out of media commodities at least. Through these apps I use, my identity is being displayed to those friends and followers. Each platform is a little different and my âillusional-selfâ changes with each platform to satisfy those in my viewership. My identity is laughter, friends and fun and I express those within my social media platforms I am a  part of.