Nov 9, 2019
One of my favourite Ciaconna’s from the Baroque era: Buxtehude’s offering in C Minor, with a grandiose pedal part.
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One of my favourite Ciaconna’s from the Baroque era: Buxtehude’s offering in C Minor, with a grandiose pedal part.
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The third piece I will share is one I am incredibly surprised not to have shared already. Completed in November 2015, this is my second symphony, and surprisingly the last one I have completed. This is very similar in style to the last piece I shared, though they were composed two years apart, except the final movement, instead of being reminiscent of Mendelssohn and the early Romantics, almost reminds of Brahms 1 or Holst’s Jupiter. As a final moment of composer-like smartarsery, I included references to all 3 previous movements at the end of the fourth movement – as if anyone would hear them over one another. That’s the kind of things composers do, and you’ve got to hate us for it.
@you-had-me-at-e-flat-major
[There's No Space Left in C# Minor] a short film directed by Margaret Zhang
#chopinNocturneOpus48no1 #Chopin #PianoArtistry #cminor #pianist #piano🎹🎶 #PianoLessons #pianoteacher #pianolessonsonline https://theartofpianoperformance.me
Practice has begun. 1st steps on in getting back into music.
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I enjoy watching the score alongside a music video. Here is Bach’s fiendishly difficult Prelude and Fugue No. 2 in C Minor, from the Well-Tempered Clavier. The difficulty lies not just in the speed, but balancing the rhythm so that every note can be heard.
Mstislav Rostropovich plays Bach’s incredible Cello Suite in C Minor. Most people know the G Major one, but I think this darker, more profound No. 5 is superior.
Piano Sonata No. 8 in C minor, Op. 13 “Pathétique”: I. Grave - Ludwig van BEETHOVEN