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A collection of 315 high-resolution digital images of Clyfford Still ▶️https://boywithflower.gumroad.com/l/bwboa ▶️https://www.boywithflowers.com/product/clyfford-still/ ▶️https://www.patreon.com/posts/74762381 Get more digital paintings. https://boywithflower.gumroad.com/ https://www.boywithflowers.com https://www.patreon.com/boy_with_flowers_art_gallery
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Clyfford Still
Clyfford Still had a unique artistic vision and was unwilling to compromise it for money or recognition. As he evolved as an artist, Still’s works transitioned from recognizable images and landscapes to more abstract shapes, colours, and lines to express ideas and feelings on huge canvases. He wanted people to get lost in his works and make their own interpretations of his art.
‘My paintings have no titles because I do not wish them to be considered illustrations or pictorial puzzles’, Still wrote. ‘If properly made visible they speak for themselves.’
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1. Clyfford Still, PH-247, 1951, Clyfford Still Museum
2. Clyfford Still at the Albright-Knox Art Gallery, unknown photographer, 1959, Clyfford Still Archives.
Cette photo est une forme d'hommage à une des plus grandes collectionneuses d'art expresssionniste au monde, Mme Muriel Kallis Newman que l'on voit ici devant son tableau le #jacksonpollock "Number 28", 1950. Née en 1914, elle est décédée en 2008. C'était une philanthrope américaine qui a fait don de sa vaste collection d'art expressionniste abstrait au Metropolitan Museum of Art et à la School of the Art Institute of Chicago. #Repost @charlesgmagne Good morning in the Chicago apartment of collector Muriel Kallis Newman standing in front of her #jacksonpollock painting “Number 28”, 1950 she bought from Sidney Janis Gallery in 1953. #clyffordstill “1947-H No. 1 (PH-265)”, 1947 was sold in the early ‘60s by Galerie Lawrence, Paris (Lawrence Rubin, the brother of curator William Rubin). In the right, #markrothko painting “No.3” from 1953. On the coffee table, #albertogiacometti sculpture “The Forest”, 1950 was purchased from #Giacometti’s second solo exhibition with Pierre Matisse the year it was made. The #alexandercalder #Calder mobile was bought in 1965 from B. C. Holland Gallery in Chicago. The collection, photographed here in her Chicago apartment, was promised to @metropolitanmuseum in 1980 and the donation made in 2006, transforming the museum’s holding of Abstract Expressionist painting. The furniture in the photo includes a chaise lounge by #LeCorbusier and #BarcelonaChair for #Knoll by #MiesVanDerRohe. Thanks @art.in.the.home for the caption. https://www.instagram.com/p/Ciy9b8StxVt/?igshid=NGJjMDIxMWI=
Clyfford Still, “Number 2,” 1949. 92 x 67 inch oil on canvas. #abstractart #clyffordstill #painting #abstractexpressionism #oiloncanvas #arthistory https://www.instagram.com/p/CeK1TF8Mc1U/?igshid=NGJjMDIxMWI=
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