#cli fi

https://medium.com/p/the-rising-tide-of-cli-fi-how-climate-fiction-is-weaving-environmental-themes-into-the-future-of-6d09da36b3c2

⭐️⭐️⭐️⭐️/5

Summary: https://shorturl.at/fXT2I

This book was definitely darker than my usual fare. And I’m not sure I would have picked it up, had I known just how dark it was But, I’m glad I did! From the first chapter, we see both the island itself and the relationships between its inhabitants barrel toward a catastrophe. But it takes until the very end of the book for the reader to fully understand how both are intertwined. The connection is clear early on because life under such extreme conditions of isolation makes it impossible to escape the forces of nature, but the full extent of this phenomenon intertwining does unfold only gradually. 

The ending knocked me off my feet. And I won't say much more because anything beyond that would be a spoiler.

The cli-fi element is extremely well done. The author does an amazing job of using one family’s story to show what the results of the climate catastrophe will look like for millions of people, except, as one of the protagonists states, most of them won’t have the privilege to get rescued by a boat. 

I enjoyed both the character development and the changing points of view. And while it didn’t bother me, I did wonder why the author chose to write the chapters focused on the children in the third person.  However, as part of that choice, I thought it was an amazing decision to tell Orly’s perspective mostly through the nature books he was reading. As the youngest child, who had spent most of his part on the island, its flora and fauna and the seed bank played an even more central role in his life than they did in the other kids’ lives.

I thought the audiobook was extremely well done. The different narrators really brought the story to live. The only part I did not enjoy was the way Dominic was portrayed in the audiobook. B cause of the choice of voice actor, he came across as way more macho as his character felt to be based on the story. It actually took away from the character development in the book.

Overall, a gripping read, though. Highly recommend if you can stomach difficult topics such as grief over the death of a parent/spouse and the sexual assault of a minor. 

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Content Warnings

Graphic: Animal cruelty, Confinement, Death, Infidelity, Mental illness, Suicide, Violence, Grief, Death of parent, Pregnancy, Fire/Fire injury

Moderate: Adult/minor relationship, Cancer, Sexual assault, Sexual content

Minor: Vomit

The world needs climate fiction! So we're hosting #CliFiPit, 9/18 on Bluesky. Authors can pitch cli-fi in any genre from solarpunk, horror, or romance to fantasy, mystery, dystopian, utopian, etc. Authors, editors, and publishers can find more info at solarpunkmagazine.com/cli-fi-pit. Please share!

Book 29 of 2025: All the Water in the World by Eiren Caffall

This book is SO GOOD and SO INTENSE. Like, be warned, it is GRIPPING and also TERRIFYING and also I live in the New York area and this feels SO REAL. A small band of museum employees and their kids have been living in the Museum of Natural History in NYC in the post-climate-apocalypse, until a superstorm forces them out. They head north, in search of a family farm where they might find people, or at least safety. The journey is dangerous; the heat and storms are so vivid; I would die for these characters. Read this, but read it when you're ready to sit with some heavy shit.

Introduction

Kim Stanley Robinson is one of those names I’ve been meaning to around to since approximately forever ago, one of the real Canonical science fiction writers I’ve always felt slightly ashamed I’ve never read (see also: Gene Wolfe). Ministry for the Future in particular is a book I remember getting an immense amount of buzz and downright hagiographic reviews when it came out, even well beyond the usual science fiction circuit. So I went into this with vague impressions and high expectations – which, as it always does, turned out to be a rather dire mistake.

I do not regret having read this book, but that’s on its merits as a cultural artifact rather than a work of literature. Which is to say, I think this is interesting more than it’s good. It’s more or less equal parts a (rather experimental) novel, a work of futurism, and a political manifesto – and despite being incredibly sympathetic to the latter project, I’m not sure it really succeeds at any of them. Which might just be because I’m reading it now instead of when it came out – it is incredibly of its time, in a way that’s genuinely impressively dated even just a few years latter, and which continuously took me out of it.

It was, at least, very formally interesting. The tiny chapters and constant bouncing between different areas of interest kept it from ever becoming too much of a grind, too.

Synopsis

The book is, roughly, a history of the struggle against climate change and to restore the biosphere to equilibrium, beginning with the signing of the Paris Agreement in 2015 and continuing over the next half-century so until the world has been nigh-unrecognizably transformed and victory in that struggle seems more or less assured.

It is, nominally, focused on its only explicit divergence from our own world before the book was written (so, somewhere in 2017-2019) – the titular Ministry, a subsidiary body created by the Paris Accords to pursue and safeguard the interests of future generations – at first this is basically conceived of as a meaningless goodwill gesture by most of the really powerful people agreeing to it. But after a monstrously deadly heat wave across South Asia kills tens of millions of people in a matter of days, more and more people around the world start to wake up to the necessity of drastic action.

Over the next generation the Ministry plays a major (though less so than you might imagine) role in the transition of the world to a sustainable and just future, and the book follows both their efforts and the changing conditions around them that make any of it possible.

The story is told through a dizzying variety of perspectives – there a couple of what you might call protagonists (the minister for the future herself, a Scottish aid worker caught in the heat wave who barely survives and spends the rest of his life failing to cope with PTSD), but they occupy what has to be much less than half of the book. The rest is short persuasive essays, meeting minutes, anonymous vignettes from everyone from an Antarctic research scientist-turned-geoengineer to a de facto enslaved miner in Namibia, and odd little prose poems from the perspective of ‘the market’ or ‘photons’ or similar. It’s all mixed together quite thoroughly – few chapters are more than six or seven pages, many much less, and each new chapter marks a perspective jump. It’s a fascinating reading experience, if nothing else.

Taken As A Novel

...The Ministry for the Future is just not a very good one.

Partial blame goes to I think the very admirable instinct to avoid making some select group of technocrats and activists the Protagonists of History and instead try to maintain something like a global perspective. But the unfortunate reality of it is that the world is very big, and even at 500 pages the book is comparatively quite small. The result is that this is a story where the overwhelming majority of the plot is told in the passive voice, exposition relaying how trends never before mentioned and institutions not yet introduced are conveniently doing this or that to help fix the world, and then rarely if ever mentioned again. One wonders why the titalur Minister was chosen as a protagonist at all, given how the vast majority of her narrative could just as easily been filled by another other ‘life-on-the-ground’ level perspective (her great contribution is convincing the assembled centrall bankers of the world to do something about two thirds of the way into the book).

Also – while the instinct to avoid making ones main characters the perfectly agentic and hypercompetent engine of history is certainly admirable, it’s rather undercut by then still having one of those, but just giving us no real insight or perspective into it.

The mystique of the shadowy, untouchable terrorist syndicate has a powerful hold in the minds of action and science-fiction authors, and Robinson is apparently no exception. The energy transition in the book is greatly sped up by a near-omnipotent ecoterrorist movement that, through everything from sabotage and assassination to drone strikes and missile barrages, (literally) decapitates the entire fossil fuel industry and destroys so many planes and cargo ships so as to cripple the global airline and shipping industries. I’ll leave aside plausibility (for now) – but it just seems so self-evidently obvious that these are the main characters of the story. But with the exception of a single anonymous vignette, the story refuses to ever give the people involved names, faces, or personalities, nor dive into the whys and hows of specific operations. It’s quite frustrating, all the moreso because it feels like the author just saving himself the work of figuring any of that out.

Our two ostensible main characters themselves also just feel like – not a wasted opportunity, but definitely one more could have been made of? The world changes dramatically, almost unrecognizably, through the course of the novel, but their lives really don’t. Here and there sure, there’s not nothing, but the overwhelming majority of their pagecount is spent living what could very easily have been somewhat atypical lives in contemporary Switzerland. Despite all the talk of a ‘super-depression’ and the crippling of global trade, no shortages ever particularly affect them, no natural disasters touch ther homes. A lot of Mary’s chapters really just kind of read like tourism ads for the country Robinson clearly fell in love with at some point.

Taken as Futurism

Which is to say, taken as an exploration of how the world might actually develop, and a plausible prediction of the future based on current trends. Which, given the sheer amount modern frontier technologies, economic and political theories, and just general social trends are all discussed (not to mention a great deal of the breathless marketing and reception it received) the book is clearly trying to be. And which – woof, it does not work out.

The book is full of generational political upheavals occurring mostly because it’s a dramatically convenient time for them to. Most glaringly, the cataclysmic heat wave that sets off the book’s plot also conveniently utterly discredits the BJP and leads the landslide election of an entirely fictitious political movement across all of India, who then spend the next decades dramatically transforming the nation’s politics and economy with unbroken success and to a reception of thunderous applause. There’s no characters with names or faces actually involved in this, no more than a couple paragraphs of encyclopedia-like exposition devoted to it, but it’s the example and engine the whole rest of the book hangs on. The transition of the African Union to a powerful and legitimate supernational entity and the granting of permanent autonomy to Hong Kong (and much of southern mainland China why not) are even less dwelt on.

Now, this all could be excused as just the inevitable causalities of trying to write a book with a global scope – and I am sympathetic to that. But to begin with, I know just barely enough about the politics and the economics of a lot of several of the places touched on or used as dramatic examples to see how surface level and implausible the predicted changes are, and I can’t help but think it’s probably a similar story with all the other lightly touched on placed I don’t know much about (I remain agnostic on the accuracy of the geoengineering and carbon-clearing technologies projected, except that a lot of them suspiciously amenable to a single coherent aesthetic of the future).

More damning, to me at least, is the matter of agency – only the ‘good’ people seem to possess any of it. The conservative opposition exists as this vague, undifferentiated mass – standing athwart history and slowing things down in vague ways, but never really vital or active, never a danger to the political movements that have won or the progress that has been made. There are references to xenophobia and anti-refugee sentiment, but despite a refugee crisis that makes that of the 2010s look like a rounding error, it never leads to any really dangerous political backlash. Given how the world’s actually trending, the book’s vision of politics goes beyond optimism and into outright delusion.

This is especially true for how the book conceives of violence. Political violence is, in the book’s telling, near-universally the province of the ecological Left (with the exception of two events that provide excuses for dramatic set-pieces but fail to actually achieve anything at all). As mentioned above, seemingly omnipotent and untouchable eco-terrorists assassinate dozens of hundreds of the global elite for their crimes against the planet, destroy so many jet liners and cargo ships to force the adoption of new transportation methods, and sabotage so many coal- and oil-powered plants they help force the abandonment of the as fuels. They do this with no real blowback or reverses, no ruthless campaigns of state violence breaking apart the networks or destroying the infrastructure, no loss of public support from the disruptions in food and fuel their attacks would cause – it is not a realistic vision of what ecoterrorism might look like in the coming decades, it’s a plot device in the form of Robert Ludlum villains with no action movie secret agents around to stop them.

As a Political Manifesto

Which is, after all, clearly the real motivation behind the book, and the reason it received as many accolades as it did. It’s also where the book is easily at its most interesting – if, tragically, rather incoherent. Which might be me holding it to a higher standard than is fair but look, there’s only so many essays extolling the failure of the market or the coming obsolescence of war or whatever you can put in your book before I start holding it to the standard of actual rigour.

Mostly it feels like the book is undercut by its commitment to relentless optimism and need to jump around – a great deal of the book is spent giving the most positive possible gloss on particular phenomena or institutions from across the world in a paragraph or two, then say it needs to be scaled up on a national or global scale with no further thought or consideration of costs. Even when it’s not wrong it just feels unserious.

The subject the book spends the plurality of its time on – the main thrust of its program, if anything is – is economics and monetary policy. The great project of the Ministry is convincing the assembled central bankers of the world to create a new currency – a ‘carbon coin’ minted as a reward for sequestering or preventing the removal of a single ton of carbon for at least a century, with a guaranteed minimum value and appreciation over the same period – which would in time replace the us dollar as a global reserve currency and medium of exchange. The arguments around which are frustrating, because they go from plausible and compelling to wildly optimistic to the social science equivalent of star trek technobabble and back again without warning or any detectable pattern. It’s an interesting idea, at least, though one you get the sense is being imperfectly relayed – and the arguments for why the uncrowned monarchs of the global financial system would actually agree to it just aren’t convincing in the least.

Given the amount of times the book uses standard progressive language about how vital empowering minorities, women, the traditionally excluded and so on is to the fight to save the planet, it’s honestly kind of amusing the degree to which the big dramatic set pieces involve appealing to the conscience and principles of the most embedded representatives of The System imaginable. Running through the book are both a disdain and dismissal of economics as a field and a strongly felt technocratic sensibility and desire to have seasoned experts at the helm managing their areas of expertise – it can never quite decide whether bringing the world’s central banks under increased political control is something to be fought for, or a threat to hold over the bankers heads to get them in line and focused on the important task of creating a de facto world state (the quasi-utopia envisioned at the end of the book could just as easily be the globalist dystopia from any conspiracy theorist’s screen with no changes but the valence of the adjectives used to describe it).

It’s more peripheral, but Robinson’s clear affection for the nation of Switzerland and continuous praise of its many virtues in both politics and society does clash a bit with, well, reality. It’s weird to go from a chapter about needing to abolish tax havens to talking about how enlightened self-interest has left the Swiss government entirely behind the mission of fighting climate change.

A Product of it’s Time

Is a weird thing to call a book written barely more than five years ago, I’m aware. But it’s honestly kind of shocking just how aged and dated the book feels, reading it in 2024. Despite just everything I’ve written above, I’m trying not to judge it as harshly as I might, because I feel like I’d have been much more generous if various things didn’t keep taking me out of it.

Some of them are things that can’t really be held against it – the passages about Russia and it’s relationship with Europe reads as almost comical now, to be sure, but so does every sci fi book in the ‘80s talking about the USSR – but that doesn’t mean they don’t hurt the feeling of reading the history of the future. The book was published in October 2020, so the complete non-mention of not even COVID specifically but just any pandemic or major disease outbreaks feel positively unreal.

Other things are less the book already being falsified by history and more just seeing what turned out to be pretty transient intellectual fashions immortalized in print. Seeing a serious, celebrated book talk about the revolutionary potential of the blockchain to create a democratic new economy is enough to turn a hair grey. And on a less extreme level, talking up Modern Monetary Theory as this revolutionary hack of solve economics just feels so very incredibly pre-pandemic.

Too Long; Didn’t Read

Not angry I read it, but more because writing this review was fun and engaging than for its merits as a work of art. Can’t judge it too harshly, given that the task it set for itself is basically impossible – but Robinson’s written enough books that he probably should have known that before he started it.