This is the world capitalists want to return to.
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This is the world capitalists want to return to.

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In many places, child labor could disappear completely in a few decades.
"There are more than 20 million fewer children in child labor today than in 2020...
This reduction is especially welcome news given that so many development trends, including child labor, stalled or reversed during the pandemic. Experts weren’t sure if or how quickly the world would get back on track.
Here is the even better news: since 2000, there are 108 million fewer children in child labor, even as more and more children were born during that same time period.
To be clear, the child labor I am talking about isn’t your teenager pulling some shifts at the local ice cream shop. These are kids as young as five in poor countries who are out breaking rocks or working the fields when they should be in school.
Per a joint report by UNICEF and the International Labour Organization, since 2020, progress has occurred across all global regions and also included a substantial dip in hazardous work, defined as work that is likely to compromise a child’s health, safety, or morals.
The global goal was to end child labor by this year. With 138 million children still engaged in it worldwide, we are clearly far from success. But, the report says, “most regions could see the near or total elimination of child labor in the coming decades,” with the exception of Sub-Saharan Africa, where birth rates remain high, conflict rife, and economic growth slow...
If the current pace of progress continues, child labor in Asia and the Pacific will be eliminated by 2060 and near zero in Latin America and the Caribbean...
What is behind the downturn in child labor? One big factor is that old, familiar song of economic growth—parents who aren’t cash strapped don’t need an extra pair of hands. A second is better access to schooling, and a third, social protections for children like healthcare and cash transfers."
-via The Progress Network, July 3, 2025
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Note: Something that article, which is pretty short, doesn't get into is that progress WILL increase and speed up significantly in sub-Saharan Africa. A number of countries in sub-Saharan Africa are undergoing huge revolutions in access to basic needs, economic development, and quality of life. Child labor rates in sub-Saharan Africa are NOT going to continue declining at the current rate, they are going to increasingly decline at a FASTER rate as access to clean water, plumbing, electricity, and sanitation will all drastically change the labor landscape of Africa and reduce child labor. These trends are already happening in a number of countries, as they have in the other regions of the world.
Every single one of the factors in the reduction in child poverty listed in the final paragraph of the article is improving already in a number of countries in sub-Saharan Africa, albeit in fits and starts, with uneven progress that will almost certainly even out further as African nations and activists and governments etc. all learn from each other and are able to offer pockets to stability to move forward. (x, x, x, x, x, x)
"When you want to take their books away, they're children. When you want them to work, they're adults."
"When you want to take their books away, they're children. When you want them to work, they're adults." -/u/xFurorCelticax/ on /r/LateStageCapitalismhttps://www.reddit.com/r/LateStageCapitalism/comments/194g10g/when_you_want_to_take_their_books_away_theyre/

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"Made in Pakistant," Neckpiece by Abbe Mandegar
Made in Pakistan (2024) reflects Abbas Mandegar’s (b. 1999) own experiences with pain and anxiety as a child labourer in garment factories in Pakistan. A refugee from Afghanistan, Mandegar’s childhood was filled with sewing tools, instead of toys. Now a designer based in Sweden, Mandegar incorporates the tools of fashion – scissors, pins and sewing machine bobbins – into the garments as symbols of struggle and survival.
The geometrical ornamentation pays homage to the Hazara, the designer’s native Afghan tribe. Mandegar is reclaiming his childhood and immigrant story, as well as highlighting the human suffering involved in global, fast fashion.
Courtesy: Espoo Museum of Modern Art (EMMA).
I'm not anti-technology, I just think there's something deeply sick about a society where robots make art and children work in factories.