#dc comics#dc#batman#tim drake#batfam#bruce wayne#dick grayson#batfamily#dc fanart
seen from Argentina
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I made.. irresponsible purchases at the convention last weekend an got myself a real Shinichi from episode 7 😬
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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What if South Park was made by Hanna Barbera in the 60’s? This is my first ever attempt at drawing in the HB art style, I think I’m happy with how this came out. 🏔️
walking along (messy cel animation)
The Crows in DUMBO (1941) | dir. Samuel Armstrong, Norman Ferguson and Wilfred Jackson
cel animation test for my thesis film, all done traditionally by hand.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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besties at their best ft. 2nd year (or wel,,,, it's supposed to be?)
6 glorious vintage animations for Year of the Horse:
1. Horse (1967) by Witold Gierz
2. The Year of 1812 (1973) by Sándor Reisenbüchler
3. Horse in the House (1975) by Györgyi Csonka
4. Son of the White Mare (1981) by M Jankovics
5. Öunkimmel (1981) by Elbert Tuganov
6. In My Pocket (1983) by Roze Stiebra
Music: Animal-shaped Cloud by @domesticbgm
The galloping horse is considered one of the first true subjects of the cinematic image, beginning in 1878 with Eadweard Muybridge's The Horse in Motion. This first film became a major element in motion design and the understanding of the persistence of vision i.e: how many frames it takes for the eye to see a continuous image.
These studies became the groundwork for stop motion and cel animation, helping animators see exactly, frame by frame, how locomotion works. Each of these films uses a different type of media: paint, puppets, cutout, and celluloid, to create charming horse characters and visually beautiful scenes.
koopa times 3
