So I just rewatched The Real Merlin and Arthur doc on yt (aka the Merthur roadtrip) and I don't think we talk enough about the fact that the Merlin producers essentially sent Colin Morgan and Bradley James ghost hunting for King Arthur's spirit in the site of Camlann with a random old guy.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"Listen - I’m going to tell you a story about hope."
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C is for Camlann
This is part of an audio drama project that I am doing - a podcast per letter of the alphabet! There's a few letters I haven't gotten yet so if you have any suggestions comment there (although there are already quite a few...)
Attending the London Podcast Festival last weekend reminded me that I had a bunch of WIP podcast bobbles in my files, so have a finished handful!
Featuring Jericho Raeke (and Brother Orr) from @last-dance-audio-drama, Rudyard and Antigone Funn (my beloved) from @woodenovercoats, Dai and Perry from @camlannpod, and Faustina from @killjamxxx !
Do you have any podcast blorbos you'd like to see me Bobble-ify? Let me know!
And as a sneaky promo for myself: a reminder that my own podcast, The Holmwood Foundation is currently in its pre-launch stage for our Season Two Kickstarter! Click below for more info, and to be notified when we launch!
Season Two of the horror-fiction audio drama about possession, queer identity, and Dracula's severed head!
On the 24th May 2016 I released the trailer for my first ever audio drama, a sci-fi story about being stranded in space called Tin Can, out into the world. It’s been 10 years since then, I’ve made a lot of audio drama, a lot of music, and a lot of things have changed.
And to celebrate 10 years of Tin Can Audio, I want to make you a mixtape.
Is there an episode of something we’ve made that you’d love to have a physical copy of? Do you have a playlist of Tin Can Audio music that you really like that you’d love on cassette?
I have a bunch of blank cassette tapes, 30 minutes each side. When you buy one of these tapes from our Bandcamp page, write what you’d like in the comments box, and I’ll record it onto the tape. Any space left over I’ll fill with music and other goodies that I think go with what you’ve asked for.
The only limitation is that we have 30 minutes each side, if you want something longer than 30 minutes, I’ll do some tweaking to make it work.
We’ll be releasing these in very limited batches so if you miss out this time, check back later, we’ll have some more releasing very soon.
I had no idea when I released my little experiment onto the internet that I’d end up here. Working in audio is now my full time job, and Tin Can Audio has grown from a slightly lost little egg in a cold flat in Glasgow into an award winning audio drama and music collective, though I’m still in a slightly cold flat in Glasgow, albeit a much nicer one.
Thank you so much for 10 years of making audio drama and music and weird sounds. Here’s to the next 10.
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Oh hey! The lovely team from @tincanaudio are returning once again to King's Place in London on Sunday 6th September 2026 to do another Camlann live show!
This time we'll be performing our pilot episode, Keep the Home Fires Burning, plus giving you a sneak preview of our new show, The Bird Roads. Limited edition merch will be available, including cassette tapes.
And we'll be making a very special announcement......
Plus, our friends @wefixspacejunk, @woodenovercoats and @longcatmedia will be there too! We can't wait to see you there!
Tickets are available here!
( Heads up, last year we sold out, so get 'em while they're hot!)
hello it is world radio day and I want to talk about the state of audio drama very quickly--
over on bluesky, there's a lot of chatter about saving AD at the BBC and it's really worth reading through the tag. public funding for the arts, especially a medium in which experimentation and diversity are prioritized, is crucial and I'm deeply concerned about the BBC getting out of the game.
and, for me, this feels like part of a bigger discussion. the state of art in general is, uh...tough right now. when it comes to getting stories that you feel represent you - that are exciting and inclusive and meaningful - we just have to hope that some big stakeholders have spines and want to still make challenging stuff. idk about you, but I don't want to put all my eggs in that basket.
audio drama has always thrived in america because of you - welcome to night vale, wolf 359, the bright sessions, even the magnus archives (which isn't american but very popular here) have all been able to exist because of listener enthusiasm and support, not public funding or investment from large companies.
the best thing about podcasts is that they are mostly separate from governing bodies/regulations. sure, we all rely on hosting services to carry our shows but if push came to shove, we could create our own RSS feeds. the state of both the us government and tech (and the ways in which those two things are becoming increasingly intertwined) makes me nervous for free expression, but I take comfort in the fact that a lot of shit would have to change for someone to be able to bully me into making my art less diverse.
we have to start aggressively supporting small studios and independent creators again. if you can do that monetarily, fucking great - atypical has a membership program, most shows have patreons or crowdfund, etc. - but that's not the only way to support the art you love. talking about it, making fanart, telling your friends, reblogging, live posting, whatever! we talk a lot about the health of fandoms/reblogging here on tumblr and that's part of it too--we need to start really actively participating in our enjoyment of art again.
anyway, here are two crowdfunds you can give to right now that are still trying to meet their goal:
Camlann Season 2
Heartglass
and an incomplete list of audio dramas that I've been enjoying recently:
Red Valley
Un(con)Trolled
Havana Syndrome
Sherlock & Co
The only thing I have to say for myself is: Songs in podcasts my beloveds <3
IDs in alt text and under the cut
[ID: Front cover of a zine. In the middle of the page there is big red heart with text in it: „Songs in podcasts my beloveds”.
Page 1. Text saying: „I love songs in podcasts! They are so cool and great and amazing and wonderful and fun and fabulous and excellent and brilliant”
Page 2. On the top of the page there is text: „Me when there is song in podcast:”. Below there are three doodles of a person. First is singing dramatically, other two are dancing. There are colourful musical notes around.
Page 3. Text saying: „Some of my fav songs from podcasts with honest and totally not biased rating:
„Die Berliner Luft” from The Amelia Project - 10/10
Songs from Roguemaker - 10/10
Theme song from Night Shift - 10/10
„Magistrate’s daughter” Travelling light - 10/10”
Page 4. Text saying: „Musical episode of Mission rejected - 10/10
Folks songs in Camlann - 10/10
Songs from The Strange Case of Starship Iris - 10/10
„It’s all made up!” from Victoriocity - 10/10
Musical episode of The Bright Sessions - 10/10
Song in the last episode of Trice Forgotten - 10/10”
Page 5. Text saying: „”Poisoning Pigeons in the Park” from Midnight Burger - 10/10
Songs from Re: Dracula - 10/10
Cabaret Night at Cosmic Lounge from Stellar Firma - 69/10
Theme song from Dark Ages - 10/10
Songs from Welcome to the Brass Eagle - 10/10
The Ballad of Anne & Mary 1000/10”
Page 6. At the top of the page there is text saying: „”To be an Undertaker” from Wooden Overcoats - 100000000000000000000000/10”. Below there is doodle of a person playing on a mandolin.
Page 7. There is a doodle of a person holding a big sign with text: „You should add song to your podcast!”. At the bottom of the page there is text saying: „#fiction podcast zine event”. End ID]