Aug 26, 2025
Gustave Caillebotte (French, 1848-1894)
Sailboat on the Seine, Argenteuil, 1893
Oil on canvas, 65 x 38 cm
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Gustave Caillebotte (French, 1848-1894)
Sailboat on the Seine, Argenteuil, 1893
Oil on canvas, 65 x 38 cm
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More than 120 paintings, works on paper, photographs, and other ephemera come together in this major exhibition exploring the very personal
IT'S ALMOST HERE.
I have been waiting a YEAR for this exhibit, which combines Caillebotte's paintings, sketches, and photographs from the Getty, Musee D'Orsay, and Art Institute of Chicago Museum into one massive show.
Not only will Paris Street, Rainy Day be returning to us, but (along with a bunch of other works I either have never seen or have only seen in books) The Floor Scrapers, one of my favorite paintings if not my absolute favorite painting of all time, is coming with. I've only seen it in person once, when I was in Paris two years ago, and no photograph I've ever seen has truly done it justice.
The show is open to the public beginning Sunday the 29th of June and it's only here through October 5th, so if you're in Chicago and you enjoy art, or vaguely homoerotic depictions of 19th century men, don't miss it.
Title: The Nap (Boy Sleeping on the Grass) Artist: Gustave Caillebotte (French, 1848-1894) Date: 1877 Genre: genre art Movement: Impressionism Medium: pastel on paper Dimensions: 36 cm (14.1 in) high x 53 cm (20.8 in) wide Location: Wadsworth Atheneum Museum of Art, Hartford, CT, USA
Christian Krohg Portrait of the Swedish Painter Karl Nordström 1882
La maison de l'artiste a Yerres (1882) - Gustave Caillebotte
Le Parc Monceau (1877), Gustave Caillebotte (1848-1894)
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Gustave Caillebotte (Francés, 1848-1894) Esta pintura fue seleccionada por el pintor para estar entre las seis obras que presentó en abril de 1877 durante la tercera exposición impresionista. Caillebotte, joven anuitante de apenas treinta años de edad y observador impasivo de la intimidad del círculo familiar, da cuenta aquí un retrato colectivo de sus familiares agrupados en el jardín de la propiedad adquirida por su padre en Yerres. ................. - "Retratos a la campagne" / "Retratos en el campo" - 1876. La madre de Caillebotte junto con su tía, prima y una amiga de la familia Óleo sobre lienzo, 95 x 111 cm. Musée Barón Gérard, Bayeux, Francia @bayeux_museum En este óleo sobre lienzo fechado en 1876, podemos reconocer, absorbido por su costura, en primer plano a la izquierda a la prima de la artista, Marie. En el fondo a la derecha asientos la madre de la joven, la señora Charles Caillebotte, frente a su Sra. Hue, una amiga de la familia y finalmente en el fondo, inmersa en la lectura, la madre del pintor. La donación de esta obra al museo está asociada con la memoria de otra prima de la artista, Zoe, ausente de la composición. Este trabajo es de hecho un regalo dado por Caillebotte con motivo de la boda de esta joven en Bayeux el 17 de junio de 1887. El pintor participó en la celebración como testigo de la novia.
La Partie de Bateau ou Le Canotier au Chapeau Haut de Forme, Gustave Caillebotte | c.1877-1878
« Caillebotte. Peindre les hommes »
Musée d’Orsay, Paris