#brunhild

BRUNHILD

Brunhild, one of the most famous Valkyries, appears in The Völsunga Saga and various Norse poems. She was a warrior maiden serving Odin, but as punishment for defying his will, she was stripped of her Valkyrie status and placed in an enchanted sleep, surrounded by a ring of fire where only a hero worthy of her love could awaken her.

Sigurd, the legendary dragon-slayer, braved the flames and woke Brunhild. They pledged themselves to each other, but fate intervened. Through deception and magic, Sigurd was tricked into marrying Gudrun, while her brother, Gunnar, claimed Brunhild. When Brunhild learnt of his betrayal, her heartbreak turned to fury. She orchestrated Sigurd’s murder, but upon his death, her grief consumed her. She threw herself onto his funeral pyre, choosing to join him in death.

Her tragic story, immortalized in Wagner’s Der Ring des Nibelungen, echoes the Norse themes of love, fate, and doom.

(Text by Delia Gosforth, Illustration by Ellen Artistic)

I am the artist! Do not post without permission & credit! Thank you! Come visit me over on: instagram.com/ellenartistic or tiktok.

These illustrations all made it into a Norse Goddess Coloring Book!

(Print Copy)

There are also PDF copies available!

ttrpg blorbos

we're going onto year 2 of this game, playing as a group of peasants who discover magic. shenanigans continue ensuing.

Brunhilda

She was a powerful Visigothic princess from Hispania who became queen of the Frankish kingdom of Austrasia through her marriage to King Sigebert I. A highly educated and beautiful woman, she was known for her long and tumultuous life marked by ambition, political intrigue, and brutal conflict with her rival, Fredegund of Neustria. She ruled for decades as queen, regent, and influential figure, holding power for her son and grandsons, but her reign was ultimately ended by a brutal execution at the hands of Clotaire II. Chroniclers like Gregory of Tours depict Brunhilda as both wise and vengeful, making her one of the most striking women of Merovingian history.

The multitude of names associated with the queen of Austrasia—Brunegilda, Brunequilda, Brunichildis, Brunhild, Brunehaut, Brunhilda, among others —testifies to her enduring political and cultural significance across more than fourteen centuries. Each form corresponds to a specific linguistic community, documentary practice, or historiographical tradition.

The name borne by the daughter of King Athanagild of the Visigoths must be interpreted within the broader conventions of late antique Gothic anthroponymy. In contemporary Latin sources the standardized form is Brunichildis, a conventional Latin rendering of the East Germanic Brunihild or Brunhild. The name is transparently dithematic, constructed from brunni-—commonly understood in early Germanic philology as “armor” or “protective cuirass,” though occasionally associated with the broader semantic field of “protection” or “shining, metallic surface”—and hild, “battle,” a widespread element in feminine names of the Germanic nobility.

The form Brunichildis, precisely because it adheres to the Latin orthographic and morphological patterns used in Visigothic and Merovingian diplomatic and ecclesiastical documents, represents the historically appropriate designation for Athanagild’s daughter within the cultural and linguistic milieu of sixth-century Hispania. In royal correspondence, particularly in the Epistolae Austrasicae, the queen of Austrasia identifies herself explicitly as Brunichildis. For example, in her letter to the Byzantine emperor Maurice (584), she writes: “Brunichildis regina.”

In Castilian, the most commonly attested and academically accepted forms are Brunegilda and Brunequilda, derived from medieval Latinized variants such as Brunichildis or Brunechildis. These spellings conform to the conventions of Spanish historical writing and appear consistently in both medieval sources and modern scholarship.