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Britannia & Nelson
Legio II Augusta cross the Medway, Britannia AD 43 by Steve Noon
âThe Stormâ Alex Alice 2022 Illustration depicting the British colony on Venus for Castle in the Stars: The Universe in 1875 art book.
How Hadrianâs Wall is Revealing a Hidden Side of Roman History
A party invitation. A broken flipflop. A wig. Letters of complaint about road conditions, and an urgent request for more beer.
It sounds like the aftermath of a successful spring break, but these items are nearly 2,000 years old.
Theyâre just some of the finds from Hadrianâs Wall â the 73-mile stone wall built as the northwestern boundary of the Roman Empire, sealing off Britannia (modern-day England and Wales) from Caledonia (essentially todayâs Scotland).
While most of us think of Pompeii and Herculaneum if weâre thinking of everyday objects preserved from ancient Rome, this outpost in the wild north of the empire is home to some of the most extraordinary finds.
âItâs a very dramatic stamp on the countryside â thereâs nothing more redolent of saying youâre entering the Roman empire than seeing that structure,â says Richard Abdy, lead curator of the British Museumâs current exhibition, Legion, which spotlights the everyday life of Roman soldiers, showcasing many finds from Hadrianâs Wall in the process. A tenth of the Roman army was based in Britain, and that makes the wall a great source of military material, he says.
But itâs not all about the soldiers, as excavations are showing.
A multicultural melting pot
Hadrian, who ordered the wall to be built in 122CE after a visit to Britannia, had a different vision of empire than his predecessors, says Frances McIntosh, curator for English Heritageâs 34 sites along Hadrianâs Wall.
âAll the emperors before him were about expanding the empire, but Hadrian was known as the consolidator,â she says. He relinquished some of the territory acquired by his predecessor Trajan, and âdecided to set the bordersâ â literally, in some cases, with wooden poles at sites in Germany, or with stone in Britannia. Where those poles rotted thousands of years ago, the wall is still standing: âA great visual reminderâ of the Roman empire, says McIntosh.
Itâs not just a wall. Thereâs a castle every mile along, and turrets at every third-of-a-mile point, with ditches and banks both north and south. âYou can imagine the kind of impact that would have had, not just on the landscape but on the people living in the area,â says McIntosh.
And thanks to the finds from the wall, we know a surprising amount about those people.
Although historians have long thought of army outposts as remote, male-dominant places, the excavations along the wall show thatâs not the case. Not only were soldiers accompanied by their families, but civilians would settle around the settlements to do business. â You can almost see Housesteads as a garrison town,â says McIntosh. âThere were places you could go for a drink and so on.â
The Roman rule of thumb was not to post soldiers in the place they came from, because of the risk of rebellion. That meant Hadrianâs Wall was a cultural melting point, with cohorts from modern-day Netherlands, Spain, Romania, Algeria, Iraq, Syria â and more. âIt was possibly more multicultural because it was a focus point,â says McIntosh, who says that the surrounding community might have included traders from across the empire.
Soldiers were split into two groups. Legionaries were Roman citizens from Italy, who had more rights than other soldiers and imported olive oil, wine and garum (a sauce made from decomposing fish).
They worked alongside auxiliaries â soldiers from conquered provinces, who had fewer rights, but could usually acquire citizenship after 25 years of service.
Soldiers carved their names and regiments on stones to show which part of the wall they built â around 50 of them are on display at Chesters fort.
But the wall shows that women and children were equally present.
McIntosh says that pottery brought to the camps â from the Low Countries and North Africa â shows that the soldiers âbrought their families, who cooked in traditional style.â Archaeologists have found what seems to be an ancient tagine for North African-style cooking.
A tombstone from Arbeia fort for a woman named Regina shows she was a freed slave from southern Britain who was bought by â and married to â a Syrian soldier.
Another woman buried at Birdoswald fort was laid to rest with chainmail that appears to be from modern-day Poland. âPerhaps she married someone in the army,â says McIntosh, who calls the wall a âmelting pot of people from all over the world under the banner of the army.â
âThey brought their own religions, as well as worshipping Roman gods and adopting local deities,â she adds. At Carrawburgh, a temple to Mithras â an originally Persian deity â sat near a spring with a shrine to a local water spirit.
âWretched little Britsâ
Some of the most extraordinary finds from the Roman empire are coming from one site on Hadrianâs Wall: Vindolanda. Here, archaeologists have found a wealth of organic remains because of what curator Barbara Birley calls the âunusual conditions onsite.â
At Vindolanda there are the remains of at least nine forts over 14 levels. âWhen the Romans would leave, they would knock down timber forts, and cover the area with turf and clay, sealing the layers underneath,â she says.
âBecause it happened so many times, the bottom five or six layers are sealed in anaerobic conditions, so things donât decay. When we get down there, we get wooden objects, textiles, anything organic.â
Vindolanda has the largest collection of Roman textiles from a single site in western Europe, as well as the largest leather collection of any site in the Roman empire â including 5,000 shoes, and even a broken leather flip-flop. âWe probably had a population of 3,000 to 6,000 depending on the period, so 5,000 is a lot,â says Birley. For Abdy, the shoes evoke the conditions of the wet borderlands. âWomenâs and childrenâs shoes are hobnailed â you needed it in the mucky frontier dirt tracks. Theyâre very evocative.â
Thereâs even a wig made from a local plant, hair moss, which is said to repel midges â the scourge of Scotland during the summer. A centurionâs helmet is also crested with hairmoss â the ancient equivalent of spraying yourself with insect repellent.
The first woman to write in Latin
One of the most famous finds is the trove of wooden writing tablets â the largest found anywhere.
âThey give a snapshot of what life was actually like,â says Birley. âWe understand so much more from written correspondence than from âstuff,â and, archaeologically, itâs the stuff that usually survives â things like metals and ceramics.
âThese were written in ink, not on a wax stylus tablet, and we believe they were used for what weâd put in emails: âThe roads are awful,â âThe soldiers need more beer.â Everyday business.â
The tablets â or âpersonal lettersâ as Birley describes them â were found on the site of a bonfire when the ninth cohort of Batavians (in the modern-day Netherlands) were told to move on.
âThey had a huge bonfire and lots of letters were chucked in the fire. Some have been singed â we think it may have rained,â she says. One of them calls the locals âBritunculiâ â âwretched little Brits.â Another talks about an outbreak of pinkeye. One claims that the roads are too bad to send wagons; another laments that the soldiers have run out of beer.
Among the 1,700 letters are 20 that mention a woman called Sulpicia Lepidina. She was the wife of the commander of the garrison, and seems to have played a crucial role. Thereâs a letter to her from another woman, Paterna, agreeing to send her two medicines, one a fever cure.
Birley says itâs similar to today. âIf youâre a group of moms, still today we say, âDo you have the Calpol?â Itâs very human.â For Abdy, itâs a sign that women were traders. âSheâs clearly flogging her medicines,â he says. âItâs really great stuff.â
Another tablet is an invite from Claudia Severa, the wife of another commander at a nearby camp. Itâs an invitation to a birthday party. Under the formal invitation, presumably written by a scribe, is a scrawl in another hand: âI shall expect you, sister. Farewell, sister, my dearest soul.â
Presumably written by Claudia herself, it is thought to be the earliest example of a womanâs handwriting in Latin.
Without the organic finds â the shoes and the letters that indisputably belonged to women, unlike jewellery or weaving equipment â itâs difficult to prove conclusively that women lived in significant numbers. Vindolanda âillustrate the missing gaps,â says Abdy. For Birley, they prove that women were as crucial a part of army communities as men. âBefore the Lepidina tablets were found we didnât really understand the interactions between the soldiers and their wives,â she says. Another tablet is written by what is thought to be a Spanish standard-bearerâs common-law wife, ordering military equipment for her partner.
âThe Vindolanda collection is showing that there werenât just camp followers and prostitutes; women were part of everyday life, and contributing to the military community in many ways,â says Birley.
Abdy says that Hadrianâs Wall is interesting because the resident women span âall classes of society,â from Regina â the dead freedwoman, who would have been âbottom of the heapâ â to the trader Paterna and the noblewoman Lepidina.
And of course, thereâs the wall itself.
âIn the Netherlands and Germany the finds are often stunning and better preserved â you go to museums and are bowled over. But in terms of structural remains, Hadrianâs Wall must be among the best,â says McIntosh, modestly, of her site.
Abdy agrees: âI canât think of many symbols so redolent of imperial will than that wall.â
By Julia Buckley.

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Sorry guys ive been drawing absolute Bullshit lately so take the slop i have for rn...a lil bit of this n that n this n tha
May the gods protect you.
BRITANNIA 1.06
Poster for the British Industries Fair held in London from 18 February - 1 March 1935, with the Engineering and Hardware section held in Birmingham from 20 -31 May 1935, featuring an illustration of Brittania holding her trident and a large key. Artwork by Tom Purvis.