— THE GODFATHER PART II (1974) dir. Francis Ford Coppola — HOUSE OF GUINNESS s01e04 (2025)
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— THE GODFATHER PART II (1974) dir. Francis Ford Coppola — HOUSE OF GUINNESS s01e04 (2025)

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I don't wanna die. I've never even been kissed. I've waited my whole life to be kissed, and what if I miss it?
Little Women — 1994 dir. Gillian Armstrong
Carey Mulligan as Daisy Buchanan
in The Great Gatsby (2013) dir. Baz Luhrmann
"Seek and ye shall find" indeed! It is I that shall pray for you, Miss Stimple. But from a far safer distance.
The Guernsey Literary And Potato Peel Pie Society (2018), dir. Mike Newell
Information on what's going on in Texas right now concerning abortion access.While Kay Adams is a fictional character, prior to Roe v. Wade, and depending on the state, obtaining an abortion was very risky, and quite often resulted in the death of the woman during or after operation. Many women (Not only women, but trans men, and non binary people) died. It is important to keep abortion legal, so people have access to a safe, and legal abortion.
The Godfather Part II (1974, USA) DIR: Francis Ford Coppola

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HIS DARK MATERIALS | LYRA’S JORDAN
May 6, 2021: The Martian (2015) (Recap: Part One)
We’re leaving lo-fi sci-fi, people. Kind of.
I mentioned before that films like Her are what I define as “lo-fi sci-fi”, which is a category that I’ve kind of made up. Basically, it’s the science fiction version of low fantasy, meaning it contains science fiction themes contained within an otherwise contemporary setting. In the case of Her, Joaquin Phoenix’s character, along with many others, live in a world and setting basically like ours, but with technology advanced enough to generate AIs (like Siri) that are intelligent enough to actually ascend our reality. Because we live in a society.
You give me Joaquin Phoenix, I’m gonna make a Joker reference; it’s in the contract of my existence. Anyway, that is admittedly kind of broad, right? I mean, that has the capability of crossing over with a BUNCH of sci-fi genres and themes. And, considering that we’ve already seen magic, speculative technology, time travel, monsters, and artificial intelligence, we’ve already touched on quite a bit.
And with science fiction, the sky’s the limit. Literally. So, I think it behooves us to re-examine lo-fi sci-fi a little bit. Specifically, we should note that it can also be defined as an extension of currently existing technologies and possibilities. Writers would call this “speculative sci-fi”, assuming in this case that it’s set within the present or a near and attainable future. Her definitely fits in this category, as does Westworld. But, let’s crossover to another genre by speculating upon another possibility. And it begins with this man. Probably.
Hey, Elon, what’s up? Now, Mr. Musk here is a...controversial figure, for COMPLETELY understandable reasons. Instead of touch upon the man himself, I feel like touching upon one of his recent focuses: space travel. With SpaceX and the various upcoming space trips and journeys that they’re planning, Musk has made it clear that he plans to shoot to the Moon. Again, literally.
In fact, this full plan is to go even further than that, and to fuel potential commercial space flights in the future, which is admittedly very cool. And of course, if you’re going to shoot for the Moon...
Guys...guys, that’s Mars. THAT’S FUCKING MARS
Is that not amazing? We have sound and pictures from FUCKING MARS! THAT’S A DIFFERENT PLANET, GODDAMN IT! It’s cooler than I have the ability to properly express, but it IS goddamn cool. And this means that, easily within my lifetime, we could (and likely will) land on Mars. Which is amazing. God, I really want to see that happen.
And so, landing on Mars is BARELY science fiction, but since we haven’t yet done so...yeah, it’s fictional at the moment. And so, any film about landing on Mars falls within this category. Well...to an extent.
2000′s Mission to Mars, for example, was a Disney-funded film (to my IMMENSE surprise; and it’s based off of an old Disney World ride, WHAT), and a movie that I saw a LOT when I was a kid. I also barely remember it, to be honest. But that film is straight-up science fiction because of, well...aliens. The idea of Martians is, as far as we know it, fictional. And most fiction involving Mars includes these aliens somehow. Whether it’s DC Comics’ entire civilization of Martians, as seen in Justice League, Supergirl, or Young Justice...
...Sir Arthur Conan Doyle’s heavily mythologized civilization, as seen in the Barsoom series of novels (and another Disney film)...
...Or one of the best Looney Tunes characters.
Mmm. Yes. Isn’t that lovely?
But, yeah, Mars and aliens go hand-in-hand in our media. So, to properly look at lo-fi science and speculative science fiction in relation to the Red Planet, we’ll need a movie that goes to the planet, and doesn’t touch upon the concept of aliens AT ALL.
Enter...Ridley Scott?
Yeah, the director of Legend, Alien, Thelma and Louise, Blade Runner, Gladiator. Also the director of Kingdom of Heaven, Prometheus, Exodus: Gods and Kings, and...ugh, 1492: Conquest of Paradise. I’ve talked about his mixed record before, in my Recap of Legend right here.
In 2014, he was brought on to adapt a book by Andy Weir called The Martian, which is a great book! I’ve listened to the audio book, and I whole-heartedly recommend doing that. And because of that, I am VERY MUCH looking forward to watching this film, especially seeing as it’s often called one of the best science fiction films made during that year, and was critically acclaimed then and now. It got seven Oscar nominations (although it won none of them), amongst other awards. So, enough navel-gazing, huh? The Martian!
SPOILERS AHEAD!!!
Borstal Boy — 2000 dir. Peter Sheridan