YOU ARE RESPONSIBLE FOR THE WORLD BECAUSE YOU CANNOT LEAVE IT
Β β& o Bright Star of Disaster, I Have Been Litβ, Franny Choi / Alvoskia: Call of the Infrans / Undertale, Genocide Run x2 / Victoria Chang, "No. 21" / Alvoskia: The Infran's Sacrifice / Ouroboros artwork, unknown / Alvoskia: Call of the Infrans / David Daiches, A Critical History of English Literature, Vol. 1 (1960) / Alvoskia: The Infran's Sacrifice
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I took a hiatus for a bit. It was kind of a forced hiatus but a hiatus all the same. I was sick. Then the kids were sick. Then I was sick again. LOL! In between all of that, I was helping my father who had heart surgery move. Getting ready for a big Nutcracker performance that my two youngest children were in (SO CUTE!) and my mom came to visit for ten days. It's been a whirlwind.
But, it is winter. My favorite time of the year. I'm working on writing and trying to get back on schedule which actually seems attainable right now. I think summers are just too busy and lets be real, I hate sunshine. It puts me in a bad mood.
So, send in those asks. Go read my latest Patreon stories because they are angsty and kind of wonderful character insights. And I'll be seeing you all soon!
Because I encountered this criticism again, the one that claims that Raava and Vaatu represent a misunderstanding and misappliance of what Yin and Yang is meant to be and that by introducing them as these straight up pure good/God and pure evil/Satan type spirits, and having the good/God spirit merge with Wan to make him the Avatar that all later Avatars are reincarnated from, Bryke contrdicted all the previous lore and worldbuilding of Avatar: The Last Airbender and fundamentally broke the whole Avatar mythology by making the Avatar all about the conquest of evil and destruction to ensure the reign of goodness and peace rather than about keeping balance.
Ironically, this is a complete misreading of the canonical text.
Yeah, this is up there with "the Lion Turtles giving people elements to wield contradicts what was established about the original benders!" as a take that miscontrues what was canonically told and shown to us in that two-parter. It's 2025, I cannot believe I'm still seeing this.
I don't know whether or not Bryke was going for a Yin/Yang thing when they made Raava and Vaatu, but if so, they did not succeed because that's not what they come off as at all. THIS was Yin/Yang:
Raava and Vaatu are actually incarnations of "two sides of one/the same coin". It's an idiom that means two seemingly completely different things are actually closely related aspects of the same thing, emphasizing that while things might appear separate or even polar opposite to one another, they can in truth be interconnected and inseparable from each other, and this comes implicitly with the understanding that too much of either thing in great excess will lead to the exact same result. Such is the case with what Raava and Vaatu embody, where their light and darkness needs to co-exist.
They have the same design but with different coloring, looking like one could fit on top of the other and be the other side of a singular entity. They're introduced to us in their default state - literally tied together by their tails. In the age before the Avatar's existence, no spirit or human was specifically assigned the task of keeping balance within the realms or restoring the balance whenever it was lost, so Raava and Vaatu were just the natural cornerstone of balance. So long as they remained connected and not separate from each other, they upheld the balance. They were the balance. Vaatu's natural instincts always led him to seeking freedom from Raava, but every Harmonic Convergence period she was sure to beat him and keep him in his place. By severing their connection and allowing Vaatu on his own to run amuck near the time of Harmonic Convergeance, Wan disrupted that seemingly unshakable balance, and it was thrown off because Vaatu was the one attempting to conquer Raava, to extinguish his other half completely so that he could spread chaos, ruination and darkness upon the world unchecked. The reason Avatar Wan then "conquering" Vaatu did not similarly throw off the balance is because Raava had just melded with Wan's human spirit and this birthed the singular Avatar Spirit, with the human side of this spirit essentially serving as Vaatu's replacement for what reigns in and rounds out the harmonious, oderly spirit, making the Avatar the new keeper of balance in place of the Raava/Vaatu union. But as Raava and Vaatu are two halves of a singular whole that now had to exist apart from each other - or cease to exist as its original self at all in Raava's case - the world's balance was left very fragile, making it crucial that the Avatar live on and on through different lives to keep the balance and serve as the bridge between two realms.
While the two spirits themselves don't factor into much of TLoK after Book Two, the thing about them embodying two sides of the same coin and how too much of either one of them in great excess should be avoided if there's to be a proper balance is a huge running theme through Book Three and Book Four with its villains. The Red Lotus wanted to spread complete and total chaos throughout the world, which was shown to be a bad thing, and in direct response, the Earth Empire rose and wanted to establish complete and total order in the world through controlling fascist overreach, which was shown to be just as bad. One is Vaatu to the extreme and the other is Raava to the extreme, and they're both enemies of balance that the Avatar has to stop. Yes, the conflicts are Good VS Evil, but they have nuances to them that take them far beyond "light, order and harmony is Pure Good while darkness, chaos and destruction is Pure Evil."
Lastly, even the idea of these spirits as Pure Good and Pure Evil is flawed. Vaatu was disappointingly pretty damn super evil due to the whole "directly conspiring with Unalaq to become a Dark Avatar, doom humanity and reign over spirits in a darkened, desolate world" thing that was just written and handled poorly in general, but Raava? She was not "Pure Good" whatsoever. There was nothing that much differentiated her from all the other high-and-mighty human hating spirits we were shown, and her concerns about Vaatu going loose from her were all about duty, adherence to status quo, and self preservation rather than about morality or concern for who Vaatu might harm. Though she understood morals and virtues, Raava was just as amoral in her approach as Vaatu, but she actually grew beyond her inititally static nature by seeing firsthand the virtues that humans like Wan were capable of having and acting upon, and as Wan was taking care of her in a weakened state, she was humbled.
Whether or not Vaatu is capable of similar growth, we may yet see in Avatar: Seven Havens. But the overall point is that there's more to these spirits than simplistic Good VS Evil, their presence doesn't render the Avatar a being of conquest over a being of balance, and their existence doesn't contradict Avatar lore nearly as much as TLoK antis like to make out. Regardless whether or not you felt we needed to see how it all began, the narrative of "Beginnings" is very much consistent with the mythology of the Avatar as it had always been.
Jason didn't care about Tim Drake. He was very bitter towards the teen. Something about him just unsettled Jason. He didn't know what it was; but there was something that reminded him of something. Jason couldn't pin point what exactly that something was.
Note:
This takes place between "That's Not My Name" and "Not to Me" of Batman's Failure- Joker Junior's Story
Completed AU
Three chapters. Two thousand, four hundred and sixty-four words
An important part of the research and writing in my current project is around accurate history of quotidian aspects of day to day life in different eras. It's important to me that I share with the reader how things have worked differently throughout history. These aren't the big historical events, but the details of like, having a party line on your phone, or calling time & temp. How local broadcast tv worked in 1958, how people were exposed to pop music in 1923
What noir film was I just watching where a murder was committed by shooting the victim through the icebox door? The victim was sitting in their kitchen and somebody opened the little door cut into the exterior of their house where the ice man would stop by every day and insert a block of ice to keep your perishables cool. The killer waited outside with the outer door open and when the victim went into the fridge for a bottle of rye they were shot
Did you know that houses used to have icebox doors? I knew about coal chutes, but this was a new one on me. I love shit like this. I love including these details that give a specific historical perspective, how they make the story really feel like another world. Disposable cigarette lighters weren't available until the 1970s, so when Groucho Marx takes someone's lighter, lights his cigar and then tosses the lighter over his shoulder, that was a treasured possession. That's why it's funny. There used to be people whose job it was to stand out in the street and sell matches. There used to be a job where a sign painter would walk or bike around with their wagon of supplies every morning so they could paint large posters with the days sales and deals on huge sheets of paper for grocery stores, bakeries or butcher shops or delis, that changed every day. They had to be able to create large banners with perfect and stylized lettering in a matter of minutes. In the town where I live we had a sign painter who did graphics on trailers and the sides of buildings and the signs of businesses that hang over their doors. It's a distinct style, it must have been one specific person or shop. I guess they must have retired in the 1980s but here and there around town you can still see their work, so distinct, the specific flavor of this community. Who was this sign painter? Who remembers? Who would you even ask? I go nuts for these details. "The past is a foreign country" -- L. P. Hartley
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For everyone that's been asking about the future of Dracula: The Danse Macabre...
Series creator Gabriel Urbina posted this thread talking about the show's future. The highlights are:
The folks involved in making the show would love to make more of it. The dream would be for the Dracula arc to just be Book One of the series, with Book Two featuring Mina, now working as an occult detective and with Count Dracula still whispering in her ear, tackling the plot of another great 19th Century horror novel.
In time, the podcast would have Mina work her way through the mysteries at the hearts of many classics of 1800's horror literature, like Frankenstein, the works of Edgar Allen Poe, The King in Yellow, The Portrait of Dorian Gray, Charles Dickens's ghost stories, and so on!
We'd all love to get back to the studio and keep making more of DTDM right away. The spirit is willing, but the budget is week - we'd need to find multiple thousands of dollars of budget to get to make more of this show. So it might take a bit. If you want to help us get there ASAP, the things to do are:
Get as many people as you can to listen to the show! The more attention it gets, the easier it is to find partnerships and promo deals that can help secure a production budget for Season Two.
If you can, sign up for a recurring donation at Gabriel's Patreon.
But hopefully, before too long, we can be back on the feed with more of The Danse Macabre, and we can hear as Mina and Dracula face off against another classic of 19th Century Literature!