doggie <3
i need to give her a crossbow <3

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doggie <3
i need to give her a crossbow <3

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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a poem by Eva H.D.
coming home is just awful.
My beautiful Bonedog embroidery commission from @linsaangs arrived! I can’t get over how incredible it looks!
thinking about my pretty princess sevika

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I am thinking
of ending things
it’s another layover
walk twice
gone tomorrow
predicting ponzi-pentagrams
paw prints on my tongue
prowling in penultimate pentaphones
we schedule phone calls
as if she’s my fucking therapist
“coming home is
just awful,” he
muttered, nursing
the furnace back to full health,
a whit of paint by his ankle,
a whistle in the shape of
a wife—lover, friend, compatriot,
whittle down your absences
and call me by her name.
we took a long trip
back to Arcadia,
snow snuffing out
voices inside the car.
I stared at the camera
outside, stuck in
Kavan’s Ice.
I wonder about her
voice, most probably
soprano.
why would i assume that.
She looked at my dying
mother and said,
“you sigh into the
onslaught of identical
days.”
we schedule phone calls
as if we need wartime before
we decide what to say.
a spontaneous hiccup
has more glam than
our texts.
“Do you hum to drown out
the mice in your mind?”
Coming home is terrible. Whether the dog licks your face or not: whether you have a wife or just a wife- shaped loneliness waiting for you, coming home is terribly lonely so that you will even think of the oppressive barometric pressure back where you have just come from with fondness because everything is worse once you're home. You will think of the grass stalks, long hours on the road, roadside assistance and ice creams and the peculiar shapes of certain clouds and silences with longing because you did not want to return: coming home is just awful, and the homestyle silences and clouds contribute to nothing but the general malaise. The clouds, such as they are, are in fact suspect and made from a different material than those you left behind. You yourself are cut from a different cloudy cloth, returned, remaindered, ill-met by moonlight, unhappy to be back, slack in all the wrong spots, seamy suit of clothes, dishrag- ratty, worn. You return home moonlanded, foreign, the earth's gravitational pull an effort now redoubled dragging your shoelaces loose and your shoulders, etching deeper the stanza of worry on your forehead, your return home deepened, a parched well, linked to tomorrow by a frail strand of anyway: you sigh into the onslaught of identical days, one might as well at a time. Well, anyway, you're back, the sun goes up and down like a tired whore, the weather immobile as a broken limb while you just keep getting older. Nothing moves but the shifting tides of salt in your body. Your vision blears. You carry your weather with you, big blue whale, a skeletal darkness; you've come back with X-ray vision; your eyes have become a hunger. You come home with your mutant gifts to a house of bone. Everything you see now. All of it. Bone.
I was re-watching I'm Thinking of Ending Things (which, if you haven't seen, you really should) and I'm at the part where Lucy is reciting the poem Bonedog and it may be that I'm currently obsessed with TUA but.....
Is it just me or is the poem giving Five?!?
For example:
Coming home is terrible [...] whether you have a wife or just a wife-shaped loneliness waiting for you.
Like try telling me that isn't about Dolores. Try it and see what happens.
One note in this post and I'll write another one with more details of the poem and its correlation with Five's time in the apocalypse and his return to 2019.