Top Posts Tagged with #bob singer

STACKEDNATURAL ⇉ 214/327 (part 1)

6.15 The French Mistake Written by Ben Edlund Directed by Charles Beeson Original Air Date: February 25, 2011

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Production Cels “Scooby-Doo & The Witch’s Ghost” (1999)

#90s #hanna barbera #warner bros #warner home video #production art #animation art #animation cels #scooby doo #Sarah Ravencroft #hex girls #goth #rock band #shaggy rogers #animator #bob singer

Bob Singer Scooby-Doo Live-Action Movie Concept Art (Hanna-Barbera, c. 1990's) Source

#Bob Singer #scooby doo #movie concept art

So, Bob Singer worked on several Hanna Barbera projects, and helped with building SDWAY, and seemingly many of the shows to follow. Like, just look at this art

These 3 specifically read as a series of events to me and I love that sm

Love how this one shows Daphne taking charge in a way we don’t often see outside of the scrappy era and some of our modern incarnations

I absolutely ADORE this piece omg. Like it’s just so well composed and I absolutely love how he draws the classic monsters, who he had a hand in designing.

The first picture was the cover art for an 80s coloring book which I wish we had scans of online, and the second is ofc a sketch of the APNSD cast and I love it sm fr

THIS PIECE. MWA.

Suffice to say, Bob Singer’s work on Scooby Doo is beautiful, and he has undeniably created a large impact on the franchise.

#scooby doo #bob singer #Hanna barbera #daphne blake #fred jones #velma dinkley #scooby doo where are you #a pup named scooby doo #APNSD #sdway #concept art

WDYM HE'S ROBERT SINGER IN BOTH SUPERNATURAL AND THE BOYS

#xo evsi #Supernatural #Spn #The boys #robert singer #bobby singer #Bob Singer

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The work everyone did on "The Pilot" was phenomenal, so it's no surprise Supernatural got picked up for a series. At that point, according to Kripke, the studio said he needed to partner with an executive producer with production experience. They paired him with Robert Singer, which Kripke describes as being "like an arranged marriage, because you're going to be working more closely with that person than anyone else. It's worked out beyond both of our expectations." Robert Singer concurs. "We're very much of the same mind, Eric and I, and I think that he fills in certain gaps I have and I fill in certain gaps he has. Kripke feels Singer doesn't get nearly the credit he deserves for the complexity he brings to the show when filling in those gaps. "He is the one who really demands the characters have depth."

The studio also wanted Kripke to bring in someone to help build the mythology, to build stories, to work with the writers, so "David [Nutter] told Eric, 'Get Shiban in here,' remembers co-executive producer John Shiban. "So we met and immediately clicked." Shiban brought years of The X-Files experience to the table, and with regards to mythology, he posed the question, "Can you build a boat that will still float, but without all its pieces? Because . . . there are discoveries that are going to be made along the way, there'll be characters that you stumble on." The idea of Meg, who turned out to be very central to the mythology as an undercover demon, was a perfect example of that.

They started hiring staff writers as soon as the series was picked up, and Kripke hit the ground running, ready to dive into the lore he adores. "I showed up the first day of work with eighty urban legends that were my favorites." For the first batch of episodes, the legends tended to come first. "I had a pile that I really wanted to do," Kripke explains. "The storylines of the boys came later. But once we realized how good they were and the depth of storytelling we could tell about them, we really began to focus more on what their issues were, and what interesting story we wanted to tell about them.

With their focus flipped, they started to only use urban legends that fit with the boys' story. And Kripke thinks the second half of season one was better than the first half because of that.

Excerpted from: Knight, Nicholas. Supernatural: The Official Companion Season One. Titan Books, 2007: 12-13.