#blackcoatpress

THE DEATH OF FANTOMAS by Marcel Allain & Pierre Souvestre adapted by Sheryl Curtis

cover by Mike Shoyket

Despite everything, the water rose, the foam, the white foam flowed over to the feet of Juve and Fantômas… Yet the air, which finally found an outlet, flowed from the cabin in a bitter whistle… “Let’s go!” stammered Fantômas. “It’s over...”

US$ 35.95 /GBP 26.99 6x9  tpb, 476 pages ISBN-13: 978-1-61227-621-2

From the deadly streets of St. Petersburg to the Palaces of India, from the back alleys of Paris to the deck of the Titanic, this prodigious saga tells the story of the death of Fantômas, and of his arch-nemesis, Detective Juve. Defying the Tsar’s secret police, Russian anarchists, Thuggee from India and Parasian Apaches, Juve, ably assisted by the intrepid journalist Jerôme Fandor, his beloved fiancée, Hélène, the alleged daughter of Fantômas, crisscross the world to finally meet their fate aboard a doomed ship in the North Atlantic. The Death of Fantômas collects the final two volumes of the saga of the Lord of Terror, initially released in 1913 and never translated before. The book also includes an introduction, a timeline and a bibliography by Jean-Marc Lofficier.

Contents:

La Cravate de Chanvre (1913)

La Fin de Fantômas (1913)

https://jaredmithrandirolorin.blogspot.com/2018/10/an-update-on-my-black-coat-press-and.html

http://www.blackcoatpress.com/new-releases-december-2017-tales-of-the-shadowmen-14-coup-de-grace.html

TALES OF THE SHADOWMEN 14: COUP DE GRACE edited by J-M. & R. Lofficier

cover by Florine Rétoré US$23.95/GBP 14.99 - 6x9 tpb, 300 p. - ISBN-13: 978-1-61227696-0

TABLE OF CONTENTS:

Matthew Baugh: The Lights on Haint Mountain (starring Silver John, Madame Atomos)

Adam Mudman Bezecny: The Curse of Orlac (starring Orlac, Sar Dubnotal)

Nathan Cabaniss: Hero of Two Worlds (starring the Marquis de Lafayette)

Matthew Dennion: A Case of Mistaken Identity (starring Tedduy Verano, the Highlander)

Brian Gallagher: The Death of Von Bork (starring Captain Vampire, Irma Vep)

John Gallagher: Princes of the Universe (starring Solomon Kane)

Martin Gately: Rouletabille at the Old Bailey (starring Rouletabille)

Micah S. Harris: Beneath the Mount of Divination (starring Aramis, Brom Cromwell)

Travis Hiltz: The Case of the Remains to be seen (starring Spiridon, Prof. Brainerd)

Paul Hugli: The Night of the Dazzling Sun (starring Honey West, Tom Wills, The Nyctalope)

Matthew Ilseman: Guided Tours of Famous Secret Places (starring Haunted Places of Paris)

Rick Lai: Phantom Masquerade (starring Fantômas)

Nigel Malcolm: Tomorrow belongs to the Nyctalope (starring The Nyctalope, Stalker)

Christofer Nigro: Kindred Beasts (starring Judex, Felifax)

Frank Schildiner: Dice, Pearl and Sword (starring Rocambole, Zatoichi)

Michel Stéphan: The Odyssey of Madame Atomos (starring Madame Atomos)

Artikel Unbekannt: The Yellow Peril (starring The Yellow Shadow)

David L. Vineyard: The Third Eye of Osiris (starring Arsene Lupin, Fu Manchu)

Coup de grâce – the ultimate blow, the final strike in the merciless battle that pits good vs evil, heroes vs villains! But does it signal the triumph of order or the victory of chaos? In this fourteenth volume of Tales of the Shadowmen, the Marquis de Lafayette finds himself transported to Mars while Silver John runs afoul of Madame Atomos. Captain Vampire is plagued by Irma Vep. The Highlander challenges the leader of the Black Coats. Rouletabille appears at the Old Bailey. Aramis clashes with the unearthly presence of Baal. Rocambole meets Zatoichi, Honey West teams up with the Nyctalope, and Fantômas pays his debt to the King in Yellow.

Also starring Arsène Lupin, Felifax, Sâr Dubnotal, Harry Dickson, Teddy Verano, and many more. Tales of the Shadowmen is the only anthology dedicated to the international heroes and villains of pulp literature, where writers from all over the world pay homage to those great champions and master criminals who enchanted our adolescence.

I wasn’t able to contribute this year.  Part because of writers block, and partly because the artistic inspiration I have had has been more Anime inspired and so not really fitting the theme of this anthology anymore. 

I want to recommend Princess Principal to Tales of The Shadowmen fans 

http://www.blackcoatpress.com/forthcoming-two-crimes.html

TWO CRIMES by Fortuné du Boisgobey adapted by Nina Cooper

cover by Daniele Serra

“During the trip! And you didn’t notice it?” exclaimed the employee. “No, and the lady sitting next to her didn’t see anything either. That’s strange, but that’s how it was.” “Apoplexy, then…or it could be something gave way in her chest. “ “As for me, I think someone killed her,” said the tall brunet. US$ 32.95 / GBP 22.99 6x9 tpb, 404 pages ISBN-13: 978-1-61227-615-1

YES Companions of Silence is finally on the BCP agenda

http://www.blackcoatpress.com/forthcoming-the-companions-of…

Not till 2018 it looks like.  That gives me plenty of time to save up.

http://www.blackcoatpress.com/new-releases-april-2017-the-angel-asrael.html

THE ANGEL ASRAEL AND AND OTHER LEGENDARY TALES by S. Henry Berthoud adapted by Brian Stableford

cover by Aurelien Maccarelli

Asrael summoned the aid of his brothers, the demons, but bursts of laughter came from all directions, and mocking voices said to him: “Asrael, you are no more than a human now; you have lost your Spiritual essence!” US$ 23.95 /GBP 14.99 5x8 tpb, 300 pages ISBN-13: 978-1-61227-613-7 The Angel Asrael (1832) is the most revealing and the purest of S. Henry Berthoud’s fantasies, and a significant early contribution to what became the great Romantic and Symbolist tradition of “literary satanism,” in which writers deliberately adopted a stance removed from orthodox Christianity in order to reappraise the character of Satan.

As might be expected of a devout writer, Berthoud shows no sympathy for Satan, who remains an archetype of vitriolic nastiness, but in his characterization of the rebel, like John Milton, he cannot help express a certain admiration for his overweening pride and vaulting ambition. Berthoud’s God owes his status not to any intrinsic virtue, but merely to his victory in the War in Heaven, which Satan unhesitatingly attributes to chance.

This collection also includes sixteen other stories that demonstrate what a truly ground-breaking author S. Henry Berthoud was, and how amply deserving he is of a modern reappraisal of his achievements.

Contents:

Taken from Chroniques et traditions surnaturelles de la Flandre  (1831):Beauduin Bras-de-fer

The Dead

The Cook’s Son,

The Rubricator

The Shepherd’s Clock

Simon the Accursed

Giles the Hideous

The De Profundis

The Pact

The Eglantine

A Story Heard While Listening at Doors

The Soul in Purgatory

The Delation

The Spell

The Beggar’s Sou

The Seminarian The Angel Asrael (Asrael et Nephta, Histoire de Province)  (1832)

Star Wars is about Fascism, but is it so in a way that is actually useful in opposing Fascism?

So my fellow SJWs at TheMarySue and LadyGeekGirl and on Tumblr have going on and on about how Star Wars is obviously political.  What they mainly mean by that is it's obviously on their side, and want to use that George Lucas, and the new directors are all mostly on the Left of modern American politics as proof of that.  But the Author Is Dead and George Lucas especially was like Tolkien in that he wanted his stories to have a universal appeal beyond his own personal views or context. But I'm not making this to talk about any intentional room for interpretation.  But rather a far deeper issue of how society responds to the fiction they watch.  And to start with you should watch this video. From Caligari to Hitler: Imagining the Tyrant - Between the Lines

This premise goes back decades. But this particular video on ig was made in November of 2016, after the U.S. presidential Election of that month but before Rouge One came out.  I had watched it when it was still pretty new bookmarked it on YouTube.

Rouge One is a movie I loved and enjoyed.  But as I looked at a certain segment of Star Wars fans not so impressed with it, expressing how bothered they were by people in their theater openly cheering on Darth Vader at the end.  I was reminded of the above video.

Because this thesis was not mainly about heroes of German cinema who could be viewed as unintentional proto-Nazis, though that was a small factor.  It mostly came down to the tendency of the masses to be fascinated by Villains.  Star Wars has always had that factor, it is the TVTropes Trope Namer for Rooting For The Empire.  And recently The Fanboy Perspective did an editorial about how annoyed he is by movies who's villains are not sufficiently charismatic and Bad@$$ enough to satisfy him.

Now don't get me wrong.  That Vader scene is one you are supposed to "enjoy".  You are supposed to "enjoy" it the same way you "enjoy" a Slasher film.  But of course the fandom of Slasher films has this same problem, I keep seeing people try to say the Final Girl archetype is Feminist, but they don't sell action figures of Laurie Strode, they sell action figures of Michael Myers. Now I was planning on making this post and saying what I am about to say before Carrie Fisher was even hospitalized.  But naturally I now find it even more important to say that the character people should have been standing up and cheering at the end of Rouge One was Princess Leia.

And of course I can't help but notice the clear correlation between this kind of Star Wars fan, and the Prequel Haters.  People who resent the Prequels for emasculating Darth Vader, and are oh so thankful now to Rouge One for restoring his Manhood, quite literally symbolized by the extending of his Lightsaber.

And we see that in the new Tirlgoy's haters also to an extent, not liking how whiny and pathetic Kylo Ren seems, they wanted a new Vader, not a Vader wannabe.

Now before you go "great Job invoking Godwin's Law in your ongoing Crusade against Prequel Haters".  I want to say, don't oversimplify my premise.  I'm now sawing you can identify Trump voting by tallying who cheered on Darth Vader, or who hated the Prequels.  On Tumblr I certainly know many Prequel haters who are Anti-Trump, and the most Conservative Star Wars fan I know is a relative who's pretty okay with the Prequels.  My point is, that there is a basic cultural overlap between the mentality that leads to thinking the Villains are the best parts of Comic Book films, and finding Trump's style appealing.

And I know full well The Prequels also give us a Villain to be fascinated by, as they finally gave The Emperor an actual character.   Yet at the same time so much Prequel hate is tied to feeling Darth Maul and Count Dooku were under utilized.  And complaining about Anakin killing the Younglings.

Yes that is an important comparison to the Rouge One scene.  Undeniably that should show the character's Evilness far more.  In Rouge One he's killing enemy combatants, not even a War Crime much less one against civilians, it's wrong only to the extent his goal is wrong.  But it's not so easy to cheer on Vader massacring Younglings, which Lucas kept off-screen anyway.  More importantly then that though, is how it doesn't make him seem Bad@$$, it makes him seem Pathetic, Sidous had basically just told him he needed to so some Evil for the Evils to grow more powerful with The Dark Side, and so he did just that.  Reminds me of how Utena fans who hate the movie are so upset by Akio now being made to look pathetic, Ikuhara did that deliberately.

The massacre of the Seperatists leaders could have been far easier to cheer on.  But the way it's scored and shot, and how it's inter-cut with Palpatine's speech (Lucas cited this as his one Godfather Baptism moment) discourages the audience from doing so.  Topped off by seeing how even this killing of people who narratively had it coming had Anakin crying, showing he still has further to fall, and is certainly as Yoda predicted "Suffering".

I also noticed recently a problem in how all the universally praised Star Wars films, are ones where the "War" in question in unquestioningly a just one, for our Heroes side at least.  And in TFA and Rouge One more so then the Original Trilogy, hesitancy to go all in on fighting it is presented as weakness.  While The Prequels which send the message that fighting an unjust war, one where our Heroes were the aggressors, is what created The Empire in the first place, get decried as not being simple enough. 2002 saw the release of both Attack of The Clones and The Two Towers.   That was also the year the Bush Administration was beating the War Drums on Iraq, so much so my mind still affiliates that War with 2002 more so then 2003.   Both films happens to have a theme of a War about to break out which it does at the end.  Bizarre coincidence since it couldn't have been pre-planned. The sad Irony is that Tolkien would certainly despise the Bush Doctrine as someone traumatized by WWI.  Yet the timing of when the Two Towers movie came out allowed many Bush voters in the theater to take Aragorn's "Open War is upon you, whether you would have it or not" as a take that to Anti-War liberals.  I know this because way back then I was one, a fact I'm deeply ashamed of.  Meanwhile AOTC clearly presents the decision to go to War as a mistake.  The Empire was truly Born in Episode II, as the score beautifully tells you at the end.  It was just formalized in Episode III.  I wonder to what extent the Prequels are a factor in my ceasing to be Pro-War by 2006.

Going back to Lucas intent, yes he wanted to cosmetically reference the Nazis like everyone was doing at that time.  But in the Audio Commentaries the real meat when he's talking about Historical influences lie in his talking about Ancient Rome and of all people Napoleon III.   Julius and Augustus Caesar, and both Napoleons where in the Left Wing of the politics of their times, however odd that may seem to us looking at it now.  Lucas message in the prequels was about how Democracy can be subverted, regardless of the ideology of the one subverting it.

That he cited Napoleon III is interesting to me.  Years after I'd first enjoyed those Audio Commentaries, I started developing an interesting in 19th Century French Popular fiction, the genesis of which was discovering Paul Feval and BlackCoatPress.  Brain Stableford talks much about the historical contexts of all these novels in his Introductions, Afterwards and Footnotes of his Translations, (interestingly in Invsisble Weapon he theorized Feval become personally disturbed by his own ability to write such compelling villains, that he became like Mliton unknowingly of The Devil's Party).  And there too Napoleon III is unavoidable.  He may be a nearly forgotten figure today, but to his contemporaries he was very important.

And of course the shadow of Napoleon Classic Version is vital to that.   Especially since censorship meant any negative commentary on him had to veiled.  And he had critics from both fellow Progressives and old fashioned conservatives.  Seemingly any novel mentioning the original Napoleon in the 1850s, 60s or even to an extent 70s had Napoleon III in mind.  But not using OG Napoleon himself as the allegory, no they didn't want to grant him that. The thing about the real Naoleon was that he managed to earn the respect even of those who most harshly opposed him Politically, from both the Royalists and Republicans, from Alexandre Dumas to Paul Feval.  Napoleon III couldn't do that.  And thus the contemporary fictional allegories for him lie in the Napoleon wannabes.  Like  Henri Belcamp of Paul Feval's John Devil, or The Blackcoats: Companions of The Treasure, where Julian Bozzo-Corona disguised himself as his far more iconic Corsican Grandfather, Colonel Bozzo-Corona.

Of course it is this failed wannabe nature of how Napoleon III was fictionalized by his contemporaries that makes someone in the know like me a little disappointed in Palapatine as a character partly inspired by him.  And this informs what I in-spite of my issues with TFA love about Kylo Ren.  It is Kylo Ren's failure to be Darth Vader that reminds me of Napleon III's failure to be Napoleon.  And I now kinda hope Snoke is equally a wannabe Sidious, overcompensating in his hologram, so no one question the size of his.... hands.