Attic black-figure column-krater with Odysseus escaping Polyphemus (top) and Nike or Iris between lions attacking bulls (bottom)
Greek (made in Athens), 525-500 B.C.
terracotta
Getty Museum

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Attic black-figure column-krater with Odysseus escaping Polyphemus (top) and Nike or Iris between lions attacking bulls (bottom)
Greek (made in Athens), 525-500 B.C.
terracotta
Getty Museum

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A scene from Book IX of the Odyssey: Odysseus, sword in hand, has tied himself to the underbelly of a ram to escape from the cave of the now-blinded Cyclops Polyphemus. Side A of an Attic black-figure white-ground column-krater (mixing bowl), attributed to the Sappho Painter; ca 510-500 BCE (late Archaic period). Now in the Badisches Landesmuseum, Karlsruhe, Germany. Photo credit: ArchaiOptix/Wikimedia Commons/ Creative Commons Attribution-Share Alike 4.0 International
EXEKIAS | Amazonomachy, Penthesilea and Achilles: 2 wonderful black-figure Amphorae made in Athens Attributed to Exekias https://en.wikipedia.org/wiki/Exekias [I've previously posted my pics & vids of each of these amphorae separately, as well as of their details, and this August I happened to take a more or less clean photo, given the poor lighting and no flash, of them together 🏺🏺] Both ca 540-530 BC.
The British Museum, London | BM [Ground fl., Gallery 13]
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BM | Michael Svetbird phs©msp | 17|08|24 6000X4340 600 [I.] The photographed objects are collection items of BM [Non-commercial fair use | No AI | Author rights apply | Sorry for the watermarks]
~ Beaker (kalathos) with Athletes and Trainers.
Culture: Attic, Greek
Period: Archaic period
Date: ca. 800–480 B.C.
Medium: Black-figure ceramic
Fun fact! Did you know that Greek pottery was made in parts and then assembled? The decorations were often at the joineries to help visually connect the different pieces (and likely to hide the joints) and the potter was not always the painter! (source: "Understanding Greek Vases: A guide to terms, styles, and techniques" by Andrew Clark, Maya Elston, & Mary Hart)
For my current large project- I've decided to do Athenian Red-figure. Partly because the base of the piano is black(ish), partly because it's called 'ATHENIAN' and Odysseus is connected to Athena, and partly because it's a younger form of Greek pottery painting - with black-figure being a bit older (as seen in this super accurate timeline i made because i kept getting lost as i was reading)
- and if I decide to be doubly ambitious and do one for the illiad, I'll likely do that one in black-figure as it's an 'older' story, so it'll pair nicely.
Examples of red-figure (from the following book)
Examples of black-figure (from the following book)

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Hadra hydria decorated in the black-figure technique with a bucranium flanked by swans in a panel between the handles and dolphins on the shoulder. The Greek inscription Dorotheou, 'of Dorotheos', incised above the bull's head, is the name of the person whose ashes this vase originally contained. Image by British Museum. Learn more / Daha fazlası Hadra Ware https://www.archaeologs.com/w/hadra-ware/
Terracotta neck-amphora (jar) with the story of the Nemean Lion
Attributed to the Diosphos Painter
Period: Archaic, ca 500 B.C.; Culture: Greek, Attic; Medium: Terracotta; black-figure, Height: 8 7/8 in. (22.5 cm); Accession Number: X.21.15w
How can you tell the right hand god on the front is Iris? She has all the attributes of Hermes - but white skin. Black (or darker, but this is Black-Figure) = Male, White (or lighter, but again, this is Black-Figure) = Female in the ancient art of Mesopotamia, Egypt, and Greece.