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The Bill Evans Trio – Since We Met (Full Album)
Since We Met is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell, recorded at the Village Vanguard in New York City in 1974 and released on the Fantasy label in 1976.
“Thirteen years after his legendary Village Vanguard recordings, Bill Evans recorded Since We Met at the famous New York establishment again. Using his trio of the era (which includes bassist Eddie Gómez and drummer Marty Morell), Evans explores both familiar (“Time Remembered,” “Turn Out the Stars” and “But Beautiful”) and new (Joe Zawinul’s “Midnight Mood,” “See-Saw” and “Sareen Jurer”) material. This CD reissue gives listeners a good example of Bill Evans’ early-’70s trio as it typically sounded in clubs.” – Scott Yanow/AllMusic.
Bill Evans & Inspiring Books
The 1961 engagement of Bill Evans, Scott LaFaro and Paul Motian at the Village Vanguard is widely considered to be one of the most historic in jazz. This 3-CD set presents all five sets the trio performed in their original order.
The album was deemed by the Library of Congress to be “culturally, historically, or aesthetically important” and added to the United States National Recording Registry for the year 2009.
“This is an essential purchase, whether you are a novice or seasoned jazz fan”, – Ken Dryden (AllMusic).
“The essential nature of this music is hard to over-estimate or lose in hyperbole. These three compact discs of jazz piano trio music, like Robert Johnson’s 29 compositions or Bach’s The Well-Tempered Clavier should not simply be considered as simply musical masterpieces, but cultural masterpieces”, – C.Michael Bailey (All About Jazz).
Bill Evans Trio – Crosscurrents
Crosscurrents is an album by American jazz pianist Bill Evans, recorded in early 1977 and released in 1978 on Fantasy as F 9568. Along with
Crosscurrents is an album by American jazz pianist Bill Evans, recorded in early 1977 and released in 1978 on Fantasy as F 9568. Along with Evans’ trio of Eddie Gómez and Eliot Zigmund, Lee Konitz and Warne Marsh guest on alto and tenor saxophone respectively.
Reception.
The AllMusic review by Scott Yanow awarded the album 4½ stars and stated:”This superior set was a logical idea. One of pianist Bill Evans’ earlier influences was Lennie Tristano, so for this date, Evans’ trio (with bassist Eddie Gomez and drummer Eliot Zigmund) was teamed with Tristano’s two top “students”: altoist Lee Konitz and tenor saxophonist Warne Marsh. The quintet performs four standards (all of which fit easily into Evans’ repertoire) plus “Pensativa” and Steve Swallow’s “Eiderdown.” Konitz and Marsh always worked very well together and their cool-toned improvising makes this outing by Bill Evans something special. Recommended.”
Personnel: Bill Evans – piano Lee Konitz – alto saxophone Warne Marsh – tenor saxophone Eddie Gómez – bass Eliot Zigmund – drums
📷 The Bill Evans Trio in a 1977 distributed by Fantasy Records via Wiki Commons, public domain.
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