#biedermeier

A postman in a bright yellow coat stops to read, while women already lean out of their windows. In Carl Spitzweg’s "The Postman in Rosenthal", everything depends on that one paused second before the news arrives. Spitzweg painted quiet Bavarian streets, small houses, and everyday curiosity with unusual warmth. He had trained as a pharmacist before becoming a painter and maybe that is why his art feels so observant: never loud, never forced, just someone noticing how much life fits into a narrow alley. Quelle: meisterdrucke.com

Little (androgynous) biedemeier portrait (around 1825)

Biedermeier Style Room, unknown artist of the Austrian school, undated, watercolor.

Biedermeier style interior, c. 1840, unknown artist of the Austrian school, watercolor.

Small dayroom with green foliate wallpaper, unknown artist of the Austrian school, c. 1820-1830, watercolor.

Anilhagem De Aves

Unknown; “Dina Henriette Zernitz”, c. 1830) // Unknown; “Catharina Hermansen” (c. 1838) // Johann Nejebse; “Portrait of Mrs. Amalie Klee” (1841) // Unknown; “Biedermeier Damenbildnis Portrait” (c 1850)

Franz Xaver Stöber “Friedrich Gauermann” em 1834 // Moritz Michael Daffinger; “Bildnis des Grafen Gilbert Borromeo Arese” (1838) // Robert Jocelyn; “Viscount Jocelyn” (1839) // Josef Kriehuber; “Maximilian Bohrer” (1842)