I love a fic with grit , as a reddie girly through and through I have so many thoughts but just listen to me ramble, okay?
Give me Richie a little mean because maybe something snapped inside him after the clown- heâs not downright evil but heâs not the happy jester he used to be either. He spends 90% of his time chasing after Eddie and the rest is spent on catching enough rest to do it again.
Give me Eddie who tries so hard to rebel against his mother but heâs still living with the effects of his trauma. Heâs doing his best but is it enough? Eddieâs daily act of rebellion is leaving his window open for Richie to slither through.
Give me a version of Bill that upped the anti on his savior complex after Georgie. Constantly trying to put together the pieces of that summer. Trying to heal whatever unspoken rift is between him and Richie , defending Eddie in school, pairing up with Ben in class, Sitting with Stan at the park so he doesnât have to bird watch alone, Helping Mike on the farm so he can have free time and offering Bev a place to stay on really bad nights.
I need to see Bev fighting back during her teenage years, telling authorities to shove it and sneaking out at night to go smoke a joint with Richie . Her and Eddie talk on the phone late at night every week; confessing their fears about their parents in only the way each other could understand. Give me Beverly Marsh shoplifting supplies for the club house and having Stan as an unwitting accomplice.
Give me Stan fighting his cynicism tooth and nail, wanting so badly to see a silver lining and looking for it everywhere he can. I want Stan in a puff puff pass circle confessing some of his darkest thoughts that are only MATCHED by his friends.
Give me Mike demanding he go to high school with his best friends. Busting ass every day to get his chores done so he can race to the clubhouse. Or when he finally gets his truck, heâs the first to offer to drive them all out to Bangor; half the losers has to sit in the bed. He abstains from the devils lettuce but almost always partakes when Bill starts passing around a water battle full of vodka. Heâs a mess just like the rest of them, sometimes he sees handprints on his walls at night but the losers help- they always help.
Lastly, give me Ben who builds everything to perfection because he worries something in him might be broken. Ben who follows Beverly like a kicked puppy even after she goes on a few dates with boys from school. He finally gets the courage to ask her to prom only to find out sheâs been waiting this whole time .
I want them all a little fucked up, could they be products of their trauma? Totally; does it make for a good read? Also yes.
The losers are full of night terrors, teenage angst and enough trauma for a life time. Theyâve got complicated interpersonal relationships and issues theyâve never fully dealt with.
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âSwings And Slidesâ - written by S. Uris - is both an acknowledgement to growing up and a tribute to childhood memories.
Full album art (by @frogandtoadpdf ) and lyrics below cut
There's a park in the field
By the houses that dot along the close
It's filled with colours and memories
And the feeling that we'll never grow
A castle that's guarded by the gate on the latch
And the kids with their sticks and their stones
They reign victorious shouting "never come back"
As they watch the retreat of their foes
Swings and slides will never feel the same
Now that proportioned limbs can't fit into their frame    Â
And the summer glint no longer calls my name            Â
Oh it's been so long since I felt home in this place
In this place
Once we were scared
Watching unknown terror approach
We gathered our love
And ran the short distance home
I somehow felt impossibly brave
Even while we hid in our rooms
I knew right then I could take on the world
So long as it was next to you
Swings and slides will never feel the same
Now that proportioned limbs can't fit into their frame
And the summer glint no longer calls my name         Â
Oh it's been so long since I felt home in this place
In this place
And oh years have passed since then
But I still say "remember when"
And I miss how we used to connect
But I don't think there's any going back to then
Remember how we
Used to play stupid games on the driveway
Or how we learnt to ride our bikes
Straight into the world, we'd never hesitate
I wonder how you face things now
That you wear older skin
Is it still with that same fearless look on your face that said
"Let's begin"
Swings and slides will never feel the same
Now that proportioned limbs can't fit into their frame
And the summer glint no longer calls my name                 Â
Oh it's been so long since I felt home in this place
In this place
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Anya is LIVE right now
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âThis is ridiculous,â Mike sighs in exasperation, âmy friends and I had nothing to do with any of this.â
The detective at the other end of the table doesnât seem to accept this. Sheâs a recent transplant from another state. Most of the Derry police department leaves Mike be, summing up his interest in police matters as a side effect of his fascination with Derry history. She doesnât seem to be interested in giving that same assumption.
âYou keep saying that,â she pushes, âbut I think itâs strange that you show up to all the crime scenes and that two of your friends harassed one of the victims. Not to mention that Henry Bowers was found dead under your place of residency.â
Mike is growing more and more frustrated. It was surreal when the police showed up at dinner last night. The Losers Club plus the small group of cops nearly overwhelmed the small Italian place theyâd been enjoying.
Bev, Ben, and Eddie are sitting in the lobby while Richie and Bill are in cuffs. Mike is somewhere between the two options or so he figures. Heâs not sure he likes those odds.
Detective Lopez fixes him with a look that lacks any hint of retreat or gentility. Sheâs a no nonsense kind of woman. Her curly, dark hair is cropped in a pixie cut and her face is bare and set in a deadpan expression. Her blouse is a gray button up and the lanyard of her badge is tucked under her collar.
âItâs a small town,â Mike responds, âcoincidences are everywhere.â
âNothing is ever just a coincidence. Did you know Mr. Bowers?â
Mike calmly explains how Henry Bowers was the resident bully when they were children. How often that bullying went past simple pranks and low grade violence. To stop at calling Henry a bully was like trying to call Ted Bundy just an unfortunate date.
âYou can ask Ben about his scar, that should give you a clue.â
âI understand that Mr Bowers had a history of violence and mental illness-â
âBeing an angry white boy is not a mental illness,â Mike points out.
âAgreed,â Detective Lopez says flatly, âbut that isnât my point. My point is that several children and a man named Adrian Melon are dead and the escape of Mr. Bowers does not correlate with those deaths.â
âIt doesnât correlate with the arrival of my friends either. They werenât here.â
âBut you were.â
Mike is taken aback by the remark. All this time heâs been keeping watch, dreading the day that Derry needed saving but looking to save it nonetheless. Not that this town ever gifted him much beyond tolerance. He has no adult friends here, no significant others, only a series of routine faces that note his presence. Derry, Maine isnât friendly or good. Itâs not even scenic but he wanted to save it anyway. His jaw tightens.
âOf course I was here. I live in Derry. Iâve lived here most of my life, where else would I be?â
âYou didnât know these kids. You didnât know Adrian Melon. Why did you visit the crime scenes? What business did you have being there?â
Detective Lopez is standing over him now with her hands planted on the table. She does this all calmly with very direct body movements. She never lets her frustration get to her. She harnesses it into orderly conduct and in a way itâs terrifying.
But sheâs an outsider without all the facts. You can tell she comes from a big city by her demeanor and her thought process. Often a crime is committed by someone close to the victim or someone that makes themselves close. Contrary to the movies, the person most likely to kill you is the one in plain sight and right next to you. Monsters that hide in the dark and stalk you like prey arenât the norm.
Mike is glad that he and his friends got rid of that norm for Derry.
âDetective Lopez? Have you ever seen someone die-â
âOf course I have. Iâm a homicide detective.â
âI wasnât finished,â Mike insists, âI was asking if youâve ever seen someone die when you were a child?â
This gives her pause. Her elbows soften the smallest amount and her hesitancy is plain to Mike. She doesnât sit. Thereâs no way sheâs backing down that quickly but itâs clear sheâs listening.
âI canât say I have, why?â
âIf you take the time to look into me a bit more youâll know that my parents died in a fire and I was in the other room. I was too little to help them. I couldnât save them.â
Now Detective Lopez sits down. Her posture is unnaturally straight and her gaze is still unwavering. This is either the best she can do to convey being receptive or itâs the most sheâs willing to give.
âCan you imagine the sort of impact that has? I couldnât even put down a sheep on the farm I grew up on. The idea of causing harm to anyone or anything, indirect or necessary or otherwise, still makes me sick. So please, Detective Lopez, donât insult me with what youâre trying to infer.â
âBe blunt then. What were you doing?â
âTrying to see if there was a way to stop it. If you look at our history, youâll see thereâs a pattern. Every 27 years since the town was formed, a stretch of terrible things happen. Thatâs longer than Iâve been alive. Longer than my familyâs been in Derry.
I thought maybe if I could pay attention for the next phase I could find the connection. I could save them.â
Mike can see that sheâs regarding him as an absolute looney but Mike hopes itâs the harmless kind. She can picture him tinfoil hat and all if it means she doesnât see him as a murderer.
âAnd what did you find?â
Mike decides that this is as good a time as any to tell one last lie. Itâs not like sheâd understand the truth of the matter. Sheâs the type to only accept hard facts and indisputable evidence. There isnât anything he can show her to back the truth. Nothing but a lot of rubble on Neibolt street.
âI found nothing. Whatever makes this town the way it is, itâs not for me to understand.â
Itâs not entirely a lie. Pennywise was just a part of what made Derry the way it is. Its death isnât going to cure Derry of its bigotry overnight. There will still be small minded people, violent people. Mike will never understand that.
âSo youâre giving up? Just like that?â
âI almost died because a literal living relic of my past broke out of an insane asylum and tried to kill me. I think thatâs a sufficient wake up call that Iâve wasted too much time on this town and my own baggage.â
Mike canât tell if sheâs buying it or not. Detective Lopez gives away nothing. Sheâs an absolute professional to the core. Mike respects that. Derry could use someone on the force who canât be swayed.
âI may need you to call you back in to corroborate a few stories so donât skip town,â she gives him a curt nod, âYouâre free to go.â
Detective Lopez opens the door to Mikeâs freedom. Mike has a feeling that the others have been given similar instructions or that they will be given them. He wonders briefly if they should have thought ahead to confirm a set story with each other but he thinks better of it. None of the Losers are crazy enough to tell the truth.
âHanlon, wait,â the detective stops him as soon as heâs out of the door frame, âtell your comedian friend that making jokes isnât going to work with me. Itâs not endearing and heâs digging a much bigger hole for himself.â
âMaâam, with all due respect, trying to get him to stop is a joke in and of itself.â
â-
âHer first name is Jennifer!â Richie shouts as if wounded, âLast name Lopez! What did you want me to do?â
Richie can tell that his lawyer is not amused. His voice sounds really far away and it is. Heâs driving to Derry as fast as he can.
âRichie, this isnât your usual legal trouble. This isnât stolen material or a damaged room-â
âThat was one time and I was still a baby! How was I supposed to know what ecstasy looks like? Youâre about to see the podunk town I grew up in, man.â
âTheyâre talking homicide!â
âI still cry over Bambi, for fuckâs sake. Do you seriously think Iâd kill anyone for fun?â
âOf course not.â
Roger Clemming has been Richieâs lawyer since the start of his career. Heâs a cousin of his manager and normally Roger has no qualms about representing Richie. Most of his legal cases arenât even his; the man doesnât write his own stand up so he canât exactly be held responsible if itâs stolen. Richie Tozier is an easy client.
âI didnât even mean to kill him. He had Mike and it was clear that old Bowers was totally batshit. I reacted. I donât know.â
âSo we have a witness. Thatâs good. The more witnesses the better. I just wish you hadnât pissed off the Detective.â
âYeah yeah Iâm an asshole but I didnât say anything about the case. And I stayed away from ass jokes!â
âIâm sure thatâs what will save you.â
The Derry police station is not a big place. The holding cell is visible to the front lobby and thereâs only two private rooms; the sheriffâs office and an interrogation room. Richie can see Eddie, his arms crossed and his face looking like he bit into a lemon.
Stressed out, Eddie spaghetti? Youâre not on this end of the station.
âBe honest with me, Roger, am I going to jail or not?â Richie clings to a rare moment of seriousness.
âYou defended someone from an escaped convict. If you sit back and donât make an ass out of yourself we may not even go to court.â
Richie sighs and he wishes he could telepathically share this news with Eddie. He stares down Eddie in the hopes that somehow they do share a psychic link. Eddie remains pissed at some very specific wall instead.
âAnd, uh, my friend? Bill?â
âIâm not sure a trial can be avoided on that, but as long as thereâs no physical evidence then the best theyâve got is circumstantial with no real motive. Theyâll be grasping at straws if they charge him. Dead kids do make for angry parents though and sometimes theyâll pull a guy to trial because theyâve got no one else to blame.â
âSo 50/50 chance?â
â40/60 of an arrest being made and I canât begin to estimate the odds on him being found guilty. That all comes down to the kind of town your Derry, Maine.â
âFuuuuuuuuuuuck!â Richie groans and buries his face into his free hand.
âWatch it, Tozier,â the nearby cop warns him.
Richie apologizes and feigns composure.
âSorry kid,â Rogerâs using his turn signal given the soft ticking in the background, âIâll do my best but I make no promises.â
Richie mutters a sentiment of gratitude before hanging up. It would still be the better part of a day and a half before his representation gets here. Technically heâs not even sure if Bill wants Roger to represent him but Richie figures it couldnât hurt to arrange it. After all, do either of them really want to trust whatever a Derry lawyer looks like?
---
Bill settles in for the night. To be honest, heâs slept in far more uncomfortable places than a holding cell. He wasnât always a big famous writer. He remembers when he had to sleep in his shitty, used Toyota back in the early days. Now heâs got two houses, a celebrity wife, and a second movie deal. None of which heâs particularly sure he wants anymore.
Itâs startling how unconcerned Bill is about the charge against him. Heâs been taken in on suspicion of murder but Bill knows damn well he didnât kill that kid and Detective Lopez doesnât have much of anything on him except that he was seen yelling at the child earlier at the day and had been spotted at the carnival.Â
Bill didnât want to seem entirely unhelpful though despite knowing they were never going to catch what killed that boy. He offered an account of what he thought was an animal attack but it was difficult to make out. Richieâs lawyer probably wonât like that he talked without him present but Bill doesnât really care.
Bill blamed the yelling on a mental breakdown. His hometown memories were complicated and a failing marriage and work pressure wasnât helping. When he saw a kid about Georgieâs age living in his old house, he lost it. It was easy to sell this because it wasnât really a lie. Detective Lopez did make a comment to Bill about how childhood trauma seems very convenient in this town but Bill didnât know how to respond outside of confusion.
âAll right, everyone,â a tired cop announces into the lobby, âYâall should get yourselves to bed. Visiting hours are over.â
The other members of the Loserâs Club are essentially draped across each other in the lobby and half asleep already. Ben is in the middle like some sort of handsome centerpiece. He has an arm over Beverly and Mike is leaning on his free shoulder. Meanwhile, Eddie is sitting on the floor at Benâs feet looking tense and irritated.
They gather themselves up except for Eddie who continues to sit on the floor.
âEddie, honey,â Beverly says softy, âitâs time to go.â
âRichie and Bill didnât do anything wrong. I will leave when they do.â
Bill chuckles a bit at this and looks over to Richie on the other side of the holding cell. The look on his face gives him pause because itâs not what he was expecting. Eddie looks genuinely frightened in here. Heâs also watching Eddie as if looking at the last boat on a sinking ship; one thatâs just too far out of reach. Bill isnât sure what to make of that.
âTheyâll be okay,â Mike assures the sulking man on the floor, âI know these cops. Theyâre decent.â
Eddie doesnât respond.
âSweetie,â Bev is getting a hint of irritation to her voice, âwe can come back in the morning.â
âI refuse to get up. This is a protest.â
Bev sighs and looks to Ben.
âWeâre going to have to force him.â
âForce him?â Ben asks back incredulously, âForce him how?â
âBen, he weighs 90 pounds soaking wet, what do you think?â
âOh Lord,â Mike immediately understands the implication.
Ben thinks about it for a second and it dawns on him the same exact time it dawns on Eddie. Ben is briefly horrified by the idea.
âYou wouldnâtâ Eddie challenges him.
Ben looks helplessly at Bev who shrugs as if to say that thereâs no other way. Eddie recoils as Ben clearly accepts his orders and approaches Eddie with strong arms ready to lift him. His stance is that of someone attempting to capture a wild animal.
âDonât touch me! Donât you fucking touch me!â Eddie screams while rapidly kicking his legs to slide away.
Bill again turns to get Richieâs reaction to all this. Heâs pleased to see Richie desperately stifling a chuckle. The cop stationed here for the evening seems to be frozen in disbelief as one grown man is trying to catch another and that other fully grown adult man is essentially crab scuttling his way to safety.
On reflex, Eddie sends a hard kick and gets Ben right in the shin. Ben stops his pursuit to cradle it.
âEddie! What the hell!?â Bev scolds him.
âNow thatâs enough!â the cop finally sees fit to reanimate, âIâve seen some bull shit in my day but I wonât have a brawl in the station! Sort yourself out or Iâll put you in holding! Got it?â
Eddie gets up from the floor.
âOh no,â Richie says quietly.
Billâs confused but looks back to the scene playing out before him. Eddie looks apologetic and humbly confronts Ben.
âSorry, Benâ he says meekly.
âItâs just my shin,â Ben responds, âItâll bruise but itâs fine.â
âNo, Iâm sorry about this.â
Eddie uses his whole body to send a punch right into the side of Benâs scruffy and very shocked face. Eddieâs fist retreats just as quickly as it had departed and heâs shaking out the pain of contact. Ben cups his cheek, obviously not very wounded. The manâs essentially built like a brick house for fuckâs sake. This does get the cop moving though.
Eddie is escorted into the holding cell with Bill and Richie. Richie looks in awe of Eddie either because he was so reckless or stupid Bill canât figure which. He does have sneaking suspicion however that Eddieâs little stunt has more to do with Richie than with Bill himself.
Eddie is still pouting and sits square on the floor all over again.
âThe little guy will be free to go after he cools down, unless you want to press charges,â the cop asks Ben.
âWhat? No. No⊠itâs fine.â
Mike quietly exits as quickly as possible. Heâs clearly done with the nonsense that just played out. Bev and Ben stay behind a minute as Bev checks his cheek over again. Bill can make out the soft conversation theyâre having but just barely. Sheâs apologizing for her plan, saying she didnât think Eddie would fight that much.
âNo no, it was a good idea,â Ben assures her.
Bill can see the way that comment washes over her. Ben was always full of a certain sincerity and purity that none of the other Losers ever really had. Heâs soft and probably the only one of them that didnât end up with a ridiculous amount of paranoia or cynicism. Bill doubts that Ben is unscathed but it looks like he at least had the good sense not to unleash his unknown trauma on anyone else.
Unlike Bill and his marriage to Audra.
Itâs painfully clear to Bill right now just how much Audra looks like Beverly. Theyâve got similar frames, similar facial structures and theyâre both redheads. Granted, Audraâs red comes from a salon but it suits her as naturally as it does Bev. They could be sisterâs.
âWhy canât you be how I want you to be?â Bill remembers saying to Audra not long before he took off to Derry. Heâs disgusted with the comment now. Heâs disgusted with the fact that he kissed Beverly and it meant more to him than his entire marriage. Heâs disgusted with himself.
âSee you in the morning, boys,â Bev waves to everyone in holding.
She doesnât give Bill any special treatment. No lingering eye contact or wistful gaze. Itâs as if she never had a crush on him at all, as if theyâve never shared anything. Before it always felt as if she was looking to Bill and now sheâs looking at Ben.
Despite a sense of heartbreak, Bill takes comfort in that difference.
---
Thereâs only two beds in the holding cell. One of which is already taken up by Bill who is sound asleep. Eddie is still sitting on the floor and up against the wall. He watches for the cop to doze off. Sure enough, heâs starting to snore in his chair.
Eddie quietly and carefully scootches over to Richie. Richieâs been lying on other cot, entertaining himself with some sort of impromptu, silent puppet show. He breaks from it as he notices Eddie encroaching on his personal bubble.
âHey,â Eddie whispers.
âHiâŠâ Richie answers.
Eddie isnât sure of how to move forward. Originally he had mapped out exactly what to say after the gangâs celebratory dinner. He was going to apologize for kissing Richie, explain again that he had panicked. He would ask that they move forward from this and go back to normal. He wanted to reassure him that he is very alive and not going to die anytime soon too. He wanted to know how much it meant to him that Richie cared so much. He never knew he was that important to anyone.
Eddie did not plan on embracing his inner chaos and landing himself in a cell for the night. He still isnât entirely sure what came over him in that moment. The idea of leaving just hit so hard and quickly that he couldnât do it.
âI went to jail for you,â he glares at Richie.
Well thatâs not a good start, Eddie mentally notes.
âI see this. Iâll file it under your list of uncharacteristically brave fuckery.â
âI mean that I want to talk. We need to talk.â
âOh.â
Thereâs a pause between them. That pause grows into a prolonged period. That period slinks into awkward silence. Eddie is aware since he brought up the conversation that he should actually start it but his head is empty. All he can think about is how the stab wound in his cheek hurts and how flustered Richie looks.
âLook, man,â Richie gives in, âWe donât have to talk. I get it. You panicked. Case closed. Mystery solved. We both deserve a Scooby snack for that epic conclusion.â
Eddie realizes for the first time that Richie is hiding behind his humor. He feels like an idiot for not noticing sooner but his eyes are a dead give away. Richie is making more eye contact now than usual. Itâs like heâs forcing himself to present a put together facade. Heâs watching Eddie to make sure he believes it.
Eddie wonders if it might be prudent to look at Richie in a different light. In childhood, he was always just that asshole friend. He liked to pick on him but never past annoyance. Youâd think trying to steer clear of Henry Bowers would have made Eddie resistant to a friendship built on teasing. In retrospect, Eddieâs not sure what did open him up to it. By all logical accounts, Richie shouldnât mean much of anything to Eddie and vice versa.
âWhy do you do that?â he decides to approach it directly.
âIâm a comedian, Eds. Cracking a bad joke is as natural to me as breaking wind.â
Eddie could easily feed into this but he doesnât want to. He physically sits up straighter and takes a calm breath in. Itâs tempting to write Richie off as immature and continue down the rabbit hole of humor at Eddieâs expense but he refuses. Richie is keeping a secret of some kind which seems painfully obvious to Eddie now. If heâs ever going to move forward from recent events heâll need to know what it is.
âWhat are hiding?â he leans in close.
Richieâs face loses all color. He stammers for a moment and Eddie is secretly pleased with himself. Heâs so used to Richie getting at him that it is deeply satisfying for the tables to turn. Eddie tries not to stay in that mentality though. He wants answers not revenge.
âBillâs the one with the stutter,â Eddie points out, âfess up. Youâre hiding something from me and youâre using your crap jokes to do it. I wonât go to sleep until you tell me whatâs going on.â
It seems a little overkill but Eddie is feeling the dramatics today. They saved each otherâs lives earlier. They should be able to talk. Eddie debates their closeness as he waits for an answer. Sometimes it felt like they were the closest two people in the room and other times they were the furthest. Eddie wants to know why.
âI- uh,â Richie is sweating at the forehead, âI want to say first that- shit no. Okay, growing up I- fuck no thatâs going to take forever.â
Eddie continues to glare down his friend. Itâs not that he wants to force the truth out of him but rather his concern is growing. Showing Richie his soft side doesnât come naturally though. So here he is trying to be a good friend but acting like a displeased asshole.
âOkay, here goes,â Richie takes in a breath of confidence, âDinner.â
â...dinner?â
âYes.â
âWhat about⊠dinner?â Eddie says bewildered before getting accusatory, âI swear to God, Rich, if this is a set up to a mom joke Iâll-â
âDinner!â Richie says again a bit too loud.
The guard stirs. The two men freeze. A few seconds later a loud snore emerges. Eddie sighs in relief. Heâs done just enough to end up in here. He doesnât want to get in enough trouble to stay.
âYou and me. Dinner. Us. Dinner. Together. Yâknow, dinner?â
Eddie rolls his eyes and relaxes his shoulders. So itâs not a joke about his mom but a joke nonetheless.
âOh. I get it. Ha ha, very funny. Like a date,â Eddie comments sarcastically.
âYes.â
Richie isnât grinning. He not casually avoiding eye contact either as he does with a usual set up. Instead heâs looking directly at Eddie with everything heâs got. Itâs the âplease believe meâ look from before but in an entirely different context. Itâs sincere.
Jesus Christ, I think he fucking means it, Eddie panics.
âOkay,â he finds himself saying even as confused internal screaming fills his insides.
âShit. Really?â Richie is as shocked as Eddie is.
âYeah.â
âYouâre going on a date.â
âYes.â
âWith me.â
âI guess.â
This is all on the premise that Richie is released in time for a date. He may end up in real jail. Then what would they do? A prison dinner date doesnât have the most enticing ring to it.
Eddie feels like a part of him has detached from his own brain. Whatever his body is doing is past his control now. The surrealism of this unexpected direction broke him.
âMove over,â Eddie demands quietly.
Richie backs up as far as can, looking absolutely befuddled. Eddie climbs into the small space left on the cot. Heâs tired. Thereâs only two cots and one is taken. It makes direct sense to share at least when youâre not entirely in your own body anyway.
Eddie remembers briefly about how the two of them would often share the hammock as kids. Eddie unceremoniously plopped himself in and fought for space so often that it became customary. He never did it to anyone but Richie though. He was the only one.
Richie braves putting an arm around Eddie and at first Eddieâs spine goes rigid. Heâs not ready to think about this, not even sure if acting on it is right yet. He still feels far away from all this even as he Richieâs body heat cradles him.
Something about the way Richieâs hand cups the small of his stomach feels...good. Eddieâs body relaxes and he realizes how fucking exhausted he is. Itâs been an exceptionally long 48 hours. A little shut eye and a cuddle isnât so ludicrous. Even if it is with Richie Trashmouth Tozier.
âJust keep it in your pants,â Eddie yawns before falling asleep.