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The <i>Transcription</i> author talks with Alexandra Schwartz about mentorship, memory, and art's manifold afterlives.

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The <i>Transcription</i> author talks with Alexandra Schwartz about mentorship, memory, and art's manifold afterlives.
"'I would never have described anything as satisfying at that age. And she seemed to mean the satisfaction of a kind of physical need: while she was watching a flattened image on a screen, all those mouth sounds and little taps and crinkles provoked a low-level somatic response, scratched a kind of itch. It's like the device takes you out of the real world, shields you from all the pressures and information, but then it administers this series of subtle sensory inputs and muffled shocks, these mild effects, as compensation for the unmanageable reality it's made disappear. Which really is like pornography, maybe just is pornography, reducing all the complexity and messiness of an intimate encounter and offering a safer, addictive, milder, repeatable version of satisfaction in its stead?'"
--Transcription, Ben Lerner
tech
allows forces corners
us into
numbing
anxious
addiction to
the uncanny valley
that is escape
from reality
into its slightest
denial
one we are wired to
avoid
all connection to
yet cling dying to
instead