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Fumi Kaneko, Marco Masciari, Francisco Serrano, Sae Maeda, Harris Bell, Marcelino Sambé, and other artists of the Royal Ballet in the "Becomings" (based on Virginia Woolf's Orlando) section of Wayne McGregor's Woolf Works (2026)
Photos by Johan Persson
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Sarah Lamb in Woolf Works: Becomings (Royal Ballet 2017)
Natalia Osipova in the Becomings section of Woolf Works, Royal Ballet, June 2017. © Darren Thomas.
In Woolf Works second act, titled Becomings, Orlando’s narrative of time travelling and gender changing becomes a busy black and gold travelogue through space with fantastical laser lighting transforming the stage and auditorium into criss-crossed shafts of light including a rainbow moment.
“I’m not very keen on traveling; you shouldn’t move around too much, or you’ll stifle becomings.” ~Gilles Deleuze
Soana Madsen
Prix de Lausanne 2019
photo: Rodrigo Buas
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Once death is infected (and infested) by the true satanic horror of life and its opening / affirming strategies or epidemic bonds of philia -- triggered by the auto-collapse of all survival economies and necrocratic regimes -- opening and being opened gruesomely is inexorable; the exhumed and scavenged death is sewn together as the lines of a new becoming (anonymous-until-now) trapped in the interphyletic and pestilential bonds of philia and life; it becomes a germinal death or a becoming(s), disloyal to Zero.
Death as Perversion:Â Openness and Germinal Death Reza Negarestani
Hi everyone! It’s the end of 2017, so it’s time for the 2017 Summary of Art!
I’m really happy with my art this year! I think i’ve really improved, and i’m only going to grow more and more! Looking back on my art, I think i’ve done a lot of good things--i’ve also made some mistakes but those can be fixed!Â
Here’s a link to the OC Twitter post, where links to all the art is posted in full: [x]
Thank you all for your support this year! Here’s to a great 2018!
