Thinking about what Paleolithic people might have thought if faced with the same unexplained phenomena that people conspiracize about today (this one is cattle mutilation with an aurochs)
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Thinking about what Paleolithic people might have thought if faced with the same unexplained phenomena that people conspiracize about today (this one is cattle mutilation with an aurochs)

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🌘NOCTURNAL or 🐂THE AUROCHS RETURN
Reproduction of Gold Vapheio Cups [x] [x]
Emile Gilliéron or son after a Mycenaean Greek original, c. 19th-20th century
Gilt copper-alloy electrotype
Reproduction of gold Vapheio cups with repoussé decoration showing a calm scene of a youth tying a captured bull, and a wild bull hunt in action. The originals were found in a tholos tomb in Vapheio, Laconia
"Tur"
Walton Ford, 2007
Watercolor and gouache on paper
Walton Ford's Tur is an allegory rendered in the style of nineteenth-century naturalists' illustrations. It centers on an aurochs, the huge ancestor of cattle that was hunted on royal Polish preserves until 1627, when the last of the species was killed. In Ford's symbolic painting, the aurochs stands on the edge of a dense forest, and human bones lay before him. These remains allude to the fate of trespassers on the royal lands who, like the aurochs, died at the hands of noblemen who controlled and protected their hunting grounds.
Aurochs engraving
Qurta, Egypt, 21000-9000 BCE

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Aurochs engraving
Qurta, Egypt, c. 21000-9000 BCE
Aurochs engraving
Romito Cave, Italy
Rondelle depicting an aurochs cow and bison calf
Maz d'Azil, France, Magdalenian period
Carved scapula bone
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