#audible

My friend pointed it out first, and then I started noticing too. Why would books that multiple libraries definitely, 100% had digital access to a couple of months/weeks/days ago disappear?

Amazon is invoking exclusive rights to them.*

Ebooks that the public library once had digital copies of are now only available through Amazon. Audible boasts on their covers about Audible-exclusive audiobooks that did not used to be Audible-exclusive. Entire series and collections are disappearing overnight.

Keep your eyes on the privatization of media and your libraries.

*earlier versions said "getting"; Amazon has likely always had these rights, but in the face of boycotts they're tightening the leash, so to say [source 2] [source 3] [source 4] [source 5] (sources indicate that Amazon is refusing to sell to libraries)

It's the authors.

They take that out of our royalties. And that's after they take 80% of our royalties on sales we do make.

(Note: Also, do not assume that your credit is worth the price listing that Amazon shows. Amazon does not pay us the cost of the listing. ((WHICH THEY PICK, we cannot set our own prices on audiobooks and then that forces us to use the Amazon price for the rest of the market!!)) What we get is 20% of the credit's value, so my book might appear on Audible for $20-30. However, if you received an Amazon credit for one of those $4.99 deals, I'd get 20% of $4.99. Yes, it's fucked, it's all fucked. Yes, other audio retailers do the exact same thing. This is one of the reasons authors don't make half as much money as people think they do.)

This became such a big issue that they had to make it impossible to return books after a certain point without talking to a customer service representative, because people were using Kindle/Audible and Amazon's return policy "like a library," and some authors (myself included) were getting royalty checks that showed negative income.

At this point, I don't even know if the Audible "hack" still works (Amazon has made changes to protect authors from this kind of thing at a glacial pace), but I need you to know it's not Amazon that's refunding you. This isn't a fun little "fuck Amazon" thing. The way Amazon has it set up, it's directly fucking the authors over.

So, yeah. Obviously, if you download something and can't get into it, or if something pops up on the author's side that makes you not want to support them anymore, yeah, process that return. Yeet the bitch. But please don't use it "like a library."

It's really harrowing to see your predicted income based on sales and then find out you're getting one-tenth of that because of refunds. And it's not even because people didn't like your book. They're just using the wrong place like a library and fucking over your algorithm as well, because once you get too many returns, you stop getting promoted.

Try using a library. You can access places like @queerliblib for FREE provided you have a US library account that you've hooked up to Libby. It's a little bit of work, but once you've got a card number, you're golden.

Just, y'know, throwing it out there because I don't think people realize this is how it works. You're not taking something back to Walmart, and Walmart is eating the refund before dumping the item in the garbage. Amazon takes the refund, turns to the author, and takes it off our plates.

Note: this does not affect Kindle Unlimited. Flip through the end pages to give the author maximum pages read, and then return that bad boy so the author can get paid. But also, please, maybe think about switching to a Kobo+ account instead. It offers the same subscription-based membership without demanding exclusivity, so authors aren't locked into just Amazon the way they are with KU. (Royalty rates are roughly the same, but it's a better deal in terms of allowing broader market access.)

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2025/08/25/disenshittified-audiobooks/#canny-valley

Audiobooks are hands-down the most enshittified aspect of publishing, which is why I make my own audiobooks and pre-sell them on Kickstarter, which is how I get around the fact that Amazon refuses to carry my audiobooks:

http://disenshittification.org

Why are audiobooks so enshittified? Because they have the two essential characteristics for enshittification:

1) They are digital, which means the rules for them can be shifted on a per-customer, per-usage basis; and

2) They are controlled by a monopoly, Amazon, whose Audible division is responsible for 90% of popular audiobook sales.

https://pluralistic.net/2022/09/07/audible-exclusive/#audiblegate

Amazon refuses to sell any audiobook unless it is first wrapped in the company's proprietary encryption (AKA "Digital Rights Management" or "DRM"). This DRM permanently locks Audible's audiobooks to the apps it approves, because US copyright law makes it a felony to tamper with that DRM. That means that neither the author nor the publisher can authorize you to take your Audible purchases to a rival platform, and if they try, Audible can have them imprisoned for up to five years:

https://pluralistic.net/2024/01/18/descartes-delenda-est/#self-destruct-sequence-initiated

Which is why none of my books are for sale on Audible. I'm not gonna submit to conditions that will let Audible take you, my reader, hostage. Not only does that make you vulnerable to whatever evil shit Amazon thinks up (remember a couple years ago, when they experimented with putting ads in the audiobooks you paid for?!), but that also makes me (and every other author) vulnerable, because if you can't leave Audible, neither can we:

https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff

Which is why I do these Kickstarters for my audiobooks! Since 2013, I've either paid narrators (like Wil Wheaton and Amber Benson) to perform my books, or I've gone into Skyboat Media's studios myself, to record under the expert direction of the legendary Gabrielle de Cuir:

https://skyboatmedia.com/

That's what I did this time, recording my forthcoming book Enshittification: Why Everything Suddenly Got Worse and What To Do About It in early August. Since then, I've been working with my trusty sound engineer John Taylor Williams to polish that recording to perfection. Now, I'm selling that pre-selling that audiobook on a Kickstarter where you can also pre-order the hardcover, ebook, as well as an extremely limited edition art-book collecting the collages I made for my Pluralistic.net newsletter while developing the ideas behind Enshittification:

https://www.kickstarter.com/projects/doctorow/enshittification-the-drm-free-audiobook

You can listen to a generous, one-hour sample of the entire first section of the book here:

https://archive.org/download/enshittification-sample/Enshittification_Kickstarter_Promo_FMx1.mp3

Amazon does operate a number of smaller subsidiaries, but Audible, Twitch, and Whole Foods are the largest and most likely for the average person to have purchased from.

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