I talked about this in another post but something SO VISUALLY INTERESTING I realized about Hobie's final scene in ATSV.
Beginning with Miles' line 'My dad is about to be captain.'
The group - Gwen, Jess, Peter, and Hobie are all standing behind Miles as he faces Miguel.
But from this point forward, every time Hobie is portrayed, he is shown as separate from the other characters, always being divided from the group - with Miles as the divider.
Even as the camera moves and more Spider-people join the scene, Hobie visually remains - quite literally - as the only person in Miles' corner. And as the scene goes on, he moves farther and farther into that corner.
Until finally the scene comes to a climax, and Hobie gets two shots to himself - delivering his final lines.
"Here we go." - "Hobie, You're not helping." - "Good."
This is Hobie seeing his work pay off. This is him knowing that he got through to Miles and that it was worth it. He's proud of him.
When he says ‘Good,’ he’s not looking at Jess. Because he’s not talking to her, not really. He’s looking to Miles. He’s telling him this is good.
For the entirety of the scene leading up to Miles being trapped, Hobie is shown as the only one literally on Miles' side, until finally in the last moments he is the only one to help Miles escape when he truly needs it.
Even in his final moments on screen the art team decided to show us that Hobie is the realest one in the room thats SO FUCKING CLEVER.
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I was rewatching Into the Spider-Verse for the 1610th 😉 time (as one does), and I realized that this detail completely went over my head in Across the Spider-Verse as well.
Does Aunt May know that Gwen is Spider-Woman?
When I watched ITSV the first 1609 times, I had always assumed that they visited Aunt May to fix the goober because it was Peter B. Parker's idea. Made sense; she is his aunt and mother figure. But when I was rewatching the bus scene with Miles and Gwen, I realized that Gwen says...
So it was more likely her idea to go to Aunt May first.
But THEN I realized another hint that Aunt May and Gwen were in cahoots. I had always thought about the scene in ATSV when Aunt May shuts down Captain Stacy's Spider-Woman slander as avoiding another "politics" debate. But now the "Thank you, May" comment and Aunt May's wink seem to be a little deeper than that. Peter was watching them, so that could be how he started to figure out Gwen was Spider-Woman as well.
It certainly does raise the question of where the heck Aunt May is after E-65 Peter's death when Captain Stacy leads the hunt for Spider-Woman. Or did Aunt May blame her after Peter's death, too? Ouch. Even worse.
It seems to be a little too in-depth and irrelevant for the amount of detail we can get into in the span of a few movies, but it is an interesting thought.
the visuals for the last like 20 minutes of atsv are my favorite things ever
specifically: the color theory
earth-42 is obviously striking on a whole nother level
we tend to automatically think of red as the color of danger, but that's loud and passionate and angry. this haunting, sickening green feels more conniving and threatening and apocalyptic.
(if you think of color in disney movies, all the scariest, most cunning villains--maleficent, scar, ursula, evil queen, facilier, gothel--have either palettes or grand moments or motifs heavily utilizing green)
and something i always notice is that rio 42 looks just a little off, and it's because they reflect so much green in her eyes they look almost entirely green
and, if this is your first time watching, you have no idea why the environment is made to be so deeply unsettling. let's look at gwen's dimension for a sec
being home is a really bad thing to gwen. while miles was doing everything he could to get home, gwen was literally dragged there--because gwen views her dimension as unsafe (ignore the trans parallels ignore the trans parallels ingore the tra
it's dark. it has the same ominous rain. but you can tell it's 65. that bisexual lighting is unmistakable
i can't even go into the colors of gwen and george's argument because there is an image limit and i am lazy. but we know it's insane. the emotional peak of the scene is also where we see the colors most vibrant and changing the most abruptly
and when they have their beautiful lil moment, this is what happens
not only is it blindingly bright and trans colored all of a sudden, but the characters don their "true" coloring
and even after gwen leaves, the scene is still bright, and familiar
miles should be safe in his dimension. but we know he's not.
back to earth-42. well i mean we have these absolute visual bangers what do i need to say u get it
and then there's this absolutely incredible moment where i would say miles is at his emotional peak (manic peak as well; i mean spot's hands and the infamous revenge line...yoikes.) and just like with gwen, the emotional high is where we see the most dynamic colors so coincidence i think not
this next sequence is just one of the coolest fuckin chase-esq scenes i've ever seen. like the mumbattan one slapped but the pacing and direction and elements and epicness together here are just immaculate
another thing--miguel/ben's post is heavily shrouded in red. he's supposed to be ominously looming over exactly where miles is headed. buttttttttt~ when miles first crash lands, there is quite a bit of red, and as he gets closer to home, the city gets bluer and bluer with less and less red, bc yk he's not actually headed towards miguel/ben. woah. i make sense guys. i am a fart smella. i mean smart smella. i mean fart fella. i mean fart smella. i mea
You ever sit and think about how Miguel's attempts at defining what makes you spiderman has to do with his own insecurities surrounding his own identity?
He doesn't have the same origin story. His origin story on how he got his powers are more traumatic than everyone else's. And he has to keep injecting himself to maintain his spider powers.
But also something something Miguel being of mixed ethnicities (Mexican and Irish) and I wonder if that ties into his identity issues
Did Hobie Brown give up his mask/identity as Spider-punk? - ATSV Analysis
from @benio on TikTok ⬆️
During Miguel's speech, we see some of the spiders looking at either their past or future events, and we see Peter's wedding (past), Gwen digging herself out of her grave (future), Jess escaping rubble (unknown) and we also see Hobie looking at his canon event, which was giving up his mask and his identity as Spider-punk.
So its completely plausible that like Gwen's canon event, this is one of Hobie's upcoming canon events, where he'll end up giving up his mask later on. However, I like to think that he had given up his mask prior to ATSV for the following reason:
Hobie wasn't supposed to be in Mumbattan during ATSV
The scene in ATSV where Miles was invisibly watching Gwen talking to Jess and Lyla actually has a second deleted version. This deleted scene was similar, except instead of talking to Jess and Lyla, Gwen was talking to Miguel and various other high-level spider people.
A/N: I know this scene was deleted so it can't really be considered canon, but JUST HEAR ME OUT
While they're talking about Gwen's mistake and Spot's presence in Mumbattan, Hobie's name is mentioned (1:58).
Gwen: "He took time off"
Miguel: "Yeah because he doesn't believe in institutions, or teams. Lyla can't even find him"
Gwen: "He gave me a way to contact him"
At this part in time, prior to his introduction to ATSV, Hobie was not technically a part of the Spider Society. Nobody except for Gwen, not even Lyla, had any way to contact him.
So we've already established that people in the Spider Society usually catch anomalies or are assigned missions to do so, as being a part of the Spider Society would probably mean being willing to work as a team and contribute to the community. If you want to look more into this, @the-cat-and-the-birdie has a really cool post where they explain their views on how the Spider Society works, and I'm kind of going off on that.
If Hobie left, it would mean that he wasn't completing these missions anymore, didn't want to be a part of the community and didn't want anyone to be able to contact him about these missions or anything Spider-man related, unless it was Gwen, who he probably only gave contact information to because she's homeless and doesn't have anywhere to stay, and its been established that she stays with him sometimes.
So why did he leave?
My guess? He experienced an extremely traumatic canon event that led to him deciding to give up his mask. He was so angry at Miguel and the Spider Society for allowing this canon event to happen, that he cut off ties from the community, severed all connections with other spider-people and stayed put in his own universe, only giving Gwen his contact information.
And in this time he "took off", he began to devise his plan to wreak havoc in the Spider Society, and create his own watch. This would explain why he was so quick to help and support Miles, and why he already had watches available for both Gwen and the rest of the Spider-team to use.
The watch he gives Gwen also has the writing "Project Bootleg" written on it.
Bootleg:
the illegal manufacture, distribution, or sale of goods, especially alcohol or recordings.
Hobie already had a plan for what he was going to do. He had already created Project Bootleg to infiltrate the Spider Society himself, and Miles' interjection became Hobie's reveal.
Now to tie back to the first point I made, that Hobie wasn't supposed to be in Mumbattan during ATSV:
The rest of the Spiders were shown coming in through portals, whether it was Miguel's entrance in the beginning of the movie, Gwen's entrance to Miles' room, or even Jess's entrance in Mumbattan where the giant spider-ship came through a portal in the sky. Hobie, Gwen, Miles and Jess were even shown using a portal to get into the Spider Society after leaving Mumbattan. However...we never see Hobie enter Mumbattan through a portal.
He just appeared. But Pavitr was surprised, so there was no way that Hobie had already been in Mumbattan before, and since Jess and Lyla didn't have his location, there was no way that they could have contacted Hobie to come help Gwen fight Spot. So how did he get there?
We have a LOT of unanswered questions about Hobie. He's a complete mystery, from his backstory, to his universe, and to his place in the Spider Society. While the other members are shown as contributors to the Spider Society who all know each other, i.e. Gwen and Jess greeting the Peters in HQ while Hobie doesn't acknowledge any of them and vice versa, Hobie isn't shown having any kind of interaction with any of the Spider Society members except for Gwen and Pav. We know that he knows the other members, because Jess, Peter and Miguel know him by name, but we don't know his place in the Spider Society and we don't know what he does. This is why I think he left the Spider Society. Because if he was still a part of it, the interactions he had with the people in it would've been different. The way he acted in the HQ, his attitude, everything, would've probably been different if he actually was a part of it or even helped out in some way.
Summary, because this analysis was kind of all over the place:
I think that Hobie quit being spider-man before the events of ATSV because of a traumatic canon event. I think he lost someone or something very close to him, and because of that he cut himself off from the Spider Society. I think he blamed the idea of canon events for what happened and that he wants to help Miles save his dad and break his canon because he thinks that by doing this, he's making up for not being able to break his own canon. I think he's been planning this Project Bootleg for a while before Miles showed up and he decided Miles would be the perfect reveal for his plan and he'd use it to prove that canon events can be broken, and that what happened was wrong.
Poor guy.
A/N:
I think this HC overall would be a cool concept for fanfic writers to focus on in their stories, because I've seen a lot of stories where reader/oc was Hobie's canon event, but very few of these go into depth about what his reaction to reader/oc's death would be and how that would impact his identity as Spider-man and his involvement with the Spider Society afterwards. If you do decide to write it, tag me in it! I'd love to read your fanfictions! <3
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Jess and Hobie: their defining strengths + their weaknesses
I had a thought about Hobie while I was writing, have been thinking about Jess for a while and then this post about Miguel came out and it made me kind of want to yap. I'll only talk about Hobie and Jessica here because I'm biased + Peter & Gwen have been talked about a lot + I linked a post about Miguel + Miles & Pav have simpler, more obvious flaws that basically come down to youthful naivety.
I also find it really interesting that their flaws are basically opposites, Hobie's comes from "inconsistency" whilst Jessica's comes from stubbornness. And again, both these flaws come from their greatest strengths.
TL;dr
Jess' defining strength is her resolve when it comes to fighting for what's right and tussling with destiny but it causes her to have a one-track mind, even if it comes to dedicating herself to something wrong (from being misguided).
Hobie's defining strength is his optimism (e.g. anarcho-communism) but the extreme difficulty of pursuing those ideals and the struggle against systems can bring that optimism to a breaking point, causing him to be inconsistent or, more directly, to give up.
I think people forget that Jessica's pregnancy is by design and not just a 'feature' of Jessica Drew as a character. She was deliberately chosen to be represented in this stage of her life and I think it is so important to her character, even if it's not in the traditional way that pregnancy is typically portrayed as in media.
I think her pregnancy shows the kind of person she is: most obviously, it's cold, hard evidence that she's a bamf who takes care of spidey business even while pregnant.
More importantly to me, though, there's an implication that, as her universe's one and only spidey, she has been the one to save the day and been the change she wishes to seek, effectively enough that she feels comfortable bringing a baby into the world.
Unlike someone like Peter, she does not make the choice between bringing her child to work with her or leaving them behind. She just has to do what she needs to do to make sure her kid is safe, there's no failing for her. During her pregnancy, it's always going to be a matter of life and death. Jess is well aware and, instead of shying away from action, she's just committed to not making those kinds of mistakes. To get over her losses. She's going to take charge of her own world's destiny as she has always done and she's going to make sure it's good.
Her strong allegiance to Miguel's ideas is her most glaring flaw to us as an audience because A. we're seeing things through Miles' eyes, she's standing in the way of him saving his father and B. we know that Miguel can't be right about canon events - we know they wouldn't make the movies as bleak as that.
Of course, taking a step back from our perspective, it's also a flaw because she is being antagonistic to a teenager as a grown adult. It might make her seem cold and harsh.
However, Jess was the one to vouch for Gwen, to take her in, even though Miguel didn't want her to and they could have left things up to the web of destiny. Jess trusts her own capabilities but she doesn't trust the world to be kind. She doesn't assume Gwen can handle things just because she can, either. On top of being sympathetic, I think her dedication to being the change she wishes to see is why she accepts Gwen as a student; she trusts that a young girl can make the world a better place too, it's not a thing where she wants to micromanage everything. She just wants to know the multiverse is in safe hands. That's her "great responsibility".
The only reason she is following the anti-Miles agenda is because Miles, as far as she and anybody else in-movie knows, is jeopardising the existence of every universe (insidiously via the holes). Maybe, in another position, say, a bright-eyed teen who mainly worried about high school and puppy love, she would be more willing to risk things, to see how it goes.
She's not in that position though. Her world that she felt confident she had the power to keep safe has been made uncertain. One day, it could just go poof, along with her baby, and she wouldn't be able to stop it in the moment. If she makes the right decision now, if she doesn't make a mistake, she can prevent it. It's understandable that she's going to do whatever it takes to prevent anomalies.
What was the canon event chosen to represent her?
Her version of the moment from "The Final Chapter".
It comes from a story that largely focuses on Peter's personal life before spiralling into action to make up for a mistake that has made Aunt May fatally ill. In the panel, Spider-Man is trapped under machinery with the cure - the thing that will absolve the mistake - just out of reach. As the lair is flooded, drowning is imminent.
Against all odds, though, Spider-Man pushes past what should have killed him and rises to the occasion, with the thoughts of saving Aunt May and refusing to have a repeat of Uncle Ben.
"I won't fail you. No matter what - I won't fail."
Jess has had to handle her own fate as well as her world's. Now that the multiverse is involved, it's not going to stop at her own universe. She has to stop this. She won't fail. As per the dialogue between her and Gwen in ATSV, she's made a mistake before (by getting too close to someone) but she tells Gwen "I got over it". Sounds so savage in the moment but she still gives Gwen a chance to make her own situation right before letting her get kicked off the team. Helping Gwen in spite of the anomaly would be a mistake if she couldn't handle this.
And when the Spot gets away and Miles enters the picture? The gloves come off. It's tempting fate at that point. Jess' no mistakes mindset pushes her to even prepare to roll up on a teenager.*
Her greatest strength is her resolve - I mean, hell, she doesn't let even pregnancy slow her down when it comes to saving the world - but it causes her to be stubborn and leads her down a misguided path.
*By the end of the film, she seems to be questioning Miguel's method, though. On top of the fact that BTSV is obviously going to end on a good note, I think Jess' fight against destiny is going to have her come around in the end as Miles is doing the same thing.
Onto Hobie:
I luv luv luv Hobie as much as everyone else, he's definitely my favourite but I feel he has his flaws too (which tend to make me love my faves more lol).
In fact, I think he says what they are when we first meet him, though they are veiled as jokes.
I find that the audience tends to position him as a perfect distillation of anarcho-communism at its best. I think the teen spideys see him in a similar light; they see him as effortlessly cool & charismatic, a wise mentor figure ("use your palms" + his play fighting with Pavitr featured him taking on the stance of a boxing trainer as Pavitr tried to punch his palms) but he's not like the adult adults - he's relatable, he's cool, he's anarchist, he's not always on their case like Jess and Miguel.
He neither calls himself a hero nor a role model... but he is the perfect hero and role model, right? He's the best! He's the only one who's looking out for Miles and, when Miles is getting chased down by the entire society, what does he do?
He... quits.
Wouldn't that perfect hero we all believe him to be swoop in with his cape, know exactly what to do and save Miles, the underdog? He can't have possibly known Miles would manage against the society and, if he knew it was possible, then why wouldn't he lend a hand? He didn't drop off the watch in Miles' dimension, he gave one to his bestie, Gwen, likely in the scenario that she wanted to quit or got booted because 'it [didn't] work out'.**
I think Hobie's major flaw is his lack of consistency, as he famously said himself.
He has a strong moral code - he believes in the right things for the right reasons... but communism and anarchy are pretty much impossible to properly/entirely employ in a system that is consumerist, capitalist and authoritarian. He riots, he fights, but it's never over. London isn't free. In my experience, people with strong moral compasses tend to have issues with themselves because they hold others to higher standards than most and hold themselves to even higher and impossible standards (think Diane from Bojack Horseman).
One of the first comic panels I encountered of Hobie was him getting real with Captain Anarchy about losing morale because, despite killing President Ozzy Osborne, the face of fascism in his dystopia, nothing changes. He wasn't able to save the world like a hero in a movie or like a proper role model. He 'failed'. When you give your everything and nothing changes, no matter how optimistic, clever or read-up on theory you are, it can be hard to keep going.
And what is chosen as his defining canon event?
His version of Spider-Man quitting in "Spider-Man No More". Rather than being fed up with the world antagonising him as 616 is, Hobie is done with an antagonistic world.
The Hobie/Spider-Punk that has been built up externally, as far as I understand, would never give up. He'd keep raging forever and ever because that's the cool thing to do, because it's the heroic thing to do - because it's the right thing to do.
But under the mask, he's just a teenager, imperfect as any other.
He's still a Spider-Man too. Before the bite, he was another lanky black boy in racist-af, peak National Front, send-the-blacks-and-the-Asians-back, '70s England. He's a nerd, as evidenced by his ability to build such a high-tech watch, especially as a teenager who wouldn't have had access to anything like it until joining the society, meaning he had to pick it up quick. And I'm to think he didn't have any Flash-esque characters in his life? "Come out of it."
As Spider-Man with the mask on, he yells to the rooftops; as Hobie with the mask off, he mumbles and whispers. Sure he looks cool now but people don't tend to come out of the womb as Spider-Punk. On top of that, he's still so young and surely has plenty of room to grow.
I believe he joined the society in earnest, optimistic that he could help the multiverse but eventually reached his limits with actively facilitating death and trauma, with saving the multiverse not meaning freedom in his own universe, with being shackled to the web of destiny. I'm not convinced he made the watch in one day; I think he had been planning on quitting for some time and was waiting for the right moment (as he also wanted to support Gwen because friendship is important to him). That's why he tries to dissuade Miles from joining but, when he does leave, he doesn't go out in a riot, he doesn't even leave knowing that Miles has people on his side other than him. Hobie just quits.
I think his greatest strength is his optimism (his anarcho-communism & adamance about "love, joy and freedom" as per the un-permitted performance art pieces in his montage) but he's smart and he's been through shit - he isn't naive like Pavitr or Miles - the great heights of that optimism lead to intensely low lows.
**(I don't really see why or how he would have been able to predict everything that happened in the chase. I know that the watch is set to 1610 but if Hobie believed Miles would make it out of 928 and get back to 1610, would that not be things 'working out'? Or did he predict that he would get to the go-home machine but was the only one who considered that he would be sent to the place his spider came from. Why? And why wouldn't he set the watch to 42 if he knew Miles wouldn't be in 1610? I feel like the 1610 on the interface is just there to be there and that Hobie gave Gwen the watch so she could have the freedom to leave 65 if she wanted to, in the event that she quit the society because they captured Miles or because Miguel kicked her out as Jess kept warning.)
Has anybody else realized that when Gwen says it doesn't end well when Gwen Stacy falls in love with Spider-man, Miles was probably thinking she meant they break up or it's a one-sided thing, not that Gwen usually dies because how could he possibly know the multi-universal fate of Gwen Stacy? Miles is out here thinking this is romance drama while Gwen is thinking, "There's a 95% chance I'm going to fucking die."
I really don’t care that she’s race swapped and whatever, that has nothing to do with this essay.
What we will talk about is how she’s an asshole, and doesn’t really deserved praise or recognition for her actions.
She fights crime while pregnant, presumably keeping the crime fighting a secret from her husband, which is a red flag on its own. She’d rather risk her own baby’s safety and wellbeing, just to be a superhero, not really caring of its health. You guys say that the baby is resilient, when literally Spider People take major damage and wince throughout the films. If people really praise her and call her “badass” and “supercool” for this selfish action, but criticize Peter B. for taking Mayday into danger when, MIND YOU, he chooses to stay away from danger, while Jess puts herself out in the danger, its saying something.
She’s also an asshole character to everyone but Miguel. A complete bitch towards Miles, asshole to Hobie, the worst mentor Gwen could ever ask for and she definitely regrets looking up to Jess, sassing Ben as if Miguel isn’t anymore broodier, sarcastically ignoring the Hijabi spider woman’s joke but gleefully making jokes with Miguel, and was down for Jeff’s death for protecting the canon.. And the kicker is that she knows that Miguel is wrong for what he does, but she’s too afraid to say anything against him. But she’s quick as fuck to yell or shut Gwen down for making mistakes.
Reminder that at the end of the film where Miguel tries to get Miles from the Go Home Machine, he rips through space and time and that almost caused all of them to die, thanks to the science of the frabic of reality being distributed. And she still stayed by that man’s side, when he almost killed everyone in that room.
And there are those who say she’s better than Miguel and Peter B. when WRONG! If anything, she’s just as bad as Miguel. She was also down for people to die for the canon, she showed no empathy or sympathy for Miles and hated him as well, and treated everyone there like soldiers with no respect or empathy whatsoever. Not to mention, she’s not afraid to get physical. Miles spider sense went off when she attacked him, meaning that she posed a threat. She meant to do harm to him. And her dumb fans will either glaze that or ignore that, but justify her behavior with Gwen.
And hot take, every Jess Drew fan that criticizes the fuck out of Gwen, but make her and Miguel look innocent, are definitely just Gwen haters in disguise because they don’t like her being white or for “betraying” Miles. And it’s funny because their fav treated Miles like absolute dog shit, and is a 30+ pregnant woman, a grown adult, treating 15-16 year olds like crap just because she can.
And I don’t if it’s just me, but she’s kind of anti-black. Every black character she was just not nice, welcoming, or even an ally too. Hated Miles, was against Hobie, was down for Jeff to die, and ignored Margo.
Even a little anti-feminist, seeing her relationship with Gwen shift. An absolute bitch of a mentor, telling Gwen to shut up when Gwen thanks her (Jess’ big ego mind you) but allow Miguel to rant to her whenever they’re alone probably.
I really don’t think she’s ready for motherhood, and I sure as hell don’t think she’s ready for redemption. She made her choice, and she better stay there. Miles and Gwen don’t got time for her nonsense, and that baby of hers definitely isn’t kicking, when the mom is busy doing all those flips and tricks and shit on that beat up motorcycle.