These might not be the best as it’s a little late but we’re going to try anyway,
He is a little dumb, and that’s not a bad thing! It honestly leads him to being more happy that his brothers a lot of the time (I know people take this as an insult but I think it’s because people are mixing up simpler minded and dead stupid. And he’s not stupid.)
On the rare occasion he had to write something serious he’ll ask ponyboy for tips on spelling.
Cuts his own bangs (he shouldn’t)
It’s not just too comfort others but he likes to look on the positive side of things. Especially when he has too brothers who boarder on “doomer” mindsets at times
Will find a way to cheat at any game he plays. Thinks it’s fun to come up with ways to try and get away with it/excuse for a fight— sometimes he’ll play straight though and he’s pretty good when he does.
Both aware and unaware of his charm, he puts it on a lot of the time when needing too but he’s not aware he also has a natural way about him.
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hi lovelies! I don't want to do my work today and it's been too long, so come hang out with me! ask whatever and I'll do my best to answer, I'll reblog a couple ask lists as well ~ <3 mod Nicole
For the musical ask game: Carrie or Phantom of the Opera (whichever you’d rather do)? 😁
Send me a musical in my ask box:
Hey anon! Just for you, I'll do both! Beneath the cut it goes, as it's a little long.
Phantom of the Opera
Listened to It | wtf is that | LOVE IT | meh | um…hate it | heard of it | yes!!
Rate 1-10: Solid 10. Sorry. I have not progressed since the age of twelve and I never will.
Favorite Lyric: Angel, oh speak / What endless longings / echo in this whisper? I mean, you don't get much more gothic romance perfection from this (though the entirety of Wandering Child is perfect.)
Favorite Song: Oooh, tough one. Favourite to listen to is probably Masquerade, favourite to watch is probably either Down Once More/Final Lair for the sheer high octane melodrama of it all (and some truly phenomenal performances at its best), or Angel of Music for the Megstine goodness.
Favorite Character: Christine Daae!
Best Moment: When Meg takes her top off while congratulating Christine in the restaged tour When Christine gives her "tears of hate" speech to Erik and defies him at every turn in the Final Lair. When Erik comes diva-ing down the stairs in the Red Death muppet mask during masquerade.
Something that makes me angry: Carlotta did nothing wrong!!!! She's an aging woman in the entertainment industry whose career is being threatened by a skinny girl half her age and a fucking serial killer, of course she's mad!! She has every right to be a diva! And Piangi just supported his wife!
Gives me the chills: The entirety of Raoul I've Been There, especially the gorgeous high notes Christine hits, but I'll also hand it to the Don Juan Triumphant rehearsal scene because the self-playing piano into the terrifying Transition to the Graveyard is so endlessly iconic.
Overall opinions: One of the all-time greats. Perfect costumes, perfect plot, perfect ending. Christine and Meg are in lesbians and there's nothing you can do about it.
Carrie the Musical
Listened to It | wtf is that | LOVE IT | meh | um…hate it | heard of it | yes!!
Rate 1-10: 7, but the best moments really do stand out. Unfortunately the original is kind of unwatchable outside those moments and the redux got bogged down in ballad hell and spent wayyyyyy too much time humanizing Margaret. Kudos for the Sue's interrogation framing device and devolving into pure lesbianism between her and Carrie!
Favorite Lyric: I felt/As though/This girl revealed herself to me/And now/I know/That once you see/You can't unsee... For a cult classic that keeps pendulum swinging between camp and boredom (especially in the 2010s retooling), this lyric proves to me that Gore, Pitchford and Cohen completely and totally understood the character of Sue Snell, her trauma, and her relationship to Carrie. Honourable mention to God has seen your sinning/just beginning/pray for your salvation/from damnation/pray or/He will burn you, but only when it's Carrie's reprise in versions of the Destruction that keep Eve Was Weak.
Favorite Song: The World According To Chris is an absolute bop and campy fun, but A Night We'll Never Forget is such a fantastic full-cast counterpoint song before the storm, and musically hits the sweet spot the 76 film nailed so perfectly balancing a teen coming of age Cinderella comedy vibe and a deep, eerie sense of foreboding for characters we've been told from the beginning are all, in one sense or another, doomed. The build, the swell, the way it evokes the rays of sunlight in the last weeks of the school year with a horror movie twist...I love it I love it I love it.
Favorite Character: oh gee i wonder who it could possibly be could the favourite character of tumblr user susandsnell be Susan D. Snell herself
Best Moment: The Destruction!!!! Even though they kind of nerfed it orchestrally in the retool, I am a staunch believer in the horror musical, and I love watching various productions go wild with effects and acting as Carrie takes bloody vengeance in the unforgettable prom sequence. Honourable mention to the musical getting the closest of any adaptation to the book's ending with Sue being by Carrie's side as she dies, and, unable to quite adapt their telepathic final communication, they settle for the sapphic A Little Fall of Rain because these two are soulmates.
Something that makes me angry: At the risk of sounding like those cringe Steven Universe "all conflict in media is problematic" type of posters, I really think it does the story a disservice to overly sympathize with Margaret and give her so many songs. Don't get me wrong, I have no moral qualms with stories that humanize abusers in an effort to meaningfully explore and understand familial violence, cyclical or otherwise -- obviously, given I've been hyperfixated on IWTV this year, and Hereditary is one of my other favourite works of horror.
The problem here is that it's not executed particularly well. Margaret White is, whether played more human or more monstrously, a force of nature, and part of the sympathy we have for Carrie is that we share in her terror of this figure that looms so large that this sweet girl has to become a monster herself to overcome her, and even then can't quite. Rather than having us understand yet still fear and hate Margaret, the musical goes so far in her humanization as to almost afford her tritagonist status to Carrie and Sue, which utterly defangs her. We do not need to know her interiority that well, and in fact seeing that much of it and that she's "trying to help" Carrie from her perspective feels somewhat icky and more importantly, unnecessary. To be clear, I'm someone who thinks the Johanna (Mea Culpa) bit from Sweeney Todd is superfluous despite musical beauty and the sheer chutzpah of Sondheim trying to write the first instance of a man self-flagellating to orgasm in a broadway show. With villains, less is often more so they have more impact and menace.
Also, while I understand that it's usually a big star that plays Margaret (Betty Buckley and Marin Mazzie to name a few) and you obviously want to showcase her talent, her songs, with the exception of Eve Was Weak, are among the dullest and most skippable of the show. Like maybe in the show called Carrie we could spend more time with Carrie? Maybe more Sue? I'd even take giving Chris more character development than her being kind of sad at the end of The World According to Chris. I don't know, but all in all, where the show absolutely got Sue, they really whiffed it with Margaret.
Gives me the chills: "Doesn't anybody ever get it right? Doesn't anybody think that I hear?" Hits painfully close to home, especially with those stunning high notes; this followed by versions that keep the Eve Was Weak reprise with Carrie spitting her abuser's words back at her bullies, declaring herself the only God she trusts in, is incredibly powerful.
As well, stagings where Carrie's spirit during the epilogue pauses and gives Sue a last, lingering look on those ending lyrics I quoted above are heartrendingly beautiful.
Honorary mention to Carrie scaring Margaret slamming the windows the first time, but that's more an awesome moment than chilling!
Overall opinions: The sheer insanity of the original version is wildly entertaining, but once you get past the whole delightful mess of the legendary flop, what you have his a very uneven, meh show as far as horror musicals go, especially with the retooling taking out some of the best stuff or softening it questionably. With this being said, it absolutely has its moments, both musically and otherwise. The show adapts certain parts of the book other versions haven't that I was so delighted to see, and recognizes that the story is in fact about Carrie and Sue (I mean, Sue's final song to Carrie is a reprise of the melody of her love song with Tommy, come on!), so I can't help but love it for that.
How would sugar daddy Steve react to reader gifting him something? 🥰
Hiiii babes!!! Ohhh I LOOOOVVEEEE this because god he would be so flustered and adorable🥹 so enjoy this little conversation between our favorite Sugar Daddy Steve and you when you give him something💖
-want in on ask night? Look here✨
“What…uhm…what’s this?” “It’s called a gift Steve…you’re supposed to open it and that’s how you find out what it is.” “Uh…why uhm why….did you get me a gift? I’m uh supposed to be the one who gives you-” “I’m gonna stop you right there honey…while yes you are the one who enjoys gift giving the most I’m still allowed to pick something up for you if I think you’ll like it…now can you just open it?” “Right…yeah yeah sure I’ll uhm just…open it….” “Steve…why are you looking at it like it’s going to bite you? Just open the bag.” “Sorry….oh…wow this…this is nice.” “Yeah? You like it? Don’t lie to me.” “No no really it’s nice sweetheart…thank you…so you just like….saw this shirt and it made you think of me or something?” “Yeah I was at the mall and I saw this shirt and said oh wow Steve would look great in that…yellow is really your color honey.” “Thanks…baby.” “You can relax that’s the only gift I have for you…right now.”
After searching tumblr for smut prompts for Specs, I think I found one. And, let's be honest, we're both SUPER KINKY. It's a starter, and I'm terrible at this so bare with me lol.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Hii Ashley! Thoughts on the new music video/remix?
karma is that girl like 😜
i like the remix it's fun and a great fit for ice spice! it's awesome that ice got to collab and share the stage with a larger artist she's looked up to so early in her career. this morning i read that she already broke several streaming records she deserves this and more ❤
as for the mv i thought a lot of the scenes were well done despite the cgi. my favorites are the demons in hell, the wizard of oz storybook, the ice aphrodite shell, the clouds/mountains, and the taylor lightbulbs. it was a silly fun time
Olivier pursed his lips, sitting back in his chair with that look in his eyes; he knew the answer. ''Elaina.'' He admitted, instantly casting his azure orbs to the floor, gnawing on his bottom lip. He loved Théo. They'd been mending that broken friendship, and now he finally thought they might potentially one day get back what they'd lost. But Elaina was everything to Olivier. ''Always her.''
