Nov 17, 2023
Gie Devos (°1952) 'Sosoye - Anhée, omgeving - schets met aquarel en zwarte potloden op bewerkt papier in Tekeningendagboek, oktober 2023...
Loading...
seen from Germany
seen from Russia
seen from Japan
seen from China
seen from Canada
seen from United States
seen from United Kingdom
seen from Malaysia
seen from Germany
seen from Poland
seen from Japan
seen from France
seen from Malaysia
seen from Poland
seen from India
seen from China
seen from United States
seen from Malaysia
seen from Brazil
seen from Serbia
Gie Devos (°1952) 'Sosoye - Anhée, omgeving - schets met aquarel en zwarte potloden op bewerkt papier in Tekeningendagboek, oktober 2023...
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
FROM THE ARCHIVES: Einar (2017), acrylic on canvas 100 x 100cm.
Artist Vincent de Boer working in his studio (2022)
Reposted from @the.artcurators 🤯Comment your thoughts below. #makeup by Mimi Choi @mimles #arte #arts #homeart #artinspiration #creativeart #creativeideas #arttherapy #creativ #artstagram #artnow #artcurator #artviewer #artpages #artvisual #artvideos #contemporaryarts #makeupartist #faceart #faceartmakeup #facemakeup #illusionart #illusion https://www.instagram.com/p/CVV1HR-A4oq/?utm_medium=tumblr
Repost from @noaddressgallery using repost_now_app - ⚡️Andrea Saltini part of 'Gazes and Abstractionism' at Galerie Molin Corvo It’s a new collaboration between Noaddress Gallery and Galerie Molin Corvo aimed at promoting the artists of both galleries in the respective seats. Opening TODAY 14 October | 5-8 pm ⚡️ 16 Rue des Saints Perès, Paris, France #noaddressgallery #galeriemolincorvo #conceptual #artviewer #artexhibition #contemporaryart #Artcollection #artcollector #artoftheday #artdaily #painting #artlovers #artadvisory #igerscontemporaryart #igersart #artgallery #artpic #picoftheday #artadvisor #artcollection #curator #lifeforart #instaart #artislife #instaartcollector #artcontemporain #italianartist (presso Galerie MOLIN CORVO) https://www.instagram.com/p/CVBL-RDtQOf/?utm_medium=tumblr
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Repost from artist Katerina Belkina @thebelki ・・・ When a random photo becomes an inspiration and an idea for the future work. I had it several times already. Sometimes I don`t see possible options and new angles as I can`t imagine them. Meanwhile they can be very simple and it`s necessary to change the position of the camera or composition to find them. The more you try, the more options you have. There is no secret about seeing in a special creative way. They say that a certain author (film director, artist, composer) has an incredible perception of the world and a unique view. However, if we have a look at the history of their development, we will realize that this ability has been developing since their childhood or early teens. You just need time to evolve. The ability “to see” developed in the childhood gives a head start when you are small, but somebody should help to attract attention to the necessary things, to focus on them. It`s never too late to practise that, however it`s hard to catch up with people who started developing this or that skill in the childhood and never stopped practising. This way, when I hear “when I travel, I try not to take photos or look at the screen as I will miss my life, looking through the viewfinder or at the display”, I am surprised. Because, personally, I notice and remember more when I have a camera and I`m looking for a shot. I feel life more vividly, I guess. It`s like I always have a partner that takes the hint and shares my impressions. Когда одно случайное фото из жизни, становится вдохновением и идеей для будущей работы. Так уже не раз бывало. Иногда я не вижу возможных вариантов или каких-то новых углов, потому что не могу их представить, а они могут быть очень просты и для их нахождения надо попробовать (покрутить камеру или композицию). Чем больше пробуешь, тем больше вариантов. Нет никакого секрета в том, чтобы как-то так особенно видеть. (продолжение в комменте) #cartravel #t6camper #wvt6california #artviewer #lifeview #belkolife #artistlife (hier: Dänemark) https://www.instagram.com/p/CSqr3BCMq0u/?utm_medium=tumblr
Gilda Leoni - 2020 Charcoal drawing 50x70 cm
https://www.instagram.com/gildaleoni/
Der Apparat shows a photographer taking photographs. We do not see what she is training her lens on, but we do see her every move, see her focusing her gaze on something or someone, see how the camera relates to her body, how the body—the apparatus of motion—turns toward the motif. The floor beneath her feet is covered with office carpeting, and she is surrounded by rectangular objects. Her attire in the photographs distinctly suggests some sort of public setting, while the basic studio surroundings mark the photographer’s professional habitat, in which she simulates various sites and scenarios with different connotations. Now and then, the reference to the scene of the making of pictures and the prosaic interior with wall-to-wall carpeting and props—traces of wear hint at past photo shoots—are oddly discontinuous with the urgency and latent violence of some of the scenarios: in some pictures, for example, the figure takes cover, donning a helmet and bulletproof vest to protect her body from serious injury.
As the title suggests, the central subject of the photos is the picture-making equipment itself—the apparatus. Its place in the logic of the picture shifts depending on how the standing, reclining, or crouching body interacts with it. The majority of the photographs stage the figure in the gear a photo reporter would wear to a major demonstration or in a civil war zone; in other pictures in the series, however, she is casually dressed. The successive changes of clothes, poses, and gestures with which the photographer integrates the apparatus into the scenes imposes a typological structure on the series, dividing it into sequences and, in some instances, sub-sequences. The detailed cataloguing of subtle distinctions renders the question of what or who is actually the object of her attention largely irrelevant; what comes to the fore instead are the signals sent by her moving body as it produces pictures and in so doing exposes itself to unseen dangers.
by Andrzej Steinbach
source: curatedsphere.tumblr.com