#artincontext

the daily frame

brushes

I was pretty picky person when I have to be pick out my live drawings well. It wasn't that easy for me to choose which one is the suitable type one for me. and this lost two or three weeks I had been studying a lot. I was studying abstract driving silver drawings. I also studying now. a lot about shading a lot shaded. finding the right angle and finding the right tolerant for my models when I was sketching them and trying out new materials using pastels ink markers. charcoals and chokes That's mainly using for my live drawings. I also used some coloured pastels. I usually just focus. on either the model or either I try to be finding the right spot It was a bit difficult for me to switching seeds with the classroom because it's the classroom is fully packed so it was fined to hold the right spot for me and keep switching so every single day I was choosing out my spots in a different direction and try to be find the present. right position for myself. I also had a little chance to do in life drawing to try out how was Amanda. The model had been keep moving around doing some motions, doing some birds of prayers as well to sketching the. birds with his owner who bring his buds in It was like a very, very interesting experiment.

I've decided to choose this week or Wednesday, live during the 16th of. October. Live drawings. I had been selected. The reason I chose to do this is because it represents genders. However, it is not just about gender switches because two models were sketched and roles switched. So Amanda had been played. Um. The male parts when they're dressed up, and Gavin is the same. Played the female model well. I felt like whenever I saw him play. The role of a character I could see. How could I be deeply involved, and how could I really be? Play intensely in a much like authentic character. What I meant about this is that Amanda and Alvin were playing power between each other. So it was showing like. At the beginning of my mind, I would say it popped something from Twist Oliver, but to be fair, it wasn't like that because Twist Oliver is a child's tale. So. it was like showing the power of how the male model dressed up as a female model, presenting the power of a lie. Look, I was a female. I could be a female because, at that time, females were not allowed to do any role-playing. It was tough for many women, and also, just a mole could be dressing up, and this is just like showing the power of what it seemed to me he had in his hand, and he could do anything. He also showed how. Was a child was running away from. The woman, I guess it was a bit pretty difficult for me to explain this character I had seen in the models. Because, like I said, that's like a renovation from the twist Oliver, but it wasn't like that from my presentation as it seemed for me when. Amanda was taking the ones away from Gavin. It looks like Amanda had picked out the power of Gavin, and she decided to show she had the power now, and he still didn't seem to show any fear. He was like Chauvin like. He shows a thirst in his eyes as he says, yes, that's what I wanted to see, so it was like he was trying to provoke her with something like yes, that's what I wanted to see. So it seems to me it's about some provocation. It's tough for me to tell that, but there are facial reactions of thirst for provocation, and she was 1 to get provoked and run away from the provocation. Where she was standing up from the provocation.

The artists who inspired me were Davinci and Henry Moore, who had portfolios of charcoals and chalk. It was pretty inspiring for me and influenced me to work with charcoals, and the tones and styles are a little bit. to walk in with. It's sometimes challenging for me to figure out who's inspiring me to sketching because there were plenty of ideas I could look up from the artist and plenty of inspiration and. It's daven. She is the one who works very great with charcoal strokes and pastels as well.

The materials I used are fantastic because you can use any water to create life with a very slight watery effect. I applied the water, the paper, a toothbrush, and a thick, large brush. So when I wasn't flying the choke, it would spread across the areas. You look at the orange and how it spreads across, and the effect is similar to that of ink and watercolour; it's like, I don't like her. It's fantastic to see pastors throwing across Ross what we believe in, not just. Mesh effect: We could also create animation integration if you'd like. It was a significant smudge. It's much thicker than Charcoal and pigmented, which creates shapes and models faster than we draw the outcomes.

Boardwalk Hallows - 2021