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Artakha, brother of Karzahni. and an expert craftsman
ULTIMATE KARZAHNI
Artakha (He/Him)
"Brothers"
Then at the command of the Great Beings The AR System grappled with KHAR, his brother And rent his body Till he functioned no more.
The Great Beings spake:
"Many times we have made you And unmade you. Now you too have mastered destruction. Henceforth, master creation And you shall prove yourself worthy Of our great design."
The AR System spake:
"I shall master creation And remake my brother And show myself worthy. But I know he will ask me Why the making was needed And the unmaking. I will have no answer for him."
The Great Beings did not reply.

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Collection of Bionicle mask headcanons
I don't really know the best order in which to start talking about all these so I'll just-
The immoral masks are not just immoral because their powers are bad, but also because they are actually more powerful than great masks. A tier right above but not yet legendary. Why? Because the Makuta totally would.
Some of the immoral masks are mostly immoral because of that increased power, masks like the Komau have powers that can be used in very bad ways but it doesn't get labeled as immoral, meanwhile masks like the Shelek or the Crasz which actually have less ways to be used for evil are practically feared by the Toa because of their power.
They were first created and worn by the makuta (also headcanon) which first made them to be this stronger power level, which was never named and therefore whenever the masks were talked about they were always described as great masks. At some point they gave some of these masks to their Toa Hagah, which were fascinated by how powerful these masks are in comparison to other masks, and started to experiment with the scope of their powers. Eventually, they were tempted to go further with them...to start doing things they probably shouldn't...to do things that were rather...immoral.
Now I came up with this idea because of two other ideas I had. The first being to write Krika in a way that shows his mask power a bit better and shows why the Crast of all masks is considered immoral. The Toa say it's because it repels nature itself, and I liked the idea of actually showing that. Having the Crast passively cause plants to try and bend out of the way when Krika is close, Rahi appear uncomfortable and try to keep a distance, trees warp themselves to the point of damaging themselves to get away.
I then thought it would also be cool if the other immoral masks did the same. Vamprah passively draining some small amounts of energy from his surroundings, Metal around Antrol seemingly rusting faster, everything around our science boys seemingly being quieter, Bitil causing people to have random Déjà-vu and vague visions of random past moments if you're around him long enough.
Then I thought more about Bitils Mohtrek. The Toa say it is an immoral mask because it "violates the laws of time" ...I think this is interesting, because I then questioned, if that applies to the Vahi. And in my headcanon, it does.
The Vahi due to it's incredible power over time and the vast damage it can cause, is an immoral mask, and if used at all it should be used only in circumstances that very specifically require it and under heavy moderation. This doesn't completely apply to the version of the Vahi made by Vakama since it is weaker and therefore he can just give it to Tahu and trust him to not blow up the universe. (I once read a story that implied that the Vahi was made several times before but that each time it was used to reverse time to change something, and this would always unmake the Vahi, it was in that post also pointed out at the end that Vakamas Vahi surviving was unnatural. I have incorporated this into my headcanon with the adition that Vakamas Vahi is incomplete and more on the power level of a great or makuta mask as a result of the great spirit giving Vakama those specific instructions because for whatever reason a different Vahi variation was required instead of the time reverse one, possibly because Makutas plan was going on for so long that it cant be fully reversed and Mata Nui would always fall into a coma, so instead he gave Vakama the plans to make a vahi to use as a tool and as an opportunity to play nuklear chicken with Makuta Teridax. Which is why the Vahi is weaker than the other legendary masks and why it still exists (and why it is only covering half a face) )
The Vahi and the Mohtrek due to their abilities to really fuck up time in a big way are considered immoral.
The same also goes for the other two legendary masks. Most of the ignition trilogy antagonists motives can be summarized with "I want the Ignika so I can do baaaad stuff with it!" and in general my headcanon says that most being in the universe, most importantly toa, will when given very powerful masks and object likely be tempted to use them for their own selfish gain, throw away their morals and abuse the power given to them. There are exceptions of course, toa are only people after all which is why they're tempted in the first place, and of course the status of immoral masks as being hyper dangerous and evil makes most toa cautious around them. Some also just don't give in to selfish temptations to begin with, like I'd imagine Matoro. The Ignika gave Matoro a Tryna, specifically to test his morals after all and Matoro immediately after realizing what horrible mask he is wearing, vowed to only ever use it in emergencies (or if Makuta Teridax is threatening his life and his friends but he didn't really plan that now, did he? :P)
So all legendary masks are immoral and you need to be careful with who you trust to have that power. I'd like to imagine that this is specifically the reason why the mask of life has a consciousness, to test it's potential wearers and if a wearer starts to use the mask for their own selfish goals, act against the wearer on their own to prevent that. This is another reason why I also headcanon that ALL legendary masks have a consciousness. To ensure their wearers don't use them for evil. (Vakamas mask of time could possibly have a less active one due to it's lesser power)
Final idea. Several other existing masks, even if they're not makuta made immoral masks, have this great+ power level that I have mentioned earlier. The first example is the most obvious one, the Kraahkan. While I usually don't lump it together with the other immoral masks, it IS a makuta made immoral mask, which is why it is the most obvious choice and technically shouldn't bee down here, I just wanted to point it out. The Avohkii is also this power level. I heard it was a prototype mask when stolen by the makuta, and I think it makes sense for it to be this level, but also for even Artakha to not be really aware of the power level as it was meant to be a regular great mask that ended up being more powerful. I imagine the Olisi to also be in this category, created specifically to be a special more powerful but not quite legendary mask to be given to Karzahni after he lost the fight for the Mask of Creation, kinda a consolation prize one could guess. Supposedly only the Great Beings can make an Olisi with it being impossible to craft out of kanoka so the chances of other versions of the mask being out there are slim but if there are I'd imagine there are no other versions of it that are this power level.
He was taller than them.
Infinitely so.
They knew he wasn't that big - not compared to everything else around them, from the walls closing off his fortress to the island it sat on, to the silvery sea around it or the body it was still housed within. He wasn't even that big compared to them, and they knew that too: he was only about a bio taller than them, maybe a little more, maybe only half. A sizable, immediately noticeable difference, but it wasn't that much. It wasn't enough to make him appear so gargantuan and frightening. They had stood beside similarly large beings, and while a slight awe had made them queasy it had not been so oppressive.
But there was something about him that made him larger than life. Something that crawled out of him like white marble maggots from a white marble corpse, a strange perfect imperfection that made them feel minuscule.
Perhaps their incomplete number worsened it.
thinking more about my idea where Artakha has mini versions of the Toa Mata made (Matoran-esque) for personality and neurological testing. they won't remember any of it when they're Toa but it's a test run for him to check some things
little Kopaka hates having any kind of testing done on him and is always aware of experiments. he keeps purposefully skewing results and acting against his impulses whenever Artakha tries to test him in a situation. Artakha takes this to mean that he's perfect
the Matoran on Artakha have gotten very used to peace and quiet and certain mini Toa Mata (one in particular) keep disrupting them... but then reminding them how to throw better parties
balancing Tahu's temper between the lines of "soft-hearted" and "insensibly filled with rage" takes SO many models. when Artakha settles on his final personality Kopaka looks at him like he's lost his mind
Gali gets annoyed with Artakha one day and just surfs out to the edge of the realm and won't come back in. it starts storming and she won't get off her board all day no matter what he tells her. on a similar note, Onua has been found digging straight down Minecraft style and getting himself stuck very contentedly miles below the surface
Pohatu loves living in Artakha and starts picking up every hobby the incredibly skilled craftsmen who live there will teach him
Karzahni hasn't quite lost it completely at this point in time, but when he comes to visit his brother, he's intensely jealous of the little life forms he has running around. he wants Artakha to make a Toa Mata for him too. the mini Mata are generally uncomfortable around him, but Pohatu makes an effort to befriend his uncle, which is when Artakha starts to feel that his creations are not safe around his brother. Karzahni is much too eager to have some company
Artakha tries the marshmallow test where you give a kid a treat and tell them that they can eat it now or wait and have another one later. Lewa and Tahu can't wait for a second one, Onua and Gali can. Kopaka, to Artakha's surprise, eats his immediately, and when Artakha asks if he couldn't be patient, Kopaka tells him he has much more important things to do. When Pohatu gets his second marshmallow, he offers it to Artakha
Artakha designs them carefully to balance each other out, and is very focused on the synthesis of the Kaita. Pohatu should energize Onua and Tahu, Tahu should call Onua and Pohatu to action, Onua should direct them both with a little more wisdom. Kopaka should be Wairuha's cold intellect, Gali should be their stability, and Lewa should be their verve and joy.
there is a point where he makes the Kaita too different from each other, and suddenly he's noticing Tahu sprinting across the hall to get away from Kopaka and Gali because they started prophesying at him while speaking at the same time again and he HATES that. Artakha brings them back down to earth a little
there's also a point where Onua studies and understands Artahka's plans and notes so thoroughly that he figures out exactly what his destiny will be. Artakha looks at him for a second and just goes "I'm going to turn you off now, Onua" and ok that's fair
it's very different for Artakha to have new creations running around, breaking things, causing fights, and getting into trouble when he's been used to nothing but Great Spirits and perfect Matoran for so long. he finds he doesn't mind it too much. when Lewa paints poorly over the masterpieces in the dining hall, Tahu and Gali break ancient weapons while "playing," and Onua gets mud all over the floors, Artakha leaves things messy.