#apparatuses

Humanise : Clay Based Works by Russell Moreton Via Flickr: russellmoreton.blogspot.com This image features the ceramic artwork "Humanise: Building Interior Places" created by artist Russell Moreton. Artist: Russell Moreton. Medium: Slab-built ceramics. Theme: The work investigates the interconnectedness of making interior spaces and resonates with architectural structures. Style: Sculptural and exploratory ceramic-based inquiry. Inhabiting material spaces of reading and making into affective poetics that comes into play through working clay into forms of ceramic. Gatherings on Care. Working Party SPAB Lime mortar repairs. Built Environments : Complex Ecologies~Anthropocene Aesthetics. Speculative Applications on Ceramics : Slow knowledge over a post disciplinary field of making. Spatial Bodies : Interiorities and their entangled relations. Year 2025 Medium Ceramic Size 200mmL x 270mmH x 80mmW. www.curatorspace.com/artists/russellmoreton

Visual Diffractions~Water~Abbey : Orthoclase, or orthoclase feldspar. by Russell Moreton Via Flickr: Google Lens The image displays a large black-and-white photograph of what appears to be an abstract or textured surface, potentially a wall or rock formation, mounted on a sheet of paper with various textual annotations and clippings. Textual elements in the background include references to the film "VISITORS" directed by Godfrey Reggio, and a quote attributed to Friedrich Nietzsche: "We have art that we may not perish by the truth". Other text fragments mention architecture and specific locations like Suchumi. The primary image itself is a high-contrast, grainy depiction of a rough, dark surface with lighter, irregular patches. The overall composition suggests an artistic or documentary presentation, possibly an exhibition piece or a study of texture and decay. www.curatorspace.com/artists/russellmoreton

Water at Hungate Exhibition, site responsive ceramics on water filled lead trays. 2023 by Russell Moreton Via Flickr: axisweb.org/artist/russellmoreton Google Lens The image displays an art installation within the venue of Hungate Medieval Art at the former church of St Peter Hungate in Norwich, UK. The installation features slab-built ceramic vessels in metal trays, exhibited on a white-covered table in the center of the historic church interior. The exhibition space, characterized by high ceilings, stone columns, and large windows, hosts contemporary art exhibitions that respond to the building's heritage. The specific artworks shown are likely part of an exhibition by an artist, such as Russell Moreton, who uses site-specific installations to explore themes like "Water" within the medieval setting. Hungate Medieval Art is a charity that promotes Norfolk's medieval history through free art exhibitions, lectures, and events. WATER | Hungate Medieval Art 28 Sept 2023 — Russell Moreton is a visual artist interested in gathering research and responding to the historical site of St Peter, Hungate Medieval Art

Ceramics of Spatial Isolation~Solitude, Russell Moreton. by Russell Moreton Via Flickr: axisweb.org/artist/russellmoreton Google Lens The image displays concrete sculptures created by artist Kees van Leeuwen. These sculptures are part of his research into nuclear bunkers and the perception of space and isolation. The concrete objects are universal shapes that can be used to experience space, with sand and other elements playing with the internal and external forms. They were exhibited in 2020 at the 'Towards a Foreword' exhibition in Rotterdam, Netherlands. The raw, weathered appearance highlights the interaction between human-made materials and natural elements.

Post Industrial Ceramics by Russell Moreton Via Flickr: axisweb.org/artist/russellmoreton Google Lens The image is a detailed, close-up photograph of a sculptural artwork or architectural model, characterized by its abstract form and use of industrial materials. The work features layered, textured materials, primarily a rough, grey, possibly metal or concrete-like material and a reddish-brown, rusted metal or ceramic material. Architectural elements are suggested by the shapes, including an archway in the central grey section and a smaller, darker arch visible through the opening. Circular holes are punched into both the grey and reddish-brown sections, adding to the industrial aesthetic. The composition is abstract, focusing on form, texture, and the interplay of different surfaces and shapes.

Post Studio Collage by Russell Moreton Via Flickr: axisweb.org/artist/russellmoreton Google Lens The image appears to be an artist's collage or study, incorporating various textual and visual elements. The text written on the image includes names like Richard Stiff and Robert Mangold, a date, and a quote related to art concepts. Artist/creator mentioned: Richard Stiff (2000) and Antony Actuality. Artistic reference: Robert Mangold's "Plane/Figure". Quote: "Even my Holes, which could, evens be BARoque Are the Sigo for Noratis THE VOID Fusteria inos". Location/Event: Lucio Fontana's Studio in Milan, 1961.