Day 1: Missing Scene or Favorite Scene(s)
Anakin Skywalker could not take his eyes off the girl. He noticed her the moment he entered Wattoâs shop, even before Watto said anything, and he hadnât been able to stop looking at her since. He barely heard what Watto said to him about watching the shop. He barely noticed the strange-looking creature that had come in with her and was poking around in the shelves and bins. Even after she noticed he was staring at her, he could not help himself.
He moved now to an open space on the counter, hoisted himself up, and sat watching her while pretending to clean a transmitter cell. She was looking back at him now, embarrassment turning to curiosity. She was small and slender with long, braided brown hair, brown eyes, and a face he found so beautiful that he had nothing to which he could compare it. She was dressed in rough peasantâs clothing, but she seemed very self-possessed. She gave him an amused smile, and he felt himself melting in confusion and wonder. He took a deep breath.Â
âAre you an angel?â he asked quietly. The girl stared. âWhat?âÂ
âAn angel.â Anakin straightened a bit. âThey live on the moons of Iego, I think. They are the most beautiful creatures in the universe. They are good and kind, and so pretty they make even the most hardened space pirates cry like small children.âÂ
She gave him a confused look. âIâve never heard of angels,â she said.
âYou must be one of them,â Anakin insisted. âMaybe you just donât know it.â
âYouâre a funny little boy.â The amused smile returned.
âIâm sorry,â she said quickly, looking upset and embarrassed. âI donât fully understand, I guess. This is a strange world to me.â He studied her intently for a moment, thinking of other things, wanting to tell her of them. âYou are a strange girl to me,â he said instead. He swung his legs out from the counter. âMy name is Anakin Skywalker.â She brushed at her hair. âPadmĂ© Naberrie.â
Both Anakin and PadmĂ© were laughing now, and their laughter increased as they saw the look on the unfortunate creatureâs long billed face. Anakin looked at PadmĂ© and the girl at him. Their laughter died away. The girl reached up to touch her hair self-consciously, but she did not divert her gaze. âIâm going to marry you,â the boy said suddenly. There was a moment of silence, and she began laughing again, a sweet musical sound he didnât mind at all. âI mean it,â he insisted. âYou are an odd one,â she said, her laughter dying away. âWhy do you say that?â He hesitated. â I guess because itâs what I believeâŠâ Her smile was dazzling. âWell, Iâm afraid I canât marry you..â She paused, searching her memory for his name. âAnakin,â he said. âAnakin.â She cocked her head. âYouâre just a little boy.â His gaze was intense as he faced her. âI wonât always beâŠâ he said quietly.â
â Terry Brooks, Star Wars : Episode I - The Phantom Menace
This is one of my favorite Anidala scenes ever because their story starts so sweetly. This scene is so unique to them and after watching the OT, itâs fascinating to see a young Darth Vader as a sweet and innocent child. His interactions as a slave boy with a young queen in disguise is also fits with the fairytale-ish tone and themes in Star Wars. Anakin and PadmĂ©âs first meeting is just precious.Â
This is probably the only time, Anakin and PadmĂ© can be themselves without older figures telling them what to do. This is one of the few times PadmĂ© is PadmĂ© Naberrie - not Queen Amidala or PadmĂ© Amidala. Itâs interesting to see two young people from different social classes and vastly different cultures and worlds sharing a genuine moment of connection.Â
I can add very little to this scene but Anakin proves he has enough clairvoyance (as Admiral Motti mocks him in ANH) to be certain he has met the girl he would marry someday. Even in TPM, little Anakin Skywalker is just as much a slave to Watto as he is to the Emperor in ANH.Â
Even PadmĂ© is somewhat surprised by his intensity at such an young age. Anakin also emphasizes on his identity as a person so this scene has dark undertones and references to Darth Vader. Â
Another scene I love is the chilling visual parallels with Vader and PadmĂ© in ROTS. The stark contrast between their âdeathsâ but also the similarities show that they are still connected even while their lives hang in balance.Â
PadmĂ© gives birth to life and Anakin loses his humanity. She is in a well-lit medical facility and he is in a cold, dark one. Even their heartbeats are in sync as if they are connected via the Force (which could very well be true, since she was slightly force-sensitive from carrying the twins).Â
As the mask lowers on Vader, he whispers (since his vocal cords are badly burnt), âPadmĂ©, help meâ and PadmĂ©, always on Anakinâs side, hears his plea and tries to tell that to Obi-Wan with her dying breath. Itâs very likely that she heard him through the connection they shared like their connection during the ruminations scene and how Leia felt Luke in ESB and but she was unable to respond as she had given birth and probably lost the temporary force sensitivity.Â
 As Anakin takes his first breath as Vader, PadmĂ© takes her last.Â
Vader rises like Frankensteinâs monster and Sidious marvels at his new âcreationâ. PadmĂ© dies all in white, like the angel Anakin believed her to be. The parallels are also reminiscent of the âDeath and the Maidenâ motif.
Anakin has always felt connected to PadmĂ© since he met her and this is the last time he feels their connection. And thatâs how he knows PadmĂ© is truly dead and he has lost her forever. Â
Even the chorus âI am a Sith Lord but I could not save herâ (even though the lyrics are actually Sanskrit) is haunting. This is where the colors of the republic fade and the black and white symbolism of the empire begins.Â
Anakin is now Vader - more machine than man - and stands beside Sidious to assist him in building a tyrannical empire while PadmĂ© dies and takes with her all the colors, love, laughter, cultural beauty, and freedom of the Republic era. PadmĂ© was the personification of the Republic - a flawed but well-intended system and her death represents the democracy whereas Vader represents the Empire.Â
Her funeral arrangement makes it seem like sheâs drowning like Ophelia - implying that sheâs returning to where she belongs. (Her planet Naboo is mostly associated with water and PadmĂ© has often expressed her love for water and lakes in AOTC).
PadmĂ© dying of a broken heart is also fits in with the fairytale whereas Anakin finds himself in a very different world after he wakes up - a world where most of the Jedi had been slaughtered and the survivors were declared traitors, a world where democracy doesnât exist anymore. And he finds himself kept alive my machinery and he cannot die like his beloved, even if he wishes to. He is now very much a part of the new empire - with his humanity and limbs lost - and he gradually accepts his role as the imperial enforcer.Â
Anakin and Padmeâs story comes to a conclusion here as their reverse arcs are completed. They have both come a long way since TPM and Padmeâs experiences mold her into becoming more emotional and in touch with her feelings from the stoic, reserved Queen Amidala whereas Anakinâs dreams, compassion and search for his identity are lost as he becomes his masterâs servant and becomes colder and more stoic. PadmĂ©âs journey was to become more human and learning to put love and family over duty and transition from Amidala to PadmĂ© as Anakinâs unfortunately was to become more inhuman and machine-like, from Anakin to Vader.Â
These scenes are where the prequel trilogy ends and the originals begin.Â