David Morse, Andrew Stevens, Stan Shaw, Craig Wasson and others in The Boys from Company C (1978)
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David Morse, Andrew Stevens, Stan Shaw, Craig Wasson and others in The Boys from Company C (1978)

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Stella Stevens: The Last Starlet
Stella Stevens was a delicious comedienne and an often quite touching dramatic actress whose career was overshadowed by a sexpot image she always resented and her exploitation by āPlayboyā magazine. Her best work often came in films that flopped at the box office or films in which she was overshadowed by the production itself. She deserved better. She also deserves a better documentary than her son Andrew Stevensā well-intentioned but ultimately unsatisfying STELLA STEVENS: THE LAST STARLET (2025, Prime, Tubi, though I donāt think I could have made it through with commercial breaks).
The film is clearly a low-budget job with original material shot on video. Thereās also a paucity of clips from movies they just describe. Iād rather see Stevensā verbal sparring with Ernest Borgnine in THE POSEIDON ADVENTURE (1972) than just hear someone talk about it. Yet there are surprising television clips, including musical performances from various variety shows (Stevens was part of a vocal group that recorded the themes to THE FLINTSTONES and THE PATTY DUKE SHOW). Itās also refreshing that Andrew Stevens, whoās one of the main interview subjects, doesnāt shy away from his problems with is mother. There are other interviews from friends and colleague BarBara Luna, whoās a lot of fun, shedding light on her life and career, along with experts like Leonard Maltin and Quentin Tarantino, though the latterās unquestioning love of just about every film she did, no matter how bad, seems a little over the top.
But in trying to cram an 84-year life and 50-year career into a 99-minute movie, the picture keeps bringing up important issues with no follow-through. Stevens and live-in boyfriend Skip Ward were heavily into drugs in the 1960s. And so? Did it affect her career or health? Who knows? She rebelled against sexist typecasting. How? She wanted to direct and produce and finally got her chance with the documentary AMERICAN HEROINE (1979). And so? What happened with it? She championed gay and trans rights? How? Her last partner, Bob Kulick, died suddenly after giving up his role as legal trustee and we all know what happened. And that was?
The biggest, most damaging error is the way the film handles her print interviews. There are several shots of TV interviews with Stevens, who was a lucid and often witty speaker. But there are also lengthy print interviews included. Unlike other documentaries that include such material with an actor in voice-over, Andrew Stevens has chosen to have an actress (Lindsie Kongsore) play Stevens on camera. Sheās not a horrible actress, but the inevitable comparisons to Stevensā videotaped interviews make the actressā work seem phony. Worse yet, as the documentary moves through Stevensā career, Kongsoreās look changes. She starts out in black and white.Ā The move to color and a new dress is disconcerting enough, particularly when the film cuts back to her black and white shots afterwards. But for Stevensā later life, sheās done up in a cowboy hat with the light coming from above to hide the fact that despite the change in clothing, the actress hasnāt aged. I laughed the first time they showed her that way. After that, it was just irritating, an unintentional parody of Stella Stevensā love of horses and the West. As I said, she deserves better.
Sam J. Jones and Andrew Stevens
Sam J. Jones and Andrew Stevens
Andrew Stevens

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Andrew Stevens
Virtual Combat (1995), dir. Andrew Stevens
Sam J. Jones & Andrew Stevens