OH, I see the misunderstanding now! You thought I didn't *understand* your ideology! No, I totally follow your logic here, it all makes perfect sense the way you've laid it out. What I'm saying is that you're wrong
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OH, I see the misunderstanding now! You thought I didn't *understand* your ideology! No, I totally follow your logic here, it all makes perfect sense the way you've laid it out. What I'm saying is that you're wrong

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in my heart ilya does get off to the dynamic of the "bad boy seduced the golden boy of hockey" thing, which does make it especially funny after they're married because like
ilya, spent the day helping david and yuna reorganize their home office and put new shelves in, dropped by with lunch for shane at a shoot because he KNEW he wasn't going to like anything on offer, just ordered anya new little snow boots for her little baby paws because she doesn't like the velcro on her existing set and his sweet baby princess deserves what she wants forever, refilled shane's water bottle for him with ice water before beginning tonight's seduction because shane likes both cuddles and cold water afterwards so this way he can have both: i am a devious and sexy evil seducer who has TEMPTED YOU into my devious and sexy evil clutches >:)
Captain Nightingale
[Prompt] by @novelistwriter
[Next]
Wanted to practice drawing Dean and it turned into lowkey dom!cas
the jojamart mockumentary that constantly plays in my mind
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Not enough military-adjacent sci-fi takes advantage of the humble rearguard action tbh.
(Not talking about hard military sci-fi since I havenāt read enough of it to say one way or the other. Iām talking soft quasi-military sf like Trek)
Like if you think about it narratively theyāre incredibly useful because itās a type of battle where:
1. No matter how spectacularly well the people fighting one do, itās inherently not gonna successfully take down the big bad. Because the battle that could have done that is already lost. So itās a time when they can win (achieve their objective of a successful orderly retreat) without winning. Always useful in a story where you need your protagonists to not win until the end.
2. You have an excuse for your Very Clever Plucky Band of Protagonists to be taking on a much much bigger and better armed force without it being just plain stupid to do so. No idiot balls here, just an acknowledgment that we inherently have to be asking a small force to hold off a large one, so the rest of our large force can get clear.
3. Great potential for a heroic sacrifice that doesnāt feel contrived BUT a sacrifice is not required. As mentioned in point 1 your protagonists can also do really well without it screwing up the pacing of the story. This means that your audience will not know for sure which way it is going to go based on the rules of storytelling. So you can get genuine tension/suspense and genuine catharsis.
4. Battle tactics and objectives can be complex and difficult to get across on page or on screen at the best of times, but ācover everyone elseās retreat from a lost battleā is easy to understand, sufficiently high stakes, and emotionally impactfulāmuch more so than any convoluted āget the macguffinā or ātake this territoryā could ever be.
5. The combo of high stakes, inability to retreat (the whole point is theyāre already retreating) and desperation mean itās a perfect excuse for your protagonists to pull out all the stops. That experimental weapon that has a one in three chance of blowing up? Might as well use it because if we donāt not only are we dead, all our friends retreating behind us are too.
6. A rearguard action is easy to make unambiguously heroic or at least more morally defensible many other kinds of battle. Whatever lead up to this, right now our allies are just trying to not get killed/captured and we are standing between them and a force that wants to overwhelm and kill/capture them. This works even when the antagonist force isnāt evil or dishonorable, because āchase a retreat to try to turn it into a rout or full surrenderā is considered pretty acceptable in many kinds of warfare, so your Honorable Enemy is likely to engage in it to an extentāitās not reserved for the Evil Forces of Evilness.
Jooeeeyyyy can i see more of your swap elliot i love the hothead design so much AHHHE
Hello Moot, here ya go.
A lot of people asked me for him actually. The art isnāt my favourite, but Iām moving on to another project and I wanted to get it done.
Also Elliot is holding a pizza paddle, the ones you use to get pizzas out of the oven.