#analog_on

Scene from ANALOG ON proof of concept trailer

/////I feel like I officially started pitching at the beginning of 2016, but really I’ve been on this journey since 2012. Since then, I’ve developed a total of six original projects with one of them getting a development option. Three of these projects will almost certainly never see the light of day due to legal stuff. I’ve learned a lot in creating all of these shows, all of which I genuinely like. My best advice is to always copyright your work, only collaborate if you have a contract figured out with your partner and always read the fine print (get a lawyer). Though it’s been a long winding road full of kind rejections I’m still committed to the game. I was just looking through all of my old files and thought I would give myself a moment to stop and appreciate how much progress I’ve made. I’m proud of these projects. So I just wanted to say thanks to everyone for your support! You keep me fueled >>>>>>>

I never posted these old character designs from my 2016 shelved project “Analog On”. I learned so much making this thing and I am proud that it served as a major milestone in my development as an aspiring show-creator. Since then, I’ve been creating other cyberpunk themed shows and projects. Fingers crossed for the future/////

Sketches of Analog

/// Future Tech ///

Scene from my animated proof of concept, Analog On

Played with some ink last week

I’ve been wanting to post this shot for some time. It’s from my animated trailer for a personal project called “Analog On”. A little about this shot; It was one of the first shots I started animating late 2015 and was the the last shot I finished in early 2016. I had my friend Junpei Takayama help out with some inbetweens and coloring, Brian Pak (titmouse animation supervisor) clean up animation the mouth monster animation and my girlfriend Phylicia tie down the drawings and help with color. My friend Mark Talhei did an amazing layout for the background and Steve Kellner (Motorcity) took it in for the win with his sick compositing skills. So, teamwork and a lot of effort is what helped me wrap this shot up in a more reasonable amount of time. Those man hours combined probably would have put me two months behind schedule. So, thanks friends! Animation is collaboration!