“Try and get out of your head and notice the world around you, notice the things and people around you. Connect with them, the chances are they probably feel the same. Don’t let the bullshit inside your head consume you. It just wastes precious time. Remember what is real. Help people, be kind, help the world, help yourself. If you think you can’t do it, you can. You can get through this, trust me. Use this poem in a morning to get you out of bed, use it when you’re about to back out of something [at the] last minute, use it when you’re at your darkest. It’s got a little bit of light in it. Don’t forget to put your feet in the grass…”

11/19/25.

This post is a trust/nod to Fred Thomas (Saturday Looks Good To Me) and his recent review of Guitar "We're Headed To The Lake" on AllMusic.

As much as I respect Thomas' music, I also regularly read and listen to the bands he reviews on AllMusic. He drops all the following band comps when discussing the newest release from Guitar (Portland, Oregon): Swirlies, Built To Spill, Guided By Voices, Pavement, Weezer, Polvo, and Sonic Youth. I especially identify with the Polvo comparison.

ALLMUSIC ⭐️⭐️⭐️⭐️

By Neil Z. Yeung

On his sophomore effort, Faith in the Future, former One Direction member Louis Tomlinson finally seizes his moment, crafting a strong collection of earworms that honors his British musical influences and finds his vision and voice. Steeped in cautious optimism, Faith in the Future is confident without being cocky, its self-assurance born from years of life experiences and personal growth. That energy results in a collection of towering singalongs that are unabashed in their pure emotions, finding strength in resolve and setting sights on the future. While still taking cues from the Britpop era, Tomlinson spruces things up by incorporating contemporary production touches and catchy dance beats, striking an ideal balance between his rock and pop sides that wasn't as apparent on his 2020 debut Walls. This album's most stadium-sized moments tap into his inspirations from the '90s, channeling both the bombast ("The Greatest") and the balladry ("Chicago," "Saturdays") of Oasis and capturing the lighters-up, full-throated earnestness of Robbie Williams, with tracks like the tender acoustic "Common People," the soaring "Angels Fly," and "Bigger Than Me" seemingly ready for the Glastonbury stage. Carrying the set into the 2020s, Tomlinson delivers mainstream-leaning fare with the pulsing bass-groove of "Written All Over Your Face" and the synth-laden "She Is Beauty We Are World Class." Equally as catchy, the shimmering "Lucky Again" and the driving "All This Time" are just two of a handful of highlights that echo the pop-rock breeziness of fellow countrymen Blossoms. Faith in the Future also injects some edge, wrangling the urgency of 2000s emo-rock on "Face the Music" and "Silver Tongues" and bottling the pop-punk-revival ferocity of Yungblud on "Out of My System." Existential realizations, relationship drama, and self-reflection swirl throughout, but Tomlinson accepts the highs and lows of life with unassuming grace, employing these songs as personal reminders for both himself and listeners. While other 1D members might grab more of the public spotlight, Tomlinson proves his strength as a songwriter and voice for fans with more complex, deeper emotions.

Faith In The Future

On his sophomore effort, Faith in the Future, former One Direction member Louis Tomlinson finally seizes his moment, crafting a strong collection of earworms that honors his British musical influences and finds his vision and voice.

Steeped in cautious optimism, Faith in the Future is confident without being cocky, its self-assurance born from years of life experiences and personal growth. That energy results in a collection of towering singalongs that are unabashed in their pure emotions, finding strength in resolve and setting sights on the future. While still taking cues from the Britpop era, Tomlinson spruces things up by incorporating contemporary production touches and catchy dance beats, striking an ideal balance between his rock and pop sides that wasn't as apparent on his 2020 debut Walls.

This album's most stadium-sized moments tap into his inspirations from the '90s, channeling both the bombast ("The Greatest") and the balladry ("Chicago," "Saturdays") of Oasis and capturing the lighters-up, full-throated earnestness of Robbie Williams, with tracks like the tender acoustic "Common People," the soaring "Angels Fly," and "Bigger Than Me" seemingly ready for the Glastonbury stage.

Carrying the set into the 2020s, Tomlinson delivers mainstream-leaning fare with the pulsing bass-groove of "Written All Over Your Face" and the synth-laden "She Is Beauty We Are World Class." Equally as catchy, the shimmering "Lucky Again" and the driving "All This Time" are just two of a handful of highlights that echo the pop-rock breeziness of fellow countrymen Blossoms.

Faith in the Future also injects some edge, wrangling the urgency of 2000s emo-rock on "Face the Music" and "Silver Tongues" and bottling the pop-punk-revival ferocity of Yungblud on "Out of My System." Existential realizations, relationship drama, and self-reflection swirl throughout, but Tomlinson accepts the highs and lows of life with unassuming grace, employing these songs as personal reminders for both himself and listeners.

While other 1D members might grab more of the public spotlight, Tomlinson proves his strength as a songwriter and voice for fans with more complex, deeper emotions.

review by Neil Z. Yeung - AllMusic.com (2022)

AllMusic Staff Pick: The Donnas  Spend the Night

Crank this up: it's time to party. On the quartet's major label debut, their no-frills, straightforward rock blasts keep the energy at a peak with crushing drums, beefy riffs, shredding solos, plenty of cowbell, and raucous singalongs. "Take It Off" was the huge radio/MTV hit, but "All Messed Up," "Dirty Denim," and the badass "Too Bad About Your Girl" provide plenty of inspiration for headbanging and pogoing until the sun comes up.