Faramir appreciation time!
Matthew Dickerson, "A Good King", in the Summer 2026 issue of Forgotten Ground Regained
alliteration.net/poetry/a-good-king/

seen from United States

seen from Japan

seen from Malaysia
seen from United States

seen from Hungary

seen from France

seen from Hungary

seen from United States
seen from Pakistan
seen from China
seen from China
seen from Netherlands
seen from China

seen from Belgium
seen from China
seen from United Kingdom
seen from France
seen from Germany
seen from China

seen from Sweden
Faramir appreciation time!
Matthew Dickerson, "A Good King", in the Summer 2026 issue of Forgotten Ground Regained
alliteration.net/poetry/a-good-king/

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Hwæt! Hear me well, high-born poaster,
Four-and-twenty winters, fully told,
By Frige's craft we ken it well,
Some nine moons ere the newborn's star
Thy sire and dam in darkness met,
Tossed and tumbled in twisting bower-dance
Steel struck on steel, the stair-proud towers;
Fire fanned aloft, flame on the morning;
Albion's offspring, that after-Rome,
Turned from triumph, tasting the pall.
Alliterative Verse in Arda
Forgotten Ground Regained Issue 11 is now out!
This issue of the magazine devoted to modern alliterative verse edited by Paul D. Deane (available online and as PDF) includes new and selected poems in alliterative verse set in or addressing the Legendarium.
The poems are by:
Dorothy Nielsen, Tolkien’s Revelation
Patricia Masson, Hymn to Earendil
Dawn Felagund, Crossing Forest River
Rio Wulfmare, Star-Moment
Zdenka, The Making of Angrist
Zdenka, The Choices of Lady Éowyn
Matthew Dickerson, A Good King
Himring, Ëarendil the Seafarer
Zdenka, The Death of Bëor the Old
Nate Beeton, Farewell to Bëor
Nate Beeton, The Star Enlaced
Lisa Cooper, Rain in the Wood
Savannah Horrell, The Archeology of Doggerland and Old Beleriand
Cliff Jones Jr., Marching Orders
Quincy R. Lehr, From “The Tale of the Sad King”
Math Jones, Tolkien Dreams
Colin Mackenzie, A Selcouth Tree
Susan Edwards, Slaying the Dragon
Susan Edwards, The Paths of the Dead
Paul D. Deane, The Song of Shadows
Chris Bolland, The Wight
Joseph Mathias, Middling Earth
The magazine also includes lovely artwork, reproduced with permission. There are also recs with links for even more poems.
Thank you to @silmalope for allowing us to use her artwork featuring Elwing and Eārendil together with my poem that also features those two characters!
Comparing Pearl (verse) translations
Original
Israel Gollancz (1891)
Sophie Jewett (1908)
Sister Mary Vincent Hillmann (1961)
John Gardner (1965)
Margaret Williams (1967)
Marie Borroff (1967)
Brian Stone (1971)
J.R.R. Tolkien (1975)
William Vantuono (1984)
Casey Finch (1993)
Simon Armitage (2016)
why fish like that. shiny. scary. scaly. alliteration wow

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
[extremely has been reading Maxims I voice]: I have been reading Maxims I.
One goal here: try to use this character's maxims to prod at what is normal to them and (rightly!) not normal to us.
Think it's going to take some tuning.
I've been working on a long poem that's been difficult to write. So while I put a pause on that, I took the structure of it and wrote this.
My Willow Blossom
The sad sapling bloomed an early, lonesome blossom. It was fitting seeing that the sunny season was nearing. And swiftly, the weeping willow was told, “spring will not be here shortly.”
Only one because it hopped too soon and realized too late that winter was yet to end—that the groundhog had saw its shadow. So its beautiful blossom had to brave the next blizzard by itself. The willow willed, but still watched it whither without peace while winter wrecked it without remorse. And the sad sapling learned to lose something so dear.
Liminal Lament
The synthetic sublimity of sparse signals sublimates into the silent suicide of sick souls.
The veil of oblivion will vanquish the veneer of the daring deceit,
Leaving a languid legacy of lacerated shallow shells.
Will our voices violently vie for a sprightly serendipity?