Dancing into the weekend like these New Yorkers in @alison_saarâs "copacetic" (2018) at the @mtametronorth Harlem-125 Street Station in Manhattan.




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Dancing into the weekend like these New Yorkers in @alison_saarâs "copacetic" (2018) at the @mtametronorth Harlem-125 Street Station in Manhattan.

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These are a few of the prints we will be showing this weekend at the Bay Area Fine Print Fair. Manneken Press is one of a dozen fine print publishers and dealers who will be presenting limited editions, unique prints, portfolios and other works on paper. There will be a wide range of works available for sale to the public at all price points. Please join us! â˘Kala Art Institute, 2990 San Pablo Ave. Berkeley, CA â˘Saturday February 12th, 10 - 6 â˘Sunday February 13th, 10 - 5 â˘Free admission *Masks required!* #bayareafineprintfair #bayareafineprintfair2022 #printfair #artfair #berkeley #kalaartinstitute #worksonpaper #limitededition #monotype #portfolio #artistbooks #collectprints #alisonsaar #judyledgerwood #jillmoser #mattmagee #sarahsmelser #chadbuck #tedkincaid #maryjudge @kalaartinstitute @onpaper.art (at Kala Art Institute) https://www.instagram.com/p/CZ0ER7_vruh/?utm_medium=tumblr
Stride Piano, Alison Saar, 1993, MoMA: Drawings and Prints
Gift of Business Committee for the Arts, Inc. Size: composition: 21 5/8 Ă 14 5/8" (55 Ă 37.1 cm); sheet: 26 9/16 Ă 20 1/2" (67.4 Ă 52 cm) Medium: Woodcut
http://www.moma.org/collection/works/66470
Another piece from @diadetroit . Iâm so glad weâre members. I love Detroit. #alisonsaar #bloodsweatandtears #artlovers (at Detroit Institute of Arts) https://www.instagram.com/p/B6BUUZBJqZ1/?igshid=1pny3yryvi8np
Print Media is beyond excited to have this year's Jordan Schnitzer Foundation visiting artist Alison Saar working hands-on with our students and doing studio visits all week! Alison's work is currently on display in PNCA's main gallery and she will be giving a lecture this evening at 6:30pm. Free and open to the public! @alison_saar @jschnitzerff @jschnitzmoa . . . #mfaprintmedia #alisonsaar #jordanschnitzermuseumofart #pnca #hfsgs #printmedia #printmaking #portlandprintmaker #portlandprints #visitingartist #mfa #printstudio #printispower #printisvoice (at PNCA - Pacific Northwest College of Art)

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Ulysses, Alison Saar, 1994, MoMA: Drawings and Prints
John B. Turner Fund Size: composition: 47 5/8 Ă 17 11/16" (121 Ă 45 cm); sheet: 51 Ă 23" (129.5 Ă 58.4 cm) Medium: Woodcut
http://www.moma.org/collection/works/73719
Alison Saar's "copacetic" (2018) at the Metro-North Railroad Harlem - 125 Street station celebrates Harlemâs legacy and rich history. Imagery in the glass artwork is created from woodcut prints and features panoramic scene of dancers, singers, musicians and patrons enjoying Harlemâs heyday of the 1930s and 40s, which as she explains, âgives a nod to the work of the many great African American artists of the Harlem Renaissance that have used the same medium in their practice.â In "Mirror, Mirror" now on view at the Williamson Gallery at Scripps College (and virtually on the galleryâs website), original prints from throughout Saar's career confront issues of race and gender with a mix of bitter humor and tenderness.
Alison Saarâs projects at the Metro-North Railroad Harlem-125 Street station encourage preservation of Harlemâs great legacy and celebrate its rich history. âcopaceticâ (2018), an expansion of her 1991 âLet the Lone Whistle Moanâ, is a panoramic scene of imagined dancers, singers, musicians and patrons enjoying Harlemâs heyday of the 1930s and 40s. The glass artwork was created from the artistâs original woodcut prints, which as she explains, âgives a nod to the work of the many great African American artists of the Harlem Renaissance that have used the same medium in their practice.â The upper windows are inspired by the Harlem-125 Street Stationâs wrought iron work and designs from the African diaspora.
More of Saarâs work is now on view in the Faurschou Foundationâs Greenpoint inaugural exhibition âThe Red Bean Grows in the Southâ.