#alisonsaar

Dancing into the weekend like these New Yorkers in @alison_saar’s "copacetic" (2018) at the @mtametronorth Harlem-125 Street Station in Manhattan.

These are a few of the prints we will be showing this weekend at the Bay Area Fine Print Fair. Manneken Press is one of a dozen fine print publishers and dealers who will be presenting limited editions, unique prints, portfolios and other works on paper. There will be a wide range of works available for sale to the public at all price points. Please join us! •Kala Art Institute, 2990 San Pablo Ave. Berkeley, CA •Saturday February 12th, 10 - 6 •Sunday February 13th, 10 - 5 •Free admission *Masks required!* #bayareafineprintfair #bayareafineprintfair2022 #printfair #artfair #berkeley #kalaartinstitute #worksonpaper #limitededition #monotype #portfolio #artistbooks #collectprints #alisonsaar #judyledgerwood #jillmoser #mattmagee #sarahsmelser #chadbuck #tedkincaid #maryjudge @kalaartinstitute @onpaper.art (at Kala Art Institute) https://www.instagram.com/p/CZ0ER7_vruh/?utm_medium=tumblr

http://www.moma.org/collection/works/66470

Another piece from @diadetroit . I’m so glad we’re members. I love Detroit. #alisonsaar #bloodsweatandtears #artlovers (at Detroit Institute of Arts) https://www.instagram.com/p/B6BUUZBJqZ1/?igshid=1pny3yryvi8np

Print Media is beyond excited to have this year's Jordan Schnitzer Foundation visiting artist Alison Saar working hands-on with our students and doing studio visits all week! Alison's work is currently on display in PNCA's main gallery and she will be giving a lecture this evening at 6:30pm. Free and open to the public! @alison_saar @jschnitzerff @jschnitzmoa . . . #mfaprintmedia #alisonsaar #jordanschnitzermuseumofart #pnca #hfsgs #printmedia #printmaking #portlandprintmaker #portlandprints #visitingartist #mfa #printstudio #printispower #printisvoice (at PNCA - Pacific Northwest College of Art)

http://www.moma.org/collection/works/73719

Alison Saar's "copacetic" (2018) at the Metro-North Railroad Harlem - 125 Street station celebrates Harlem’s legacy and rich history. Imagery in the glass artwork is created from woodcut prints and features panoramic scene of dancers, singers, musicians and patrons enjoying Harlem’s heyday of the 1930s and 40s, which as she explains, “gives a nod to the work of the many great African American artists of the Harlem Renaissance that have used the same medium in their practice.” In "Mirror, Mirror" now on view at the Williamson Gallery at Scripps College (and virtually on the gallery’s website), original prints from throughout Saar's career confront issues of race and gender with a mix of bitter humor and tenderness.

More of Saar’s work is now on view in the Faurschou Foundation’s Greenpoint inaugural exhibition “The Red Bean Grows in the South”.