Jun 15
Absolutely awesome variants by Jim Lee, Scott Williams, and Alex Sinclair!
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Absolutely awesome variants by Jim Lee, Scott Williams, and Alex Sinclair!
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Gambit by Jim Lee, with Inks by Scott Williams, and Colors by Alex Sinclair.
This is for the upcoming Superman/Spider-Man book.
Batman/Deadpool (one-shot) (card stock and 2026 second printing DC/Marvel variant; Batman and Wolverine) (2025)
Art by: Jim Lee, Scott Williams and Alex Sinclair
Superman/Spider-Man [one-shot] - Lois Lane & Mary Jane: The World's Finest (March 25, 2026)
Written by: Tom King Penciler: Jim Lee Inker by: Scott Williams Colorist by: Alex Sinclair Lettered by: Pat Brosseau Edited by: Marie Javins (editor) Published by: DC Comics and Marvel
[from What If…? Spider-Man one-shot (July 29, 2026) by J.M. DeMatteis (script), Yıldıray Çınar (pencils & inks), Alex Sinclair (colors) and Joe Caramagna (letters)]
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Frank Miller and Alex Sinclair — Superman Year One #3 (2019) Source
it's crazy how Alex Sinclair is such a mediocre colorist that he instantly drags down any artist whose lines he colors to the level of generic slop. Take Jim Lee, his most common collaborator.
There's so much depth and texture to Lee's lineart in these pieces, subtle artistic flourishes that establish mood and tone. These are fantastic pieces drafted by a genuine master of the craft. Now let's see how they look with Alex Sinclair's colors.
Eugh. You see what I mean, right? Sinclair's colors wash out so much of the mood and tone established in Lee's pencils, flattening the works and stripping them of much of their depth. The color palette employed by Sinclair is generic and amateurish, making the art feel pedestrian and ordinary, and the effects, like that genuinely embarrassing rain and lightning on the Absolute Batman cover, are incredibly outdated. It is not 2004 anymore.
Another example. Here's Greg Capullo colored by a competent colorist, his longtime collaborator FCO Plascencia:
And now here's Capullo colored by Sinclair:
See the difference?
Every part of the comic creation process is important, and every person involved contributes something important, whether it's the writer, penciler, inker, letterer, editor, or colorist. A good colorist can elevate a work to sublime heights, while a poor colorist can easily drag even an incredible penciler's work down into mediocrity.
Batman (2016) #163 Variant Cover by Jim Lee, Scott Williams, & Alex Sinclair